STF_DECOBAU — Bauhaus got Art-Decoized
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This is probably what would've been if one was to ask Herbert Bayer to design an Art-Deco style typeface.

Who doesn't like to kick-off the start of this New Year with a freshly lettered breakfast, and celebrate the arrival of 2025 extra stylish…
—Lets say in a Retro fashion!?!

Here is yet another of my blind leaps in-at-deep-end in the Bauhaus—pool. For this one in particular I have Art-Decoed  the living sh*t outta Bayer's defenceless innocent little baby child Universal —"Boii was I lucky that the world was too damn p4rty-h4rdy last night, bussy celebrating New Years eve. Cuz I gotta tell u this folks, she was screaming at the top of her lungs"  #nobodycame2rescue

The font is obviously not your best pick for a large chunk of Body-copy text, and is best used solely for Display application purpose.

There is only a limited character set present, but thats alright, since the font has more of a "decorative" value anyway.
Due to the complex nature in these small grid glyphs the characters lack nearly all optical compensations typically seen. —So yeah, this time y'all have to settle with missing overshoots and such.

Kerning is a WIP,
So keep in mind that at this stage this remains very incomplete!

I hope y'all still like it,

Cheers

LORD KRUMBLE — A transitional sans that mixed Art-Deco with neo-classical humanist minuscules

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Inspired to celebrate the homecoming of him who strikes fear in all badly baked treats, the one which nightmares are made of, that kind of person that makes every cookie crumble and wanna skip school for a day or two. Of course I'm talking about the one and only "Cookielord".
— "What couldn't be better suiting than to have a freshly crafted and new font that is celebrating his return."

Him recently dropping a new FontStruction somewhat came as a pretty unexpected but nice surprise. It just so happened to be that I was already looking for new ideas that could lead to the next project. In fact, until recently I was actually still struggling with this, and hadn't really been able to provide a catchy and motivating design theme to bring to the table that would once again help me on my way with starting a new FontStruct project. So I took this occasion to see if I was able to find a little inspiration in his Vermin font . Not particularly aimed at doing a derivative work, nor anything closely resembling his cool font. Instead rather trying to draw some inspiration from that peculiar and playful but friendly characteristic, that to me personally distinguishes his Vermin font the most anyway.

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And so I appoligize for the fact that this doens't truly relates or do justice stylistically in any way to the aesthetic present in Cookielord's original Vermin font. That being said, this is what became the end product of that.

But, it does have one striking resemblance that pays a homage to him, and that is the included cookie. Sorry I took a bite out of it my friend, hope you can still appreciate it.

— Just to let you know that regardless wether you decide to stay or not, your recent return isn't going to be for nothing!!

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No 'Brick Size' filters were used, which of course presented me with a lot of challenges that limited the amount of complexity I was able to put in, something that wouldn't been the case with (2:2) 'Brick Size' filter settings. The other noteworthy aspect to this particular fontstruct is its grid size, which is tiny. Never before have I made a Fontstruction that required kerning values to fluctuate only as little as 0,01. This also made it impossible to implement optical corrections on the vertical axis in the form of overshoots, but luckily this didn't became a very clear issue in the end.

I'm not sure if I can complete the additional Latin accents for all characters due to the limited grid space available surrounding some of glyphs. I might try doing those later.

Let me know what u think of it so far fella's, stay tuned!

Cheers