my version of the fontstruct logo font but with a few edits

lowercase are italicized with the top being offset by a bit to give the impression that they have been 'sliced' in half

uppercase and lowercase dont really mesh well together because i dont know how to do that just yet

use _ for the space replacement for uppercase

Gob (a portmanteau of ‘gastric’ and ‘blob’) is a playful display font family with knobbly silhouettes, not unlike a digestive tract. What began as an inverse typographic experiment evolved into multiple styles (Verti, Hori, and Uni with a set of alternates) through stretching, squeezing, and reworking its stroke segments. Later, a FontStruct colour font competition pushed Gob further, spawning the pixelated, shadow-layered Pixi variation.

Download the full family for free at www.fauxicing.com/fonts.

A font from a pixel art I made

Tonnta is the Irish word for waves. It's the plural form of tonn.

jjj

I was looking to make a rocky font, playing with few bricks but it was complicating minute to minute... I've been very busy lately, and this was (taken it bit by bit) an easy way to unwind. Hope you like it.

I was just on the internet watching videos when I stumbled accross a video that was about a guy talking about something called the "ClockClock 24". I looked this up and I kid you not: it is a 24 hour clock made of smaller Analog clocks. When I saw this I was like, "only if you were able to make it display letters...", and then I thought, "I could do that".
And thats how this monstrosity was born.

Gob Pixi is an amalgamation of different experiments with colour, display type and visual effects throughout the years of working with a comfortable, personal design palette.

Having been obsessed with grain textures and primary + secondary colours throughout the start of 2020s, I was moved to translate that into typography after seeing Kilotype's Lofi Forest "fizzy-fying" an otherwise sharp-looking Roman/Serif.

Also, I have worked on a type project that got me to layer different coloured shadows and highlights above each other, so this is my attempt at translating that effect onto another typeface that I've shelved for quite a while now. (I happened to come up with something similar to Get Yourself Connected by chance and didn't know what to make do with it.)

ColorComp entry, inspired by the Memphis art style. I started this originally a few years ago with several color variations (using the three main colors), but I couldn't decide which ones to go with, so this sat unfinished for a while. In the end I decided to go with this.

A modular colour font inspired by toy bricks and soft plastic textures, suggested to use in large sizes.

Another mondrian-esque, colourful and minimalist font. Unicase with alternates.

A fun challenge for a colorblind campfire aficionado such as myself. Thank goodness for hexcodes. Please enjoy~

Lessons in Composition, Vol. 1

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Less of a typeface and more of a concept, Lessons in Composition, Vol. 1 (LC,V.1) was a fun experiment with a compossion based typeface and negative space. Strictly geometric, each character in LC,V.1 is made out of rectangles, circles, curves, and the subtraction of these shapes.

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Notes:

LC,V.1 is set in #f90000 (red) and #2a2a2a (slightly off black). All of the white space is transparent. 

Pencil shaped letters. That edgy transition of color should be a gradient, but it works for now. A ColorComp submission.

My entry for ColorComp. I will admit this isn't as good as some of my other works, and this is a bit of a derivative work, but other than that, it's pretty good.

Letters and numbers only.

Edit: HOLY HELL MY FIRST STAFF PICK!!!!!!!!!!!!!!!

im probably late to the party aren't i