Starting with the word Unstable I have created this set of three fonts to show the breakdown of letterforms. Starting with Awe Fixed the letterforms are perfectly legible and stand quite tall and bold. Awe Shatter shows breaks within the letterforms as if shattered, while still legible the font still gives a very unstable feel. Awe Broken is the final font of the set which shows the letters in pieces.
Starting with the word Unstable I have created this set of three fonts to show the breakdown of letterforms. Starting with Awe Fixed the letterforms are perfectly legible and stand quite tall and bold. Awe Shatter shows breaks within the letterforms as if shattered, while still legible the font still gives a very unstable feel. Awe Broken is the final font of the set which shows the letters in pieces.
The design behind my font was inspired by the theme 'continuous'. This is a continued design from my past font which I was not completely happy with. Instead of using continuous circles I decided to use square and rectangular shapes. One of my main inspirations was the retro game Tetris. My font would work better in large scale as it is so bold.
For this Fontstruct project, I decided to look at the word malnourished. Looking at all aspects that surround the meaning of the word , the lack of proper nutrition caused by not having enough to eat or not consuming the right things for whatever reasons. I decided to look at the fashion industry, looking into what people put themselves through to become the “perfect” size and that the expectation for this image is growing. My font represents this by showing the main spotlight on the front letter which is tall and skinny followed by the reality displayed in the shadow which is a bigger more “healthy” letter , showing the two extremes in a whole typeface.
This font is based on the construction of origami. When creating any kind of origami a system must be followed in order for it to be successful, so I realise this linked in well. With all variations of my systematic designs the main idea behind them was the combination of basic shapes. With this font I mainly used squares and triangles, creating something complex by using a rule and a combination of geometric shapes.
Introducing Caprine 1.3! Now supports Cyrillic!
Caprine is based on roller graffiti you can see in virtually any urban area. The straight and rigid lines and angles, along with the thick drop shadows make the face a real crowd pleaser.