Reloaded and much more complete version of zyrup with a lot of remodeled and new characters (more than 130, full caps set included, plus usual kerning). An extra "y" placed in the "™" sign, and the two original alternate "v" and "w" can also be found now in the "fi" and "fl" glyphs.
It all started as silly, trying to slightly modify the original "@"... and has ended in a practically new font (106 created glyphs, 32 modified, 68 remain intact). Seeing the final result, I think it was worth it, the font grow up. Hope you like this new dress.
This is a clone of zyrup eYe/FSBased on the font 'Kettler' (Eric Olson, 2002), which in turn is a tribute to the great 'Courier' (1955) by Howard "Bud" Kettler. As often happens to me, this recreation was born from the attempt to improve some characteristics of the original glyphs that I considered appropiated, in addition to being able to have a personal modern typewriter font. The monospace of this kind of letters has been a bit relaxed on this occasion. PS: Thanks for the helpful hand from @Sed4tives!
This is a cloneMade to make the 2nd layer for zabbaleena.
This is a clone of zabbaleena eYe/FSLogical evolution of zolid02, less experimental and more readable, complete and compact.
This is a clone of zolid02 eYe/FSCaps only font. You can use the glyphs placed at the lowercase to add a different second letter in pairs like EE, FF, LL, NN, OO, SS, TT, ZZ, etc. and to avoid graphic repetitions in a single word or phrase. Extra "c" at the "¢" glyph. (NB: To create this one I have greatly exaggerated the method used by my admired Beate -sorry, Maestra- in her font db Whisper, which successfully simulated hand-drawn letters.)
When I first saw jonrgrover's Wiggly Wumpus, I told the author my first impressions about the font. After a few days, I finally decided to do it myself, and that's how these glyphs you see were born (thanks for the creative impulse, Jon). Achieving a smooth, sinuous curve has been a bit more laborious than expected, and there are some letters of complicated construction and I'm not 100% happy with the current look of some of those. But here they are, dancing infront of your eyes as if reflected in a fairground mirror. Btw, "Specula risus" (latin) means "Mirror of laughter", that kind of mirrors that visual and comically deforms our bodies... Hope you like them.
This is a cloneThis font is a not too curious case. It comes after trying to prove to myself (with a high percentage of satisfaction, but not quite yet) that FS can allow me to create pro-looking fonts. I am thinking, for example, of zerena, zchreibengroß, zimmera, zenando, zenantoo, zanze, zinckel and others like that. Every time I finish a font that has taken me a long time to complete, I feel the need to look back and do something more relaxed and simple. Thus, without any pretense but feeling fun and friendly, zikiya was born. Hope you like it.
Another "2-in-1" fontstruct. To obtain a chained word, please write their letters using only the uppercase (= with connectors) and use the lowercase (= without connectors) to finish the last letter of your word. E.g.: HELLo. The lowercase works like a traditional font too.
A sans serif display unpretencious font with a slightly futuristic touch. Readable even at pixel size, although its legibility decreases somewhat when used for long stretches of continuous text. "ff" and "tt" ligatures available.
PS: My huge thanks to Sed4tives for his much appreciated help.
Thin sister of zenando, more legible for body text (even at pixel size), but with numerous differences on a lot of glyphs (it's a new font, basically). You can find an additional "$" in the "§" glyph. There are also new ligatures "ff" and "tt" which are in the places of "fi" and "fl". Enjoy it, please.
This is a cloneXploring thin sides.
This is a clone of zlowler2 eYe/FSI've already gotten into another mess. Again a "2-in-1" font. It may work as is, but if you want to convert it to a script one you have to use some connectors between the letters, placed in the glyphs <, >, \, [, ], {, }. You must try each of them between two characters because there are many possible combinations. I add some samples down here. Don't worry and be patient, please, the result is worth it. Oh well, the actual "</>" glyphs are finally in the "©/™". To see all working, copy and paste the following sentence in the User Input window, please: Th>e q>u>i>c}k b[r{o[w[n f>o[x j{u]m]p\s o[v{e[r t]h>e l>a{zy d>o{g.
This is a cloneLefty version of zavantia. It's very funny mix both fonts.
This is a clone of zavantia eYe/FSColourized and 3D version of "zeropixel", product of the union of the outline version plus the fill version (and a small displacement added). My admired four had the idea, so I have tried to put it into practice. Hope you like it.
This is a clone of zeropixel eYe/FSFill-font for zeropixel, which can also work on its own. Special edition at the suggestion of Bryndan W. Meyerholt (BWM).
This is a clone of zeropixel eYe/FSTrying an unusual oblique way to spacing the parts in a stencil font. Looking at the glyphs, I'm not entirely satisfied with the final awelcome. Thanks in advance. ❤️ I'm not entirely satisfied with the final aspect of my "s", any suggestion to improve it (or also for other letters) are welcome.
This font is another of the products that a challenge as lively as TwentiesComp generates in FontStruct. You spend two weeks (or more) devising and building original and competitive fonts in a crazy race, but your brain does not stop when the Comp is over and continues through the nooks and crannies that you had demanded of it before, searching and producing new suggestions. This was one of those post-hoc ideas that came up when the fonts to present were already finished. Hope I don't detract too much with it the great level that this Comp has had. Thanks for your compreension.