This sans-serif typeface was created to stand out and make a statement. It hints at the design of a neon sign, delivering a bold presence. Each glyph contains a “slice,” where white space is utilized to provide depth and character. The attention to white space produces a balance that is pleasing to the eye. The glyphs were carefully crafted to work well together, ultimately conveying a strong message to the reader. Neon Slice works nicely for headlines and content that needs to emerge from the clutter.
Cyberpunk is a sans serif font used primarily for any project related science fiction. Creating this font was a fun process, the idea of having the letters be thick and thin really spoke to me, as well as, having parts of the letter not fully connect.
Interstellar is a result of expirementing with letter-buliding. It is named Interstellar because the serifs of the letters resemble stars. The geometric tone of each letter further captures the essence of sun rays and outerspace. The type from I Dream of Jeanie, and traditional Hebrew letterforms are the two main insprirations of creating Interstellar. Interstellar is a stylish, futuristic, and simplistic font that is perfect for giving more complexity to any picture, poster, booklet, blog, or anything else a designer wants to strive for the stars for.
Cybersquare was designed to be a display font. The flat serifs and square counters give the essence of something old that is merging with new technologies. The name Cybersquare comes from the influence of Courier in code and the square nature of the letterforms. It is a typeface created using old ideas to look into the possible future. Cybersquare is meant to be used large on products such as posters and book covers.
This typeface is inspired by the old meeting the new. It is an updated take on older retro-looking type that one might find in an arcade. Stylistically, the font showcases modern or “urban” elements like the flat bottoms of each character as well as the black outlines reinforcing the weight to the left of each letter. The retro aspects are primarily present in the construction of curves at the top of each letterform, as they are not legitimate curves, but instead are constructed of more squared-off segments.
Linea is a display typeface designed by Matthew R Stankiewicz. The concept for Linea is there is a non-existing lines going across the typeface to create open characters. Linea is mainly used for display type however could be used for body type. Linea style is a modern / European feel to it with smooth edges, this typeface looks beautiful huge. The non-existing lines goes across the top, middle, and the bottom of the characters. Making the eye focus on the space between the typeface standout more, creating a great display type for headers, titles, book design, ablum covers and etc.