2002485728
Published: 3rd May, 2024
Last edited: 24th July, 2017
Created: 9th June, 2009
a geometric typeface inspired by 1950s-1970s lettering of the swiss railways, based on a square shape for most letters. there will be condensed and extended versions too.
if you use this font for print, web, logos or other publications, please drop me a note, i'd be happy to receive samples and photos of the font in use!
2012-02-25 corrected accents
256453714
Published: 1st May, 2009
Last edited: 30th June, 2009
Created: 12th April, 2009 A sans serif computer related font inspired by bitmap fonts like Chicago and Charcoal, but it evolved with some of Fontstruct's "Design Limits" in mind:
I left the lower right corner slab of the N to add some rhythm to the "uncrossing" X's slabs (also present in the K), which to my perspective balances the V's impossibility of a straight angle from top to bottom.
I also used a 2x2 grid filter, that I've learned from williaum's a ll e g o r i c a, just to correct some punctuation issues and to make a narrower c. djnippa's Brick Stacker Tutorial also came in handy, THX2uBoth!
3331525559
Published: 6th October, 2010
Last edited: 17th October, 2010
Created: 5th October, 2010
Loosely based on the custom lettering I did for my DINOSAUR logo (http://www.thedinosaur.ca).
I wanted to make an old-school compressed gothic that didn't look like it was made in fontstruct.
Could be good for movie poster credits.
6911951
Published: 7th April, 2008
Last edited: 22nd June, 2009
Created: 7th April, 2008
Variation of Matthias Eight with all edges rounded off.This is a clone of Matthias Eight
96101864
Published: 12th July, 2009
Last edited: 15th July, 2009
Created: 9th July, 2009
A bold version of Transmission. Also available in a regular version. Inspired by science fiction.This is a clone of Transmission
8631868
Published: 12th July, 2009
Last edited: 15th July, 2009
Created: 1st July, 2009
Regular version of Transmission. Also available in a bold version. Inspired by science fiction.
2592417549
Published: 16th October, 2010
Last edited: 27th October, 2010
Created: 3rd October, 2010
a 2x2 brick size font./////////////////
I had fun playing around with this font, espacialy small details which are hardly noticeable: diatrics, odd lenght angles, compromise the design itself of a glyph with kerning and aspect ration with the rest of the alphabet. well fell free to spot me anything non-harmonized.
//////////////////////////////////////
2x2 brick size VS 67.5° angles... I create bricks which can overlape the regular one on half of it... so it offer the possibilities to make odd size angle glyphs like v y, etc. Dont' know if somebody else did it before there is so many fonts now in FS, so it's hard top follow everything.This is a clone
61381717
Published: 9th August, 2009
Last edited: 6th November, 2009
Created: 9th August, 2009
Small is beautiful. I thought I could add a new spin to Stewf's little gem. I also expanded the character set a bit. It was fun.This is a clone
222101618
Published: 16th September, 2008
Last edited: 16th December, 2008
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
611115425
Published: 24th April, 2011
Last edited: 26th April, 2011
Created: 5th April, 2011
a 2x1 grid font. average contrast. Steem with oblique top This is a clone
7111473
Published: 13th November, 2008
Last edited: 18th February, 2009
Created: 6th October, 2008
Reily is a sans-serif typeface based on circles and squares.
127914711
Published: 19th August, 2009
Last edited: 4th September, 2009
Created: 17th August, 2009
If Bold is not enough...try Ultrabold! Part two of the Samoa-Typefamily. Hope you like it, take a look at the example. Write a comment if you have any suggestions!This is a clone of Samoa
1231314027
Published: 23rd November, 2011
Last edited: 23rd November, 2011
Created: 9th April, 2011
An Art-Deco-inspired fontstruction I created in April. Not sure why I never published it, but here it is!
EDIT: Three seconds after hitting "Save Changes" I thought of the perfect name for this one. I've updated the name.
There's also an alternate 'a' and 'g' available in the IPA area.
1131213626
Published: 21st May, 2012
Last edited: 4th June, 2012
Created: 25th January, 2011
Lowercase only font loosely based on Herbert Bayer's famous "Universal".This is a clone of Sansybar Wide
105613410
Published: 17th August, 2009
Last edited: 2nd October, 2009
Created: 14th August, 2009
"Samoa" is another bold typeface experiment where I used the filters (1.6). Looks striking to me although I´m not sure about Z, 4 and 7...How do you like it? Write a comment!
681313225
Published: 10th September, 2009
Last edited: 14th September, 2009
Created: 6th September, 2009
Serpentine is another easygoing Outline-type which can be used for headlines. Take a look at the example, hope you like it. I´m open for any suggestions.
*=alt.B, #=alt.R, %=alt.e
701011010
Published: 8th August, 2009
Last edited: 2nd October, 2009
Created: 3rd August, 2009
Don´t trust the preview, take a look at the Example! Dedicated to the marvellous DJ Shadow. This is another contemporary Display-Font I created using the Brick-Size-Filters (adjusted at 1.75). It´s not a 3D-Font, or a puzzle or a construction plan, but I think it´s a very consistent typeface:-) Hope you like it, please write a comment if you have any suggestions. More letters to come.
962110722
Published: 20th June, 2010
Last edited: 21st June, 2011
Created: 20th June, 2010
Sketch developed from the first drawings made colaboratively at the Hacklaviva workshop with Dave Crossland.
More info here: http://hacklaviva.net/2010/06/e-ja-amanha-a-b-c-oficina-de-tipografia-livre/
1190981
Published: 18th April, 2008
Last edited: 16th June, 2009
Created: 18th April, 2008
Solly is a headline font that i did trying to keep the tile size quite small while retaining the appearance of a non-modular font. If you use it, remember to enjoy! Luv, t.. // http://www.polyfonken.com
16119814
Published: 16th September, 2008
Last edited: 3rd November, 2008
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
1371988
Published: 16th September, 2008
Last edited: 3rd October, 2009
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
2691988
Published: 29th December, 2008
Last edited: 15th January, 2009
Created: 27th December, 2008
Text version of Soul Ninja... Friendly Sans-serif done in my vacation... Works fine as pixelfont.
Hope you enjoy it!
If you liked please give it a good rating!
Soon with extended latin characters! I promise!
More works at:
www.lucazevedo.com