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19 Comments
If it is too much like an existing font, then I will have to start again ... so any identifications would also be useful.
1. The small-caps work better. Why? Because the curved letters (C G O Q) look more rounded and natural in them.
2. The swash of the L is the most pleasing sweep. I understand that you wanted to give each character its own personality, but some repetition is nice too. Think musical rhythms. E could certainly be a modified L.
2. The N with the backward flip on the right stem looks a bit like a NJ ligature. Maybe the diagonal could just sweep out and under following letters? Like the R, perhaps?
3. The back sweep of the Y. Maybe it could be a left movement sweep under the preceding letter?
4. The non-sweep of the X and K. Maybe they could be like the R?
5. The bowl of the J. Maybe it does not have to be so bowl like? Half a bowl?
6. V and W. These two seem to fit the least with the rest. It is difficult to describe what I'm envisioning but I'll try. Delete the upper two arms of the E; continue the lower arm sweep up to form the right stem; the left stem of the original E becomes the left stem of V. Take the new V and mirror the right stem to form the new left stem of W.
7. A seems a bit too art nouveau. I'm at a loss to offer suggestions for that.
These are mere suggestions. The font is an amazing achievement as it is. :-)
Amendments made to the U/C - if the consensus is that I have changed things for the better, then I will do l/c.
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