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Tylluan (Welsh) = owl (English)
Having looked at this font to add glyphs for a friend's language I decided to change some of the original glyphs, for the fun of change ;) ....... if you saw, remember and now hope to download the original basic English version: sorry, it's out of circulation unless I decide to remove the asked-for glyphs/shapes in this version so that you can DL the new basic Enlish version with support for my language and some fun dingbats. This particular upgraded version of Tylluan won't be downloadable unless the 'owner' of it allows me to offer it to FS members .
I changed some curves, improved the e-mail symbol, added curved blocks and glyphs for some European languages including Welsh (( RAY if you want to use this DO let me know here via PM !!!)) You'll also see the Eiron := aka. interrobang (en), exclarrogatif (fr), Fragerrufzeichen (de) and some asked-for dingbats
This is a cloneMy very first font. I am so very happy with the results, even with all the noticeable mistakes. It was so much fun making this and I hope to make many more fonts in this amazing platform.
I also have a serif variant of this font, that I had even more fun making. Hope you guys like them!
The name is temporary, I couldn't come up with a cooler one, sadly. The kerning and spacing isn't adjusted at all too......
Swiss Int’l - a typeface with faux Bézier curves, straight lines and the most of the Swiss typefaces.
sick of kerning fonts, so i decided to make one i dont need to/cant really kern anyways :3 had to make some letters a lil different from normal in order for them to look together, but i think it looks pretty nice! and if theres a little bit of off spacing, well...i think thats okay
DALLIANCE GROTESK — Geometric gothic grotesque
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Dalliance Grotesk is a solid sans-serif lettering concept that builds on the ‘core’-lettering concept of frongile's amazing work called Liaison Grotesk
Liaison is a renegade take on the gothic grotesque sans-serif style. A wonderful mix of early egyptian styles that get blended with subtle neo-grotesque hints, held firmly together by a rigid condensed geometric letter-backbone. The crude design of Liaison provides a very distinctive and unpolished appearance, that breaths a lot of visual character.
Its geometric quirkiness and rather irregular letter widths, just the slight imperfect overall lettering simply came together perfectly in frongile's original design. Making this a text-book example as for whyback in the day this style became known as ‘Grotesque’.
Yes, Ugly.. Obnoxious.. and... ‘Always in your face’
— Exactly how we like them best...
Dalliance Grotesk is the result of harvesting some of that original soul personality as was seen in Liaison and borrows it for extrapolation into a different font.
While Dalliance tried to preserve much of the overall letter-backbone structures from the original source, its primary aim was, to push towards a more polished finishing touch.
Simplified letters that were stripped of most quirks and bits, keeping only their rough shape intact.
In addition, all curved letter-parts were fully re-build with smoother contours and more natural flowing curve transitions. The spurred top and bottom stroke-stops for the lower-case letters had been changed so that the top now slightly differ from the bottom spurs (different tapered angle). Also the top spurs all have been slightly lowered to make them sit a tad bit bellow the x-height of the font.
Main modification revolved more or less around achieving cleaner overall text rendering and better optimization for body copy in small point sizes. In the process of getting there, I carefully adapted each glyph equipped fit, to appropriately accommodate all the ty(pro)graphic goodness one can possibly hope to pull out of a Fontstruct.
Smooth (near)-Bézier contour quality, optical compensating correction adjustments, such as overshoots, small vertical stressed contrast and improved stroke joints. Also the font's proportions for height to weight ratio has drastically changed.
— Utilizing sort-of an attenuate 'knockoff' to frongile's original concept for his Liaison Grotesk.
I would like to thank him for allowing me to harvest the basis of his lettering-concept and letting me re-use that as the stylistic back-bone in the creation of my own font.
this is my first attempt at kerning a font! if you notice any issues please do let me know in a comment :3
This is a clone of 7x10 PixelsMore info on the script: https://www.omniglot.com/conscripts/grandalphabet.htm
This is a clone of Ambrosia SansMore info on the script: https://www.omniglot.com/conscripts/sea.htm
This is a clone of Ambrosia SansThis type face was originally inspired by the title of horizon zero dawn, I have a love of Sci-fi and wanted to bring something bold with some movement built directly in. I veiw this working well being writen in an eastern style straight up and down, but also large and spread out.
A twist on a cyber font mixing sharp points and rounded edges. For some reason when I was building this typeface I kept thinking of Karen from Spongebob and if she were to have her words displayed on her screen this is what I thought it would look like.
Modern Arcade is a condensed sans-serif typeface designed to evoke a sense of technology and modernity. Its sleek and streamlined letterforms exhibit a futuristic aesthetic, with precise angles and clean lines.
A very simple, somewhat abstract typeface in which every single character is only 3x3 pixels at most (excluding commas and semicolons). I know 3x3 fonts have been done before, like with "Tiny Pixel" and "Illegibility," but I did my hardest to refine this font to being as legible as possible.