961014214
Published: 3rd May, 2024
Last edited: 25th January, 2014
Created: 18th January, 2014
PARTIN is high, tall and clean inline font inspired by basketball club Partizan Belgrade.
Alphabet and serbian cyrillic included.
384702
Published: 9th April, 2008
Last edited: 18th September, 2009
Created: 9th April, 2008
A Reversed version of Negativistic. I tried a unicase version, but am afraid the lc doesn't really work. Ideas welcome.This is a clone of Negativistic Small
130851
Published: 30th April, 2008
Last edited: 30th April, 2008
Created: 30th April, 2008
Long Mark is a type inspired on straight edged marker writing, with a pinch of curve, still needs some attention...
1540984
Published: 2nd May, 2008
Last edited: 8th March, 2009
Created: 2nd May, 2008
Clone of Upriteous. Wider. Just as tall, a little darker, just as handsome.This is a clone of Upriteous
2331481
Published: 9th May, 2008
Last edited: 13th May, 2008
Created: 9th May, 2008
Now with the full Basic Latin character set. And I'm working my way through the 'More Latin' set.
Any comments are welcome!
7451612
Published: 19th May, 2008
Last edited: 16th June, 2009
Created: 19th May, 2008
caps and small caps... work in progress. You can see a sample poster here.
6211564
Published: 2nd August, 2008
Last edited: 17th March, 2014
Created: 2nd August, 2008
inspired by a sticker of an english band called lost prophets...
632199878
Published: 4th September, 2008
Last edited: 24th June, 2009
Created: 4th September, 2008
Good evening and welcome to the Steeplechase, Fonstruct's premier jazz club. Be-bop on over to the bar and order your favorite libation. The show is about to start.
1371988
Published: 16th September, 2008
Last edited: 3rd October, 2009
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
16119814
Published: 16th September, 2008
Last edited: 3rd November, 2008
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
222101618
Published: 16th September, 2008
Last edited: 16th December, 2008
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
12368411
Published: 4th November, 2008
Last edited: 30th June, 2023
Created: 4th November, 2008
The 'why not' version...with a guentersen style heart at the dagger.
106933540
Published: 25th February, 2010
Last edited: 25th March, 2010
Created: 24th February, 2010
Now it really is thin and slim :)This is a clone of RM DECOmid
127106640
Published: 12th May, 2010
Last edited: 6th April, 2020
Created: 12th May, 2010
A quick test of the new fractional composites. And to see if there are any abnormalities that come up.
1231929131
Published: 18th February, 2011
Last edited: 3rd May, 2011
Created: 28th January, 2011
This is a tall monospaced font, so I had to get a bit creative with some of the glyphs. But I think it's relatively legible.
2111812
Published: 11th November, 2012
Last edited: 12th May, 2018
Created: 10th November, 2012
I like gazebos as they give protection against sun, rain, snow to those who want to be in a natural surrounding. When I needed a 'structure' font for a project I decided to make it an abstract gazebo.