W.I.P.

ColorComp entry, inspired by the Memphis art style. I started this originally a few years ago with several color variations (using the three main colors), but I couldn't decide which ones to go with, so this sat unfinished for a while. In the end I decided to go with this.

While I'm still in a Fontstruct mode, here's a color font derived from Dmitriy's Paris poster suggestion. Usunus (ұсыныс, reads as ooosoonoos) means suggestion. WIP.

See more:

https://fontstruct.com/fontstructions/show/989729/fraktur_refined

Chrysalide Old Face | FontStruct

https://fontstruct.com/fontstructions/show/2629304/echo-pixel-garalde-cyrillic

Garamond Italic SP | FontStruct

fs Fermat | FontStruct

RuneScape Large | FontStruct

This project was stuck in font purgatory for over two years due to some frustrating issues with consistency. Finally revisited and finalized, here is a simple thin inline deco font, had some fun with the flip-flopped "B" as the "g." Please enjoy~

Inspired from Tom Hultgren's Traffic but with two layers of color, 45 degree cut.

WOLKENKRABBERS — Condensed streamline Art Deco style lettering
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Enjoy!

a venture into neon art deco, inspired by tortoiseshell's "night lyfe" (hence the name~)

STF_DECOBAU — Bauhaus got Art-Decoized
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This is probably what would've been if one was to ask Herbert Bayer to design an Art-Deco style typeface.

Who doesn't like to kick-off the start of this New Year with a freshly lettered breakfast, and celebrate the arrival of 2025 extra stylish…
—Lets say in a Retro fashion!?!

Here is yet another of my blind leaps in-at-deep-end in the Bauhaus—pool. For this one in particular I have Art-Decoed  the living sh*t outta Bayer's defenceless innocent little baby child Universal —"Boii was I lucky that the world was too damn p4rty-h4rdy last night, bussy celebrating New Years eve. Cuz I gotta tell u this folks, she was screaming at the top of her lungs"  #nobodycame2rescue

The font is obviously not your best pick for a large chunk of Body-copy text, and is best used solely for Display application purpose.

There is only a limited character set present, but thats alright, since the font has more of a "decorative" value anyway.
Due to the complex nature in these small grid glyphs the characters lack nearly all optical compensations typically seen. —So yeah, this time y'all have to settle with missing overshoots and such.

Kerning is a WIP,
So keep in mind that at this stage this remains very incomplete!

I hope y'all still like it,

Cheers

This italic was more difficult to build than I espected (especially the glyphs K, M, S, X, g, k, x, 2, 5, 6, 8, ß and a few others). There are still shapes that are very hard to achieve using the current FontStruct's tools... but nothing is completely impossible if you dedicate the time to it, the results are often surprising. So it also took me much more time to complete the entire character set, but I'm happy about the final aspect of the font: it looks curiously forceful, positive and fresh at the same time, and I like it, despite not being 100% happy with some glyphs. Kerning isn't finished. Suggestions are welcome, folks. This is my 2024 font for Xmas: Happy holidays to you and yours, dear Rob Meek and all the FontStructors wherever you are!

STF_WALDBAUER — Condensed modernist Bauhaus sans
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This is rather a heavily condensed sans that sits halfway between a Bauhaus and Art-Deco style lettering.

The low waist, tall x-height, long ascenders and deep descenders give this font a somewhat elegant appeal. The uppercase set is clearly Art-Deco inspired, whereas the lowercase set leans more towards a playful Bauhaus mondernist style. Several characters have filled enclosed parts or other exaggerated features as well as non-filled alternate forms.

The idea for this font was inspired and extracted from a 1930s poster ad by Pál Vince for luxury luggage company Waldbauer.

The FontStruction's x-height is 3,5×1 grid units, so its tiny!

I hope you like it,

Cheers

Is Lowercase X so weird, but not very well? Well, Here’s my recreation to the original Mondwest font called “FS Mondwest Regular” which it has Cyrillic, IPA Extensions, Arabic, More Greek and Coptic Characters, Coptic and more. This font was the best font that I’ve ever made.

~current version for this font~ (2.1.8 - Combining Diacritcal Marks for Symbols at 11:05 ET 12/22/24)

~font created~ 18:01 ET 12/7/24 | ~last edited by~ 11:10 ET 12/22/24

~published date~ December 22, 2024 11:30 AM ET (one year ago)

~versions of FS Mondwest~
 

0.0.0 Basic Latin (from 06:01 pm ET 12/07/2024)

0.0.4 Latin 1 Supplement (from 11:25 pm ET 12/07/2024)

0.0.9 Latin Extended A (from 05:25 pm ET 12/08/2024)

0.1.5 Latin Extended B (from 08:12 pm ET 12/08/2024)

0.1.7 IPA Extensions (from 03:45 pm ET 12/09/2024)

0.2.1 Greek and Coptic (from 06:50 pm ET 12/09/2024)

0.2.6 Cyrillic (from 03:05 pm ET 12/10/2024)

0.3.2 Cyrillic Supplement (from 07:20 pm ET 12/10/2024)

0.3.5 Armenian (from 07:50 pm ET 12/10/2024)

0.3.8 Hebrew (from 08:31 pm ET 12/10/2024)

0.4.0 Arabic (from 02:55 pm ET 12/11/2024)

0.4.2 Syriac (from 07:31 pm ET 12/11/2024)

0.4.5 Arabic Supplement (from 04:01 pm ET 12/13/2024)

0.5.0 Arabic Extended A (from 07:34 pm ET 12/13/2024)

0.6.0 Cyrillic Extended A-C (from 09:04 pm ET 12/13/2024)

0.7.2 Latin Extended Additional (from 10:00 pm ET 12/13/2024)

0.7.7 Lisu (from 11:00 pm ET 12/13/2024)

0.8.1 Cherokee (from 11:30 pm ET 12/13/2024)

0.8.5 Latin Extended C (from 12:01 am ET 12/14/2024)

0.8.9 Latin Extended D (from 09:00 am ET 12/14/2024)

0.9.7 Phonetic Extensions (from 04:05 pm ET 12/14/2024)

1.0.0 Phonetic Extensions Supplement (from 09:00 am ET 12/15/2024)

1.0.4 Coptic (from 10:00 am ET 12/15/2024)

1.0.7 Musical Symbols (from 11:30 am ET 12/15/2024)

1.1.1 Combining Diacritcal Marks (from 04:00 pm ET 12/15/2024)

1.1.5 Spacing Modified Letters (from 07:09 pm ET 12/15/2024)

1.1.9 Combining Diacritical Marks Extended (from 03:00 pm ET 12/16/2024)

1.2.3 Greek Extended and General Punctuation (from 06:00 pm ET 12/16/2024)

1.2.6 Currency Symbols and Letterlike Symbols (from 06:00 pm ET 12/17/2024)

1.3.0 Enclosed Alphanumerics (from 09:00 pm ET 12/17/2024)

1.4.0 Emoticons (from 03:04 pm ET 12/19/2024)

1.5.3 Number Forms (from 05:02 pm ET 12/19/2024)

1.5.7 Box Drawings (from 09:30 pm ET 12/19/2024)

1.6.2 Block Elements (from 07:00 am ET 12/20/2024)

1.6.6 Geometric Shapes (from 11:00 am ET 12/20/2024)

1.7.0 Braille Patterns (from 02:59 pm ET 12/20/2024)

1.7.3 Alphabetic Presentation Forms (from 05:00 pm ET 12/20/2024)

1.7.5 Combining Half Marks (from 07:00 pm ET 12/20/2024)

1.8.2 Cyrillic Extended D (from 10:00 pm ET 12/20/2024)

1.8.4 Latin Extended E-G (from 06:30 am ET 12/21/2024)

1.9.2 Superscripts and Subscripts (from 11:25 am ET 12/21/2024)

1.9.6 Arrows (from 03:00 pm ET 12/21/2024)

2.0.0 Specials (from 01:15 am ET 12/22/2024)

2.1.5 Dingbats (from 07:05 am ET 12/22/2024)

2.1.8 Combining Diacritcal Marks for Symbols (from 11:05 am ET 12/22/2024)

Available for all Apple devices, all Android devices, all Microsoft laptops and tablets with Chromebook and all Samsung devices.

WARNING: Don't download as TTF because Ģ glyph is OTF only, just download as OTF only.

If you want to do alternates, go to Unicode Express or your Unicode apps and go to Private Areas as Alternates. 
 

The license is Open Font License, it means you all feel free to clone because it's cloneable! It's available on FontStruct, Cufon Fonts, Mediafire and Deviantart.

When you're on iFont, download it and feel free to use it forever!

~credits~

Font: Pangram Pangram Foundry

Extended Glyphs: me

Style: Regular, bold style soon.

By the way, This font was an early Christmas gift for FontStruct & Rob Meek.

This is my attempt at making an "old typewriter" style font with subpixel blocks

I left this in the backlog for WAY TOO LONG

Condensed slab serif. Elspeth: elegant, classic, feminine name of Scottish origin; from Hebrew Elisheba (Elizabeth).

High contrast font, with two dingbats of little seagulls placed at the "fi" and "fl" ligatures.

Black (filled) version of zerbeer. Hope you like it.

THIS FONT IS A COPY OF "FORMAL ROMAN"

I want to try to expand this font so it can have more characters and supports more varieties of languages

Expansions :
- Latin Extended-A
- Cyrillic
- Greek
- Added more letters and symbols in More Latin

If there are any mistakes, please inform me, and I will fix it asap

Collection of linear-interpolated circle attempts, or simply faux-Bezier circles and other curvature related materials.

This toolset basically is collection of pre-made fake circles and curves in numerous different sizes to make ones workflow easier. It could also simply serve as a educative tool that demonstrates the basic FontStruct technique used for making fake curves and circles.

Initially I intended this to be much more complete, but it is simply too much work, and would take forever to get published at once.

Please don't expect this to be perfect, a lot gets fairly close to the "real-deal".

But keep in mind that they remain raw approximations of their true Bezier counterparts. I will try to improve whatever is needed as time progresses, as well as most likely add more stuff.

--- No filters were used ---

I hope you like it so far,

Feel free to copy, re-use, improve or even destroy!

enjoy!

This is a attempt at starting another collaborative FontStruct community project to thank for a decade of FontStruct's web application and pay homage to its creator, Rob Meek.

The first initiative for a community collab fontstruction originally came from fellow user Funk_King, and resulted in FS Collaboration 1. A second round of creative collaborations was proposed by Geneus1, which resulted in World of Thanks. Two exceptional expressions of gratitude towards each responsible for making the FontStruct web application available, featuring contributions by various community members.
Now, more than 9 years after the second round World of Thanks was published and (sadly) had last seen activity, I thought It would be a great idea to celebrate a fontastic decade under the belt of FontStruct.

Therefor I'd like to propose a third round of creative collaborations.

This is an opportunity for all users who have missed out the first two rounds, and say 'Thank You' for the awesome, worlds most accessible, freely available font creation application, that is FontStruct.

All credits for this concepts originallity should go to Funk_King, as it was his brainchild, and I most likely would've never came up with it myself.

==========================

Guidelines are fairly simple (but could possibly change at a later stage)

1.) Send a message to reserve your glyph('s) (up to 3 max.). People added to the list will be sent the info to access the collab account.

2.) Say 'Thank You' in your own words/language. (Spanish, French, Italian, etc.)

3.) Work should only be done on your own glyph(s), unless approved by the original designer!

4.) The size of the glyph('s) should roughly be between 32 and 64 bricks in height.

5.) The current person working on the font must inform the next person on the list that they are finished, so work will not be lost by working simultaneously. As well as keep the project running.

6.) Once finished, add your username, language and/or glyph description here at the bottom.

7.) If you are posting a message in the comment section from the collab account, end the message with your original username, so we know who you are.

8.) When possible, post a sample image of your contribution in action. below in the comment section.

==========================

The initial font was cloned from DJNippa's 'All Composites saved in MY BRICKS' (big thanks to this user for allowing me to use this fontstruction brick toolset).

It has been slightly modified, removing all bricks from the editor grid, preserving only the saved set within the 'My Brick' pallet. The small square shaped brick in 'My Bricks' that is used as glyph indicator also marks the end of DJNippa's brick tool set. All bricks beyond this point are most likely the result of of glyph-specific composites and should under no circumstances be modified what so ever.

It is also possible to work on your personal FontStruct account by manually cloning DJNippa's or this font, and once you finished your glyph(s) simply copy/paste it from your account into the collab account.

Have fun structing!

--Sed4tives

==========================

FORMAT:

ｌｅｔｔｅｒ-(ｄｅｓｃｒｉｐｔｉｏｎ) ｗｏｒｄ (ｌａｎｇｕａｇｅ), by user

A-(Ligatured Sans) Bedankt Fontstruct! (Dutch), by Sed4tives, B-(Stencil Sans) Bedankt (Dutch), by Sed4tives, C-(Circular Display) dankjewel (Dutch), Sed4tives, D-(Minimalism) 謝謝 (Mandarin Chinese), by JunYou, E-(Artdeco) 謝謝 (Mandarin Chinese), by JunYou, F-(Minecraftio) !תודה (Hebrew), by BWM, G-(Rainy Days) ¡Gracias! (Spanish), by BWM, H-(DYMO LetraTag Interface) ghIlDeSten! (Klingon), by BWM, I-(description) 고맙습니다! (Standard Korean), by Bluemon, J-(description) word (language), by user

What began nearly 8 years ago as an experiment in multi-stage, multi-resolution pixel serif type drafting (starting smallish then manually upscaling x4), took on the robust character you see here after countless edits and some tricky lessons learned along the way.

The initial weight was on the light side (cloned privately for posterity), so I took a leap into this bookish weight by fattening each glyph copy-pasted 1 pixel shifted both up and to the right. A rudimentary technique, by no means novel, yet almost wholly effective. I saw fit from here to only make a handful of corrections, keeping the slightly rounded and slanted serif shape that resulted as well as the subtle reenforcing of a pen-nib construction. 

More intriguing is the 1-bit “anti-aliasing” scheme I found myself  progressively guided toward while finding the lines of these curves developing the initial light weight. Implied diagonals and said curves – as well as refinement of contrast – are substantially more granular and specific than had I taken a black-and-white posterized, or stairstepped approach.

At half-resolution, the resulting smoothness is acceptible. This type of hinting will be useful in developing a substitution rule set consisting of subpixel slanted or curved bricks to produce a “vectorized” version.

Indeed, such a process could be purely automated by a proficient developer or properly trained neural network (this would be a really interesting future feature for fontstruct pro – rather than hinting a font after painstaking vector construction, why not reverse the process by way of en vogue ai-assisted upscaling?).

Basic accented charaters and numerals are being added as I churn through the extended character set...