Farop (short for Fanning a Ream of Paper) is an inline display type family that employs non-rhythmic stroke widths, layered overlays, and unconventional alignments to create a distinctive multi-lined aesthetic. It deliberately breaks away from traditional typographic conventions by disregarding standard baselines in favour of chunky, brutalist letterforms and self-determined vertical positioning.

Farop Freestyle (shown here) is composed of eight coloured layers, each manipulating the glyphs with differently coloured stripes. It serves as a visual reference for the wide range of styles that can be achieved with the Farop family, while also functioning as a ready-to-use colour font for bold, maximalist inline typography.

The complete Farop type family, including five individual weights (Farop 1 to 5), Farop Freestyle, and Farop Stack (the original monochromatic gradient variant), is available to download for free at fauxicing.com.

This has 12 segments

Used in Current Dagger Elevator LCD Indicators (My Fictional Elevator Brand)

Inspired by INVASION BLOCK (by the great Upixel), but right slanted, with more glyphs added (206 in total) and some of the originals slightly retouched.

1時間くらいで出来上がってしまいました。ｱｰ!

意外と汎用性が高いかも...?

A fun retro font with little loops and swirls, using "Sacramento" as a jumping-off point for inspiration.

Please enjoy~

Lowercase font with some alternates (a, e, f, j, m, p, t, w) in the uppercase. The "tt" & "ff" ligatures are at the ""fi" & "ff" glyphs.

This is the font from the Corona PPC-400 IBM-PC clone, from 1984. This font is interesting in that it is a 16x16 font, apparently intended for a 1280x400 or 1280x800 display resolution at a 1:2 aspect ratio, which was very high resolution for the time.

The culmination of 11 years of cinematic comic book bliss, alas, it is the opening day of the highly anticipated Avengers End Game. This is a tribute to almost all of the characters taking part in the most monumental achievement of interconnected storylines in the Marvel Cinematic Universe spanning 22 films. The list of pixellated heroes:
A: Antman
B: Black Panther
C: Captain America
D: Doctor Strange
F: Falcon
G: Gamora
H: Hulk
I: Iron Man 
M: Captain Marvel
N: Nick Fury
P: Spiderman (Peter Parker)
Q: StarLord (Peter Quill)
R: Rocket Racoon
S: Scarlet Witch
T: Thor
V: Vision
W: War Machine
b: Black Widow
d: Drax the Destroyer
g: Groot
h: Hawkeye
m: Mantis
n: Nebula
w: Winter Soldier
!: Hulk Smash again!
...maybe more to come...?

This was a simple idea started from S and T. Most of the glyphs have two verticle strokes that are 4-bricke-wide and a 1-brick-wide area in the middle of the character. except I, L, S and T (actually a lot more). They are a bit different. Especially S, T and L. The whole characters are only 8 bricks wide. As I mentioned above, It's because the whole font started from these characters.

Straka the name came from last name of a person. The S and T reminds me of this person's last name. I like this last name although I don't even know him.

About the Latin extension, I have made only the glyphs that require no new design, just diacritics and already made letters. So I can pretend like hard-working on fonts but copy paste in reality. :P

Also, I made Arabic glyphs. Only isolated forms. Which I suppose won't be a comfortable experience to Arabic users. It's like every letter has crazy swashes but every letters are lightyears away from each other.(or is it?)

Credit me bcuz it took days and I gave it all to you for free. Unthankful hairless ape. :p

has it gone 2 far? hope it didn't hurt you.

A groovy geometric display typeface.

STF_SIGMA - Modular grid system typeface.

My first fonstruction is based around the theme of malnutrition, but focuses on lesser acknowledged end of the spectrum, over-nutrition. I took inspiration from nature of skin and fat on overweight or obese bodies, putting emphasis on the folds and bulges you might typically see on the skin of a larger frame.

Zakhrafa is a type of Islamic art which consists of embellished geometric designs. It is often used to complement Arabic calligraphy on architecture to bookcovers and various media. The inspiration of this font comes from the various Islamic patterns that can be seen on buildings all across Qatar. After living there for 8 years, I learned a lot about the Islamic culture which is what I want the font to reflect.