Based on old vector display text, mainly on what's seen in The Andromeda Strain (1971). Alternative D/K/V in the capitals.

Thanks to Sed4tives for STF_FAUX BEZIER ROTUNDS

Who even IS JeycoMonge?

Refe could be described as a bold condensed featuring a 1:1 relationship between positive (stroke) and negative space, tall ascenders, short descenders, rounded countershapes and squared off corners! Diacritics support spanish, hello again from Argentina! :)

Thanks to Sed4tives for STF_FAUX BEZIER ROTUNDS

A basic sans serif font for coding, meant for small sizes (and it would look good in large sizes too, if it weren't for those pesky parentheses...)

This was a font made for the wedding of my brother and their fiance, many happy wishes for them and quite honored to have been able to design this for the occasion. Please enjoy~

Had quite a bit of fun with this blueprint inspired font for the competition, numbers have been incorporated to best measure glyph length, angles and so forth. Please enjoy~

Recreation of the fantastic font Startime, from the compilation "Circus Alphabets" (1989) by the great Dan X. Solo. I've modified some glyphs (C, G, J, K, V, W, X, &, 3, 5, 6, 7, 8, 9, ?, !, *, (, ), $, €, £, ¥, etc...) and added a lot of them, including accents and other diacritics. Some alternates were also included in the lowercase area. A personal hommage to a font from my youth, which I felt encouraged to finish after admiring the magistral and excellent work of Frodo7 Abruzzo DS.

Abruzzo: a mountainous region in Italy. DS: dotted serif

Another Art Nouveau venture, wanted to take a more earnest look and study into the adjoining arts and craft/craftsman genres. Please enjoy

SPOKOYNOY NOCHI — Revival of famous 1920's Art-Deco lettering
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☛ THE FONTSTRUCTION
Its sort of a reimaginative digitized revival of the famous lettering by Anton Kurvers, designed in 1927 for the Flemish folk theatre in dedication of Joh. de Meester jr. commissioned by Wendingen for the 3rd issue in the 8th series of this famous magazine. It is one of the many graphic designs by his hand. —Its a simple monolinear Art-Deco style unicase lettering with additional full size alphabet set of uppercase glyph alternate forms that is located in the Half Width And Full Width Forms Unicode block. Some global kerning was done, but extra pairs are still required…

☛ EXTRA NOTES ON THE ORIGINAL CREATOR
Antonius (Anton) Kurvers (The Hague, 23 July 1889 - Amsterdam, 29 January 1940) was a Dutch artist. He was a draftsman, lithographer, furniture designer, textile artist, decorative painter, industrial designer, graphic designer and book cover designer that became a prolific letterer in the public sector. Many of his lettering as well as other works can still be seen in public and on buildings throughout the city of Amsterdam. Kurvers was the student of famous Dutch architect Hendrik Wijdeveld (1885-1987) and started during 1911-1914 as a painter of theatre sets in Paris. This was followed by years of stained glass design. After this period he discovered graphic design. In 1919 the Public Works Department of Amsterdam hired Kurvers, and this position Kurvers made an important mark on the design of municipal institutions. He designed various public objects such as the blue Municipal Giro-box in 1926 for Public Works in Amsterdam. He also designed a red Holland mailbox for the Dutch PTT in 1929, as well as a blue postal stamp machine in 1936.

☛ THE FAMOUS MAGAZINE
Wendingen (Dutch: Inversion or Upheaval, literally turns) "monthly magazine for building and decorating" was an architecture and art magazine that appeared from 1918 to 1932. It was a monthly publication aimed at architects and interior designers. A total of 116 issues were published and it served as a mouthpiece for the architect association Architectura et Amicitia (Architecture and Friendship). Its association with Architectura et Amicitia didn't meant the content would at all be limited to just architecture, and specific special attention was paid to both visual and applied arts.

☛ In Modern architecture of the 1920s were three notable movements.
Cubist, Expressionist, Functionalism and Constructivist architecture. All three respectively had their dedicated artistic movements, and typograpy or lettering was no stranger within these movements. Wendingen earned recognition not only through its content, but also by its remarkable square format, but probably most nowadays in modern times for the striking typographic content by artists such as: H. Wijdeveld, A. Kurvers, E. Lissitzky, V. Huszar and many more. Editor-in-chief was Hendricus Theodorus Wijdeveld, another famous Dutch architect and graphic designer. Initially the magazine was an important platform for the Dutch expressionism movement, also known as the Amsterdam School, but later endorsed a post-expressionist spirit, also known as the New Objectivity and was a reaction against expressionism. The primary aim of Wendingen was to enhance the aesthetic quality of architecture and to serve as a source of inspiration for its members.

Wendingen was influential on Expressionist architecture, especially in The Netherlands.
—Another similar Dutch magazine from that era was called De Stijl, but it was more influential on Swiss Style and International Typographic Style.

I hope you like it,

Cheers

A wide stripe font with a couple art deco elements. Please enjoy~

A fun retro font with little loops and swirls, using "Sacramento" as a jumping-off point for inspiration.

Please enjoy~

Lowercase font with some alternates (a, e, f, j, m, p, t, w) in the uppercase. The "tt" & "ff" ligatures are at the ""fi" & "ff" glyphs.

Started this font on a whim on the phone while having my morning coffee. The first version of the uppercase letters was done in the time it took to finish drinking it. Worked on it off and on during the day. Was done by evening. The sample probably took longer than the making of the font.

Thanks, fontstruct.