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Not sure which version of capital E I like best, but I think the one with the vertical on the right speaks to me a bit more than the 3 horizontal bars. I like the lower case E fine, but the capital needs something a little extra I think, but problem is ambiguity in words where the E might could be confused with a B (like in Ear vs. Bar)
I do like that “backward” E.
Very nice start! Looking further more...
I'm no sure about the capital E, I think it's better if its like an "E" losing its neck :P
And, the width of the font should be same and balanced, you can use helping line by pressing "U" on the FontStructor.
Btw, I love the "o" :)
thanks for comments. I've vacillated back and forth on it, but I'm just gonna go with my gut and use the backwards E. It's just got more character and weight, even though it might cause reading problems in certain situations.
@cablecomputer - thanks for comment about constant width. I tried to use one width as much as possible, but some letters - like the "N" had adjustments due to angles available. I'm new at this and just used the standard box set and tried to make it work aesthetically (sp?) as best as I could. Was lots of fun... Credits to site designers+++ (btw I went back and looked and saw a couple letters I made narrower - can't remember why now - and widened them - thanks)
Good first font! Remember to keep a consistent style, now the numbers don't quite match the letters.
@Yautja - thanks for comment. I adjusted to make the numbers wide like rest of font per your comment. Everybody's comments are very helpful for me to learn... thanks all
The base letters from Tesla Motors storefront that inspired this set
A good start, Basing a design on the few letters gleaned from a logo is often a rewarding challenge. 10/10
To help you with those extra angles you might want to clone (and keep handy) the following:
If I were you, I'd erase the extra bricks on the capital E's vertical stem to make it the same width as the horizontal bars on the E. For me, it diminishes the consistency.
I like E in the word "Especially" on the 3rd line of your first sample.
Hi demonics, I put the thinner reverse E back in there. thanks for your comments.
This font is awesome! Great job of making it from the few letters in a logo. 10/10
thanks for comment. Wish I could do better on the N and Z, with fat diagonals, but don't really know how.
I might also change the R.
Can you do ARCADIA for me?
It looks very good, but the top bar on the Capital "A" is upside-down.
Example of the proper "A"
(on the Tesla Factory building)
Ha! you are right. The top bar of the A is different than what the set has. I hadn't noticed. :-)
Uniformity is the key to a successful font. Your capital "E" should resemble your lower case "e." All horizontal lines should end the same way. of your characters should all look the same way. There should be missing part of every letter that resembles an "A" or "E" in the exact same location the "A" and "E" are missing part of their lines. Your "s" does not resemble the "S" in the Tesla logo. Your "M" should have rounded corners at the top on both sides. Diagonal lines should have the same thickness as vertical and horizontal lines. The "M" should look like a rotated Tesla "E." Do not white out lines in the lower half of letters. Look at the Blade Runner font, and the Katie Che font.
Look at this Blade Runner font.
I am trying to upload images but they are not working. Go to
and look at this Katie Che font.
Here are more characters from the original Tesla font set.
I thick the Tesla "E" should be upside down to match the "A" from the font set you used. I think the "E" on the Tesla store front is "wrong."
Trust my judgment. If you don't ask others. My graphic design judgment is infallible, my taste in art impeccable.
I see there is a normal E and a backwards E. When I pull in the E in Photoshop, it only pulls in the backwards E.
How do I pull in the normal E?
Every word creates a continuous line that runs over the top and bottom of letters, looping at their connections. An ingenious and winning interpretation of the “Connected Script” competition.
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