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A heavy, wide display font with high stroke contrast, high x-height rectangular proportions, large counters, low-medium legibility, and minimal curves. Suitable for sci-fi-styled titling. May also be suitable for retro styles.
Part of the Plutonium font family.
The RomByte font when displayed on a matrix display in real life.
Comes with the feature that when you look far away / when the font is small, you don't notice the small gaps. However, when you up look closely, you can spot the tiny gaps between the pixels.
Can be used as a grey-colored version of RomByte if displayed correctly.
This is a clone of RomByteTHE MILLENNIUM NEVER ENDS WITH THIS FONT!
Yep! That's right, Y2K is not that bad with this font! It's a celebration of the era that started a whole new generation of early internet goop!
This whole font are free to use, cause it's my first font to use for this site. Feel free to modify, share or fix it. But CREDIT THE AUTHOR, PLEASE! Thank You!
Made a font based on a logo I drew for a new version I'm making of that old game I made in a summer Game Design class years ago called "Hexamo". It's gonna be a top-down shooter with some horror elements about a bio-mechanical cube guy trying to escape the wrath of Super Robot Cancer.
FAKOS VARYTITAS - Futuristic Sci-Fi stencil design
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A Stencil letter with a rather unorthodox form.
The main concept is that of the Sci-Fi / Tech aesthetic. But the asymmetrics in its geometry, various custom build curves and incisions somewhat tune down the mechanical geometric tone of the letterforms, and introducing a slight more humanized touch to its rhythm. These non-traditional attributes making this more of a novel stencil typeface with a strong personality.
The typeface was inspired by space age tech. Its a display style font that is perfect for when your project has to have that typical techy or futuristic aesthetic look. Its best used at large size, but it does work in smaller size format as well.
The font includes:
• uppercase, lowercase & numerals
• accented latin
•diactritics
• symbols & punctuation marks
• ligatures
• some glyph alternatives
• ornamental decorative elements
All "lingual" characters are functional stencils, the only exceptions that aren't stenciled are the ornamental decorative symbols and dingbats.
Cheers
This is a cloneARS NOUVEAUX - Art Nouveau inspired display typeface
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A personal digital reimagination of the lettering style by "Charles Rennie Mackintosh" (1868-1928), a pioneer of the "Glasgow School of Art" and so called "Arts & Crafts" movement.
His distinctive style of lettering has been seen many revisions, revivals, reimaginations and inspired designs alike over the years, and has evolved into a broad collection of available fonts.
This basic stylistic lettering concept from Mackintosh sort-of losely funcioned as the structural guiding principle for the creation of "Ars-Nouveaux".
This FontStruction is an experimentation into creating similar flavored, but still unique letterforms within that same design framework.
First I started to layout the overall basic asymmetrical core geometry from a set of custom rectangles, half arc's and slants for each of the letters bare skeleton shape. Once I completed the full set of 36 glyphs [a/z, 0/9] These basic shaped were then further modified into more sophisticated finalized letterforms.
Caps-only, but with many alternates, accompanied by a set of ornate initials.
Hope you like it,
Cheers
This is a cloneBüffelhaus - buffalo house in German (Deutsch)
Originally named Plum before I read Sed4tives’ comment on how this is very Bauhaus-like.
With the recent surge in Fauxhauses in the fs community (and Sed4tives’ comment), I originally renamed it to Plumhaus, but it did not sound too Bauhaus-like, so it got renamed to what it is now, Büffelhaus.
(The actual font name is Buffelhaus because windows cannot handle font names with non-ASCII characters.)
A Sci-Fi themed display font.
This is my first shot at making an actual display typeface. Honestly, I am quite impressed at how this turned out.
Although this is still very imcomplete, I am planning to go back & continue this Fontstruction soon.
This is a cloneETC Denouement V1.0
ETC Denouement is a first attempt work-in-progress to make a large-scale serif typeface using just the default block brush as pixels.
V1.2+ (IN PROGRESS)
- Numerals
- Diacritics
- More punctuation
V1.1 (2nd of June 2023)
- Updated tittle on "i" and "j"
- Updated full stop, comma, and various quotation marks
- Added Diacritics found in "More Latin"
V1.0 (31st of May 2023)
- Basic A-Z in uppercase and lowercase
- Rudimentary punctuation (. , ! ? ' ")
This is a another recreation of an LCD design concept by Posy
This time it's the 3x5 Matrix Display, with all glyphs of Basic Latin supported
Also available without rounded corners
This is a clone of LCD 3x5 MatrixLUCERNA — Neoclassical stencil serif
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Lucerna is a modern neoclassical stencil serif in the Didot style.
Simple & Elegant...
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Created primarily with the focus towards luxury fashion and marketing brand-oriented projects, aiming at luxurious and sophisticated design projects.
Although it’s a true and fully functional stencil, design focus wasn’t so much
concentrated around the 'functionality' part of the stencil concept. Instead it was more focussed on the stylish implementation of the concept and on making sure it looks pretty.
The stencil concept was achieved by way of stroke omissions. Some of which are large and drastic, leaving only critical parts of the stroke intact, while others are more subtle, like those detached crossbars or cuts seen in the hairlines.
Thin transitional bracketed serifs and a mixture of various sized teardrop- and pointy terminals, combined with the high stroke contrast, these make up for a sharp and interesting looking font that provokes this thoughtful stencil letter concept.
There is a lot of subtle dynamic height deviations going on, hoping to tune in to more of a lively rhythm, and introduce some playful characteristic properties.
Minute changes to optimize optical performance have also been implemented, such as overshoots. The relative low cap-height makes up for a somewhat short and stocky uppercase quality. Its accompanied by a relatively tall x-height that results in a fairly large lowercase size. Due to the lower cap-height of the font, the short ascenders parts of the lowercase letters still exceed above the Cap-Line, preserving some of that otherwise lost white space, improving legibility.
The design's missing segments and various random detached bits 'n pieces aren't as functional in smaller sizes. Making it harder to read or distinguish detached letter elements from puntuation marks. So it is best used for display purpose.
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A small number of glyph alternative forms are included as well:
• 2 forms of lowercase letter a:Single-storey and double-storey (default).
• 2 forms of upper- and lowercase letters Ss:Pointy terminals (default) and teardrop terminals.
• 2 forms of upper- and lowercase letter Tt: Uppercase letter T has two variations of pointy terminals, normal angled and extra angular. Lowercase letter t has alternative form with teardrop shaped terminal to use at the end of words, and can add a slightly more stylish look. The default version has better proportional width with just a small non-decorative curved terminal, this default form has smaller width for a improved horizontal text advance.
• 4 forms for lowercase letter g:Just 3 additional extra slightly alternate forms.
• 5 forms for lowercase letter f:Bracketed (default), curved, teardrop narrow, teardrop extra narrow, teardrop wide.
• Extra set of Copyright symbols:Cap-height size and x-height size.
• 5 forms of Pilcrow symbols:Just 4 additional extra alternate forms.
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It covers most basic Latin languages, 65 in total so far.
Several symbols and punctuation marks are included. (probably more later)
I hope you like it so far,
Cheers
This is a clone