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You keep going from one awesome to another. Master.
@thalamic: Thank you very much for your words, you make me blush.
... And this other, my second western stencil. Hope you like too.
This is brilliant. Quite unique, original. (The other one was similar to Payload Wide, an excellent stencil face from Linotype; more reason to me to like it.) There is not much to complain about, all letters are wonderful. The numbers are a bit hard to read, 4,5,7 in particular, but that's easy to mend. I knew you were good at western type. 10/10
I especially love A, K, N. That @ sign is divine. What a brilliant, useable font you've made. 10/10
Very original and brilliant typeface! As always :) 10/10
A reminiscence of one of the earliest fontstructions – meek’s own Floorplan – but sent back in time with Doc Brown in Back to the Future Part III. The details you coaxed from this one are stunning. You’ve got the touch for modular magic! 10/10
What a strong font, a beautiful interplay between positive and negative space. Your process of abstraction has led to a set of shapes that work so well together: what is there is suggestive of what isn't and what isn't contributes towards the overall shape of the glyphs. Fantastic, I keep looking at it. 10/10 + fav
Wonderful!! Such a combination of airiness with the strength of the block serifs. I bow to your talents. 10/10+++
Wow! @Frodo7: Thaaaank you very much. I'm with you about 4 and 5, but I'm trying to improve them. @demonics, @cablecomputer: Thanks once again for your continuous support, amigos. @will.i.ૐ: Thanks a looot for your words of support and your time, I don't knew the Rob Meek's font but I see some similarities, of course. @four, @p2pnut: A million thanks for your kind appreciations, you make me blush!
Yeehaw! Western elmoyenique style. Love the fact that there is a lot of empty space and yet the typeface is completely readable.
Thank you very much, laynecom.
Go west :) love this font
@Upixel: Thanks, pal. I'm still working to improve some numbers.
I like the E. This is awesome! 10/10
@winty5: Thanks for your comments and support. From the beginning, this was an exercise too hard to complete it, but this is the way I've tried to solve it. I hope surprise you soon.
Simply awesome as usual!
@jphturtle: Thank you very much for your comments and interest. The feedback is the best thing in FS. I've just made some changes to improve the legibility of some numbers (4, 5, 7).
Computer and jazz ages collide in this perfectly executed Art Deco shaded inline.
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A new brick-nudging feature for FontStruct, finally solving the macaroni conundrum.
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