first time using composites and nudging

drink water

Unicase with alternates. I was trying a monospaced font, but...

Based on old vector display text, mainly on what's seen in The Andromeda Strain (1971). Alternative D/K/V in the capitals.

JS-SAVOIR GEOGRAPHIQUE ROUNDED (BOLD)
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A revival based on the lettering sketches and studies by Dutch graphic designer Jurriaan Schrofer for the book series 'Le Savoir Geographique' and 'Le Savoir Historique' (1971-1974) by Pierre Gourou during his time with Dutch publishing and printing company Mouton & Co., which was based in The Hague.

This is a bold weight rounded variation to the original work by Schrofer.

The following text embeds a collection of links that redirect to some additional background documentation on all the work Schrofer did for this book series.

More about Schrofer's other material. please visit the web page of the Wim Crouwel Institute,  which currently curates the entire Schrofer collection that was previously owned by NAGO (Dutch Archive for Graphic Designers Foundation).

Note that this additional info is in Dutch language only.

JS-SAVOIR GEOGRAPHIQUE ROUNDED (MEDIUM)
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A revival based on the lettering sketches and studies by Dutch graphic designer Jurriaan Schrofer for the book series 'Le Savoir Geographique' and 'Le Savoir Historique' (1971-1974) by Pierre Gourou during his time with Dutch publishing and printing company Mouton & Co. which was based in The Hague.

This is a medium weight rounded variation to the original work by Schrofer.

The following text embeds a collection of links that redirect to some additional background documentation on all the work Schrofer did for this book series.

More about Schrofer's other material. please visit the web page of the Wim Crouwel Institute,  which currently curates the entire Schrofer collection that was previously owned by NAGO (Dutch Archive for Graphic Designers Foundation).

Note that this additional info is in Dutch language only.

JS-SAVOIR GEOGRAPHIQUE ROUNDED (LIGHT)
═══════════════════════════════════
A revival based on the lettering sketches and studies by Dutch graphic designer Jurriaan Schrofers for the book series 'Le Savoir Geographique' and 'Le Savoir Historique' (1971-1974) by Pierre Gourou during his time with Dutch publishing and printing company Mouton & Co. which was based in The Hague.

This is a light weight rounded variation to the original work by Schrofer.

The following text embeds a collection of links that redirect to some additional background documentation on all the work Schrofer did for this book series.

More about Schrofer's other material. please visit the web page of the Wim Crouwel Institute,  which currently curates the entire Schrofer collection that was previously owned by NAGO (Dutch Archive for Graphic Designers Foundation).

Note that this additional info is in Dutch language only.

JS-SAVOIR GEOGRAPHIQUE (MEDIUM)
═══════════════════════════════════
A revival based on the lettering sketches and studies by Dutch graphic designer Jurriaan Schrofer for the book series 'Le Savoir Geographique' and 'Le Savoir Historique' (1971-1974) by Pierre Gourou during his time with Dutch publishing and printing company Mouton & Co. which was based in The Hague.

This is a medium weight variation to the original work by Schrofer.

The following text embeds a collection of links that redirect to some additional background documentation on all the work Schrofer did for this book series.

More about Schrofer's other material. please visit the web page of the Wim Crouwel Institute,  which currently curates the entire Schrofer collection that was previously owned by NAGO (Dutch Archive for Graphic Designers Foundation).

Note that this additional info is in Dutch language only.

JS-SAVOIR GEOGRAPHIQUE (LIGHT)
═══════════════════════════════════
A revival based on the lettering sketches and studies by Dutch graphic designer Jurriaan Schrofer for the book series 'Le Savoir Geographique' and 'Le Savoir Historique' (1971-1974) by Pierre Gourou during his time with Dutch publishing and printing company Mouton & Co. which was based in The Hague.

This is a light weight variation to the original work by Schrofer.

The following text embeds a collection of links that redirect to some additional background documentation on all the work Schrofer did for this book series.

More about Schrofer's other material. please visit the web page of the Wim Crouwel Institute,  which currently curates the entire Schrofer collection that was previously owned by NAGO (Dutch Archive for Graphic Designers Foundation).

Note that this additional info is in Dutch language only.

In/Out letters experiment.

Thanks to Sed4tives for STF_FAUX BEZIER ROTUNDS

For random uses

Based off of Chequered Ink's Rocket Rinder

Soft and rounded NUMBERS like long fairground balloons... and shadowed. The first was the 8 and then all the others arrived.

MARTIAN AMBASSADOR — Future retro / Sci-Fi style
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A future retro style that reflects the social construct at the dawn of the Computer Age through the zeitgeist of that 70s and 80s aesthetic fashion, which was strongly influenced by things such as: space, computers, sci-fi and cyberpunk.

LC letters here are simply stencil variants of the numbers and letters.

My little personal and humble tribute to our Astonishing FontStruct on its 16th birthday, full of admiration and respect for the Great Creator & Big Chief Rob Meek and all fontstructors, big and small, who used it during these amazing years! LONG LIVE FONTSTRUCT!!!

FRUNTSTOCT UPPER — FontStruct logotype uppercase reinvention
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This second font is the next evolution in my take on the Fontstruct logo type.

Its an experimental approach towards the reinvention of its uppercase letters. The first one was a unicase minuscule that was aimed at creating an improved version of the original logo lettering concept. FRUNTSTOCT LOWER remained faithful to the original letters, whereas FRUNTSTOCT UPPER is a complete reimagining.

Motivation behind the complete overhaul came after checking out existing Structurosa entries by other Fontstruct members.

It became evident that only one or two members truly were able to build upon its original concept and could come up with a 'unique' and decent majuscule.

AT Archistruct Outline by Kassymkulov (aka Architaraz) being the clear winner in my opinion. — Which is a true masterpiece !!
Some others 'tried' to be original, and made an attempt at a personalized lettering, but couldn't solidify ideas into a consistent whole. But the majority simply copied rob's original design.

— For that reason I choose to take the alternative road and tried to come up with something new.

I hope you like it..

Cheers