see also heyy by SamanthaRoseRohrbach
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I like it!
Work with these kind of angles is very hard, I know (in my case, by my experience with an unpublished font, I add you a little sample).
Terrific work, CMunk! Looks like the remnants of a decayed, long-dead civilization, with fonts crumbling back into the earth from whence they sprang...
Nice "half buried in the sand" effect! :-)
And @riccard0 says it much better than I could... :^)
And nice synchronicity, Goatmeal. I too thought of Planet of the Apes!
By the way, diacritics would be a challenge...
There is a lot of work gone into this - with a great result. 10/10
It may be because it is lunchtime here .... but I keep seeing carved wedges of cheese. :)
I remember a PS tutorial for achieving this kind of result, but now we can just type it. Thanks!
Congratulations! FontStruct Staff have deemed your FontStruction worthy of special mention. “Slice” is now a Top Pick.
wow very nice work,
very funny and realy well done
Congrats for the very well deserved TP!
Congratulations on having such vision to think in so many angles at once. Awesome.
Thank you all for the very nice words! And thank you Meek for the top pick!
What do you (especially francophones) think of the c-cedille? A descender would be really troublesome. Is the current form legible? Or even recognisable as a c-cedille?
hmmm the c cedilla does'nt work,
it definitely have to be under the letter.
maybe you can take the low part of ; and put it under the C
some french words
ça - IT
Leçon - Lesson
Maçon - Bricklayer
I have an idea.
What if you shortened the height of the c and just added the cedilla under it? So just take out a few bricks, move the bottom half of the c up, and slap on a cedilla at the bottom to retain the normal x-height.
This reminds me of a font I recently used called Wedgie. http://www.fonts2u.com/wedgie.font
really cool man. dig it
wonderful,designing and creating fonts like this is very difficult
Packed with dynamic tension, Uptake is an exciting and characterful but also eminently usable sans.
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