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20 Comments
@ne: Be afraid ... be very afraid ... coming soon to this Cinema ... The Attack of the Classic Fonts
Sure, this one's nice and all, but until you can recreate Comic Sans MS here, you've still got a long, long way to go, my friend... ;^)
(Neurone Error's head probably just exploded at the thought of THAT particular typeface being FontStructed.)
FUTURA your subconscient is to strong.. hope you look to closer to work of Connare
@NE t'es vraiment drole NE ;) mais je partage très bien ton opinion.
nice work no matter what
;-)
@p2pnut: Its funny you mention cinema in conjunction with classic fonts. I sometimes watch classic movies in the same way, identifying what storytelling and cinematic techniques stand the test of time. Citizen Kane and Casablanca come to mind with foundational techniques. Classic fonts have a similar appeal. After researching it, I didn't even know Futura came out in 1928.
@goatmeal: I agree, 'Comic Sans - the boldest of them aaalllll!!'
But it does get me a bit closer to Papyrus!
@thalamic: I would very much like to see the existing forms of such technology.
@Upixel: Ah, Vincent.
Each one of my current releases exercises something specifically, whether it is unseen internally or outwardly aesthetic. The original O was a perfectly symmetrical circle, but then the stroke width artifacts that are talked about in this article really stood out while previewing it. After a lot of experimentation, the final rendition became the best visually balanced solution at the selected grid size. The points on the A, V, and W also overshoot to balance adjacent letter forms. The resultant font, whether it looks like Futura or not, remains for me the physical evidence of the visual experimentation that I've set out for myself to explore and discover. Qu'on aime ou qu'on déteste, le choix est vôtre.
At small sizes and with optical kerning this one prints very impressively (at least on a desktop printer).
with sharp point of course without overshoot AMVW will look too small
"On aime, On aime"
Sorry my vocabulary is not enough strong in english but, I love your A the stroke (not sure of this is the right word) is low just like an Art Deco font but the rest is terribly géométrique ;)
You have all my admiration, great achievement
ps: I'm just about to give you my personal adress so you'll be able to send me all those sample of colored Faux-Arial ;)
So I am extremely impressed and doubly baffled. How did you do this? What feature am I missing?
I tried scaling but couldn't place anything accurately. But I couldn't get these results no matter how hard I tried.
So, I am totally blown away. Please divulge the secret.
This tool.
Let me know if you need any more help. :-)
Essentials to the building-curves-out-of-angles method are:
- Work on a large scale. Each letter should be at least thirty grid squares high or so if you're opting for this method.
— Take your time.
— Hit "Preview" a lot.
I know I felt the exact same way when I first started, as many others likely did, but none of us were able to voice our confusions quite as concisely as you. Great job. As you'll find out, FontStruct has a very supportive community. Welcome to the club. :-)
Awesome font! Reminds me of Futura.
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