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I am very surprised at how readable this is in Microsoft Word. I did not intend this font to be readable. The whole idea was to use all angles and no curves so that I could hopefully have thousands of glyphs without the font getting too huge. Readability is a nice bonus.
simple sans is... well... a simple 7x4(ish) sans-serif pixel font. but not really. there are a lot of funky details hding in the glyphs. try to catch them all!
this is currently the most-glyphed font i ever have which is not a clone of some other font.
this font is gonna have 1000+ glyphs very very soon!
this experiment is now abandoned. i will work on a new unicode font soon.
Inspired by grotesk sans serif fonts made between the 1830s and 1960s. Also inspired by Bebas Neue. This font's name comes from the German word "anzeig", meaning "display". What characters/character sets should I do next?
Part of a series of fonts called Italian Farm. The name comes from the fact all the fonts' names are Italian words for farm animal species names.
This is inspired by Rotis, a 1988 typeface designed by German designer Otl Aicher, who also designed pictograms for the 1974 Munich Olympics.
Capitals only. Working on numbers, lowercase, and punctuation.
Inspired by the grotesque typefaces of the late 19th century to mid 20th century.
Inspired also partially by the 1962-1977 Sainsbury's (a supermarket in the UK founded in 1869) product container designs
This typeface's name comes from the Latin name for the city of Berlin in Germany, Berolini.
Monospaced version of CheddarSans by Fußmatte (aka Fussmatte, Doormat). As of now, the character set is limited compared to the original font (~400 glyphs vs. ~1000). Released under CC-BY-SA 3.0. Current version: 20.11.23.0
An extra bold version of the Chicago font from early Apple Macintosh computers.
This is a clone of Chicago 12The classic Mac font Chicago but with 1-pixel wide strokes.
This is a clone of Chicago 12