'Sacred Textura', by Studio Sampersand, blends medieval Textura blackletter with contemporary design. Crafted with precision, it balances tradition and innovation. Its structured forms and intricate details convey strength and authority. The font follows a precise wide pen stroke-width that follows the hexagonal grid lines; creating a consistent neo-traditional textura font design.
FORMALISMS - Modernist inline display type
Rigid square-based inlined modernist display style with incised (fake-) 3D effect, mimicing a quirky and non-logical take on twisted geometric form and sometimes folded appearance.
Some characters, but mainly symbols still need slight improvements, some are still missing as well.
The bi-linear stroke was incised at certain specific positions and had one or more (cross-)intersecting line segment included that connect the two colinear strokes. This is creating 2 additional extra geometric hyper-planes, and allows the option of including the illusion of looking at three-dimensional geometric objects.
But the way this is implemented into the design in fact obeys no relationship to any actual fundamental propeties and isn't necessarily a correct three-dimensional form, nor fully or faithfuly folded.
The glyphs also have somewhat of a monogram logo style quality
Hope you like it
Cheers
dice based cypher made from 2d6 sets for each letter~
the key is attached as the sample; the letters shown there correspond to the letters typed out in lowercase as default. As upper case the colors of the dice are flipped but the order of the numbers is the same for each letter.
Edit: Good news! I cancelled to make this font in fontstruct because im going to transfer it to Inkscape (to design glyphs) and Fontforge (to copy paste the glyphs here from Inkscape for metrics, kerning, and font data stuff) so I don't have to rely on internet connection anymore. I even want to make lots of varieties of this font from sharp corners to gear looking corners to a bit of shifted glyph chaos.
I think I can let you use this font now.
I published this because I just want to know what would happen if I published a fontstruct. It was initially undownloadable.
Here's a preview of my first font I made in fontstruct. I initially made this font in Geometry Dash level editor (yeah, you've read it right) and left unfinished and I decided to reconstruct the font here in fontstruct.
Fontstruct is really good font creating website (I wish there was offline app/software version of fontstruct). I've encountered an annoying jumbled brick bug, but fortunately I've manage to fix the bug, by replacing "my bricks" with the correct bricks from below (don't know how to explain).
This is a cloneWorking under the theme of 'Rebirth', I have focused my first font on the idea of post-war architecture, or otherwise commonly known as modernist/brutalist architecture. Buildings constructed following the Second World War were built using new technologies of construction. These types of designs were known for their use of modern materials such as concrete and steel as well as their interesting geometrical forms. I was heavily influenced by the architecture featured in Owen Hopkins' book 'Lost Futures' which looks at the disappearing architecture of post-war Britain and how changing external contexts played a role in the subsequent destruction of these buildings.
My font is inspired by Navajo rugs and blankets and the main theme I went with was ReBirth. I thought this was fitting as the Navajo people create these rugs to tell a story of there beliefs and religion, which has been implemented in this font but instead, the words can tell the story and the design is inspired by the Navajo rugs and blankets.
Currently studying graphic design at UWE Bristol this is my first FonstStruct attempt, creating a typeface based on the theme ‘Rebirth’. After mind mapping all the ideas that sprang to mind when hearing this theme, the idea of our spiritual centre and specifically the seed of life, sacred geometry and recurring patterns in our universe stood out to me as subjects I wanted to explore.
After overlaying various sacred geometry over each other, to find similarities and differenced, specifically focusing on trying to unite the masculine and feminine attributes of the shapes, I started to draw and create my own recurring patterns.
Through research into existing religious script and spiritual fonts I found inspiration from the harsh angles uniting with soft curves. I started to create my own font building blocks and by creating my own bricks on FontStruct to create both my letters and recurring pattern which I placed within my letters to symbolise the sacred geometry and roots at the centre of all our lives.
See more:
https://fontstruct.com/fontstructions/show/661671/let_s_remix_tf
https://fontstruct.com/fontstructions/show/1677173/lasso-4
https://fontstruct.com/fontstructions/show/1683365/grib-2
https://fontstruct.com/fontstructions/show/1688055/pushkin-black
https://www.colophon-foundry.org/typefaces/pep/
Strange, the S and Z look better as the opposite of the shapes I expected them to be. 15 letters are basic shapes, 3 letters are 1x2 constructs, 6 letters are 2x2 constructs, and 2 letters are 3x3 constructs.