What should i say ? I am truly honored if i was of some inspiration for this marvellous work. I love it; Every glyph is like a living character, and you don't need to add eyes balls like me or funk king, they're alive anyway. And love how you deconstructed and personalised the elements used normally to make blackletter font, I admire the way you mixed a somehow liquified sensation with some very aggressive shapes. I smell the perfume of a new discussion about svastika, because most of the glyphs are based on it, finally. The R and the X are gorgeously frightening in this context. I love every glyph, even if some go on criticizing , don't touch any, they're perfect! Must we stop to find beautiful the music of Wagnerbecause of his xenophobia, and the fact that his music was massively played in the great nazi meetings ? The strentgh of these shapes and aesthetic is not the properties of some idelology; they exist by themselves and can be used in another context with other intentions, like in this truly little piece of art. I will conclude that i am amazed my work can be inspirational for fontstructors who already have such a strong vision and are, at least technically, better than me. Hat's off, SSSam !

SORRY Ssaamm for your name, i made the same error in Frodo Font comment.

If i had only one "Shout" to make like says DjNippa, that would be for this extraordinary work of SSaamm scandalously ignored !

@Rob MEEK : but my SHOUT on this is still unheard. Damned ! Am i the only one on earth to percieve the outstanding excellency of this ? You put a thousand of TOP PICKS on blackletter fonts that were merely replicas of the traditional fraktur and old english, and you ignored this at last really innovative approach of the genre ! That makes me more understand why i had only 2 top picks out of my 200 fonts when some fontstructors are automatically top picked when they make their tenth replica of Helvetica !