Please enjoy a private clone to see how I dealt with contrast, curves, bracketing, variable letter width and the difficult-to-achieve emboldening of the capitals’ vertical strokes within a minimal fontstruct matrix (and If you like what you see, please download for personal usage and vote kindly! :)
Intaglio’s amazing recent work makes similar strides (see the excellent rounds, for example), offering a solution before me to several of these long-standing impasses of the medium.
More characters to come... :)
This is a cloneAnother favorite computer RPG: Old English font from Betrayal In Antara, (C) 1997 Sierra On-Line. Sierra Resource File Tags: "8.fon" ; "501.fon" ; "4210.fon". Kerning is from "501.fon", which appears to be only found in Betrayal In Antara. Numerals (except 3 & 8) are from "4210.fon", found in Torin's Passage, (C) 1995 Sierra On-Line. Numerals 3 & 8 are designed by Goatmeal.
Clone of LucasArts SCUMM - Subtitle - Roman. Outline font used in the cut scene subtitles in "Monkey Island 2: LeChuck's Revenge" by LucasArts (1991). Extra Latin Characters supplied by marioflea82. Touched-up numerous outline flaws. Modified characters: L, general shape of "a" letters, ring above å New Characters: ' ; Note that you will have to DOUBLE the font size of the Outline TTF if you are using it together with the Solid TTF version. Just one of those FontStruct quirks that will hopefully be addressed in the future (where outline TTFs are rendered at 1/2 the size of the solid TTFs).
This is a clone of LucasArts SCUMM - Subtitle - RomanClone of LucasArts SCUMM - Credits. Alternate characters for the credits typeface in "Indiana Jones And The Fate Of Atlantis", (C) 1992/1993 LucasArts.
This is a clone of LucasArts SCUMM - CreditsAn experiment -- Half-tone uses dots, so why not replace dots with pixels? Thus, Half-Pixel Arcade was born.
This is a clone of The Video Arcade Game FontAn experiment -- Half-tone uses dots, so why not replace dots with pixels? Thus, Half-Pixel was born.
This is a clone of CASIOpeia (fx-7700G)The design was inspired by Josef Albers Kombinationschrift alphabet. A modular typeface built using a limited number of basic shapes. Need a condensed stencil typeface? Look no further! Little Tittle was created for those tight spaces. A condensed set width paired with short ascending and descending strokes allows for tight spacing vertically as well. Little Tittle is exclusively lowercase; however, it does have a stencil and solid version so you can mix and match styles for more typographic variety.