2353016442
Published: 31st May, 2018
Last edited: 29th June, 2018
Created: 5th November, 2016
Very stressful assembly of bricks, I thought I would not finish it on time. Uff! Some glyphs are still expecting to be included in the font. WIP, and kerning.
98207521
Published: 8th March, 2010
Last edited: 5th December, 2012
Created: 6th March, 2010
There'snowtime like the present, so here at last is my entry to the competition :)
14175536
Published: 6th October, 2009
Last edited: 21st September, 2010
Created: 29th August, 2009
It's fun to work with negative spaces for a change.
The 'i' is as wide as 'm' & 'w'.
29713153055
Published: 5th February, 2012
Last edited: 15th October, 2012
Created: 4th February, 2012
Pixel font with lower right corners cut. Best used with font size 24.
48327214165
Published: 17th October, 2009
Last edited: 1st April, 2012
Created: 16th October, 2009
An attempt at creating a set based upon each glyph being set in a square (with obvious exceptions such as i, f, 1 etc).
The 'Squarial' was the nickname for an old British motorbike - 'The Arial Square Four'
431014610
Published: 19th March, 2013
Last edited: 25th March, 2013
Created: 4th February, 2013
Some alternatives to "X" and "a" are placed at the "major" and "minor" signs.
989598329230
Published: 6th April, 2008
Last edited: 18th August, 2010
Created: 6th April, 2008
I wasn't satisfied with either of the current logo expansions, so i made my own. With Cyrillic characters.
IF YOU LIKE THIS FONT, PLEASE GIVE IT A GOOD RATING!
133197530
Published: 23rd May, 2011
Last edited: 23rd May, 2011
Created: 23rd May, 2011
The bold version of xe Inktrap. Had to make a whole bunch of composites to make this. See also
271374771
Published: 1st September, 2009
Last edited: 3rd September, 2009
Created: 30th August, 2009
Very loosely based on the work of Piet Mondrian.
The alternative S (igorrossi's) is on the l/c sThis is a clone
72234530
Published: 11th October, 2010
Last edited: 2nd February, 2011
Created: 11th October, 2010
A glyph made with glyphs, I dreamed this image and I could not take it off of my mind untill I've crafted this that you see. It's a little joke about the matrix of our creations... and now it lives in FS.
98617220
Published: 21st September, 2011
Last edited: 22nd September, 2011
Created: 21st September, 2011
Another font in the world.This is a clone of CanPicafort Mono
1274146257
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
12595219
Published: 11th September, 2010
Last edited: 11th September, 2010
Created: 10th September, 2010
An exercise in using the newer bricks to create a single typeface with two weights.
1211010351
Published: 12th January, 2011
Last edited: 9th September, 2012
Created: 15th September, 2010
A basic design principle, namely to emulate newspaper headline type. A few details to be worked out, but it's pretty much there. Seems to work well at all sizes.