Recreation of the fantastic font Startime, from the compilation "Circus Alphabets" (1989) by the great Dan X. Solo. I've modified some glyphs (C, G, J, K, V, W, X, &, 3, 5, 6, 7, 8, 9, ?, !, *, (, ), $, €, £, ¥, etc...) and added a lot of them, including accents and other diacritics. Some alternates were also included in the lowercase area. A personal hommage to a font from my youth, which I felt encouraged to finish after admiring the magistral and excellent work of Frodo7 Abruzzo DS.
An extension of elmoyenique's zerondo eYe/FS. It was added the language Greek, including ligatures. Pixelated glyphs mean that it was too difficult for me to build that glyph. (NO HATE COMMENTS, OR ELSE.)
Ideas are welcome. Hate comments, saying, e.g., “Bad font! I hate your font.”, are not grateful to me, and can cause more complaints. Do NOT:
Think that this font is bad.
Send inappropriate images in the comments.
And more.
Ligatures: ae, aa, ay, and more.
This is a clone of zerondo eYe/FSTwin brother of zeronda, with more spectacular and rare large serifs. This font is a pretty little thief to me: with its big serifs it stolen my hart. It was love at first sight, as soon as I started I couldn't stop adding them to the glyphs. Only caps/unicase, also includes an "a" and "e" alternates... and a little "c" in the "¢" glyph. Kern in progress. Enjoy.
This is a clone of zeronda eYe/FSGr4ftY presents:
Bolden
Just a simple bold font.
feel free to give critique, as long as you have something helpful to say.
i would especially appriciate help with the greek.
thanks:
to @Kiên Trung for helping with the Υ
to @elmoyenique for helping with the y
to @Sed4tives for a bunch of bits and bobs here and there (c, t, and n, to name a few)
additional info:
X height: 5
Cap height: 8
letter width: 5
Filters: 2x2
a little something I had in my head for quite a while already, finally decided to try and make it in Fontstruct.
No kerning done right now, but maybe some time later I'll do it. though even without the kerning it looks nice in my opinion.
Feel free to clone and see how it was done. (some glyphs like { are quite messy though)
also may redo some glyphs in the future.
UPDATE: cyrillic done
Inspired by Briem Script.
I am very proud and happy that I have been awarded a staff pick starfish. ⭐️
Arabic is basic, only Arabic and Urdu are supported. Alternate samvat forms for 2, 3, and 5 digit years are in PUA. If you wanna remove the notch in the U+16AEC, then use U+E000.
Only lowercase Georgian mkhedruli is supported.
My ratings dropped from 9.10 to 8.57??? omg these trolls are ANNOYING
@AFontAbove No, this is Patrick.
Inspired by Interfacer. See also Zagato and Zagato Bold.
Looks like the Bauhaus style is trending on FS.
This is a cloneInspired by Interfacer. See also Zagato and Zagato Black.
Looks like the Bauhaus style is trending on FS.
This is a cloneInspired by Interfacer. See also Zagato Bold and Zagato Black.
Looks like the Bauhaus style is trending on FS.
This is a cloneLast weekend I was feeling a little nostalgic and decided to review my first ❤️ FontStruction (I made it in 2009, over 14 years ago). Time and fonts have passed since then, but I still like the overall look of it, so I decided to give it a facelift: I changed some important things about the diagonals and the building of quite a few glyphs, as well as restructuring the overall design, homogenizing it a little (taking into account my inexperience then), adding kerning... Now I present it to you again, hoping that you like its current appearance and that someone sees in it the value that I see. Thanks in advance.
This is a clone of zamzibar eYe/FSWIP
This is a clone of zement02 eYe/FS CBOOTSHAUS — Geometric "Bauhaus"-inspired modernist sans
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Bootshaus is another endeavour into the Bauhaus realm of typography.
Focus for this font lies mainly within it's broad choice of glyph alternate forms to select from for stylish texts or logos.
Much of the extra glyph alternative forms are loosely based on the lettering by Sascha Lobe for the Bauhaus-Archiv
Many more glyph alternative forms are planned to be included, stay tuned..
— WIP
Cheers!
Black and rounded display font. Made with 2:2 filters, x height = 2 bricks (yes, truly), UC height = 2,5 bricks, and descenders = 0,5 brick. Plus: "ff" and "tt" ligatures placed at the "fi" and "fl" glyphs, and a lot of kern done but more in progress. Enjoy, please.
PS: Thanks to @Sed4tives for his continuous, selfless and very helpful help on improving this font. I'm in debt, compa!
WIP
elmoyenique, why you don't use filters?
This is a clone of zybercow eYe/FSVON NEUHAUS — Geometric “Bauhaus”-inspired style
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This is the latest evolution of a “Bauhaus”-inspired constructivist style typeface design that originally started 5 years, or two font versions back.
To me personally this is a long awaited triumph, that has finally materialized after years worth of been haunted by this idea, and the crazy speculations about this ghost that would never be...
Well, that was untill now... So at last, I can now finally proudly present to you this latest of arrivals to come from this unforeseen series of typeface progressions.
This newborn addition is in fact the 3rd phase of this letter concept's evolution, and caused the font project to undergo a series of addaptations that graduatelly increasing the levels of sophistication possible by chaging it's internal structure and behaviour within the FontStruct-editor. This 3rd addaptation unlocks the FontStruct editor's “Expert Mode” full power potential.
Enabling all editor functionallity to provide the most versatile font creation capabilities available within FontStruct.
STF_BLAUHAUS was the font's very first version, created back in early 2019. It's the font's original concept as it innitially was first intended. It essentially started out as a personal study into the design of letters on a small grid. And more importantly, the creation of required composite bricks to do so.
The idea back then was to craft the most complex geometry possible without the use of any “Expert Mode” functionality whatsoever. Now, what this innitially did was still quite novel to me at that time, as this had led to the development of a FontStruction that was solely built from the extensive use of composite bricks. Not just a couple, but a staggering 272 composite bricks in total. Many of which in fact are quite intuitive and required certain amounts of careful thinkering with the maths found in it's geomtry to craft these custom brick compositions.
So as explained above, there was no use of any of FontStruct's “Expert Mode” functions. This meant that the option to nudge, flip or rotate any of the bricks wasn't available. Now this changes everything in respect to building complex fonts, since in order to get all the bits and pieces of a letter such as: crossbars, intersections, curves and corners properly aligned requires, a precisly fitting composite brick to be tailor-made. In terms of the FontStruct limitations, this cause the physical properties of FontStruct's brick composition tool to be fundamental as to how much complexity and refinement can be put into it's letter geometry. In other words this is fundamental as to how well crafted the design is going to look in the end, since there is no option to further manicure shape or form other than from within those bounds of the adjacent 16-brick-array grid squares of a selection for composition.
I've choosen to design the alphabet concept in this “Bauhaus”-inspired geometric style, simply because of the simplicity this style has in terms of its basic pure geometric forms. The final result became this simple and bold looking small grif display type with a “3-bricks” Em-size only.
but it had some crucial compromises that had to be made due to FontStruct's design limitations. Not terrible, but not quite perfect either.
One very important byproduct from this limitations as were described above was a huge collection of very intuitive custom brick compositions that offer seemless alignement and perfect fits, basically an extensive set of custom bricks that work in a very similar fashion as FontStruct's default “Connect” bricks.
Bringing us to the main reason for 2022's version of this font.
STF_BLAUHAUS (Plus) was the font's second version, and most recent state that it sat in for the last year, up till this now. In this 2022 version of the of this font design modification the FontStruct editor's “Expert Mode” functionality was introduced into the design. Hoping to further manicure some of these compromised critical area's in an attempt to see what refinements could be implemented to revise the 2019's original version.
Now that the option to nudge, flip or rotate bricks was available, new more complex geometric shapes suddenly became possible. This sparked an explosion of new characters and additional alternative forms. Although now the FontStruct editor got vastly more versatile and potent, it remained strongly limited by that still present 1:1 brick size filter setting. Nevertheless, this made possible a very substantial update of the older font, and allowed many new shaping capabilities.
STF_VON NEUHAUS is the 3rd and final evolition to have come from my earlier FontStruct endeavours; STF_BLAUHAUS and STF_BLAUHAUS (Plus)
This version basically saw the transition from a font only using 1:1 brick size filter into a font at 2:2 brick size filter settings to unlock all power potential of the FontStruct editor's “Expert Mode” functions.
I could now write another eqyually as long body of text, explaining what's new in this final version or which other improvements were made, or say about it whatever the hell I want, but I figure that the picture becomes even more apparent when simply comparing the 3 fonts from old to new, and see the evolution happening before your eyes.
Start with STF_BLAUHAUS, folowed by STF_BLAUHAUS (Plus), and witness the full glory of "next-level" FontStructing that made possible the last version STF_VON NEUHAUS.
I hope you like it,
Cheers
This is a clone of STF_BLAUHAUS (Plus)See more:
https://fontstruct.com/fontstructions/show/2386051/limbo-20
https://fontstruct.com/fontstructions/show/2381842/arriette
https://fontstruct.com/fontstructions/show/587408/rap_my_hip_hop
https://fontstruct.com/fontstructions/show/2368610/prototype-x29a
https://fontstruct.com/fontstructions/show/2390774/zybercow-eye-fs-20
This is a clone of zarzaparrilla eYe/FS CSee more:
https://fontstruct.com/fontstructions/show/1270088/kirpich-1
This is a clone of zarzaparrilla eYe/FS CSee more:
https://fontstruct.com/fontstructions/show/356612/ztarsky_rnd_eye_fs
https://fontstruct.com/fontstructions/show/1800284/rubber-block-2
https://fontstruct.com/fontstructions/show/2250036/test11-12
https://fontstruct.com/fontstructions/show/422147/tessa_7
This is a clone of Hi-loSee more:
https://fontstruct.com/fontstructions/show/1883183/nc-hexane
https://fontstruct.com/fontstructions/show/1727445/hexagon-24
https://fontstruct.com/fontstructions/show/1466312/atomic-6
This is a clone of HexagoniaTYPOGRAAF — Geometric modernist display typeface
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Typograaf is simple looking modernist style aimed for display use. It doesn't work well in a long line if text nor at smaller sizes. But perfect for large display work, logo's and such. The letterforms have several little nuances and multiple custom crafted curved parts with smooth (near) real Bézier contour quality.
So far only general concept plus some extra's was created, no multilingual suport for now.
Let me know what you think
Cheers
See more:
https://fontstruct.com/fontstructions/show/27293/weaver
https://fontstruct.com/fontstructions/show/2139530/g1-thorium-1
https://fontstruct.com/fontstructions/show/2388858/nodus-hibernicus-fs
This is a clone of ztrands eYe/FSSee more:
https://fontstruct.com/fontstructions/show/2211685/kachok-blade
This is a clone of Cyber Ninja C