Credits to: @elmoynique for the font.
This is a clone of zikiya eYe/FSjust a cool widened font: the first of 64 cunningly cloned special fonts designed at different grid scales (in this case, it uses 1 to 2)
This is a clone of fs excaliburAaaaaaaaaaaaaaaaaaaa!
This is a clone of zhyghosts eYe/FSThe NUMBERS were the origin: This font has been created from the design of glyphs 0, 2 and 4, which was then extrapolated to the rest of the characters. Unicase with alternates. Thanks @AidenFont for the vertical stripes idea.
A narrowed zrebmun version, trying another different point of view for the original font. Let me know what do U prefers, please.
This is a clone of zrebmun eYe/FSMy rendition of the UKTV channel-specific on-demand services font.
This is a clone of züricher eYe/FSMy second entry for the Numbers competition.
This one has actually been sitting there for a while already, I haven't published it before because of the terrible kerning and some awful letter solutions. But I think the numbers are quite cool, so...
My version of Jan Tschichold’s “Schmale Grotesk - Leicht und schnell konstruierbare Schrift” (narrow grotesque - font that is easy and quick to construct), from 1930.
Turns out it isn’t always “quick and easy” to translate a pen and straightedge approach to constructed letters into Fontstruct’s prefabricated bricks setting.
In expanding the glyph coverage, I tried to remain true to the spirit of the original self imposed limitations, both in terms of grid (e.g. the cramped space for the uppercase diacritics), and of tools (see the solution for superscripts et similia).
The font covers all of Google Fonts Basic set and, given the c-caron present in the source, all of Czech orthography. I may try to add other Eastern European languages in the future.
For different takes on the same source, you can look at Serious, here on Fontstruct, or at Iwan Reschniev, for an extensive expansion in weights and typographic features.
As always, comments and suggestions are welcome :-)