A more classic Art Deco uppercase, with a more out-there lowercase. Please enjoy

a bauhaus adjacent font with a bauhaus adjacent name

Manufaktur

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The cyanotype was developed in 1842 by Sir John Herschel. This process, commonly used for blueprints, involved placing an object onto a surface and covering it in a solution of Iron (III) salts. Once the solution is exposed to ultraviolet light, the Iron (III) salts are converted into Iron (II) salts. After exposure, the suface is washed and the water reacts with the Iron (II) salts to form a Prussian Blue pigment that blueprints are known for.

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Manufaktur is a monospaced typeface and while it has upper and lower case letters, it is really unicase. Manufaktur is intentionally stripped of most characters, coming with only the most essential. The idea being that Manufaktur has the bare minimum, but is still functional as a typface. It was designed with the intentions to be used in a machine shop more than on a page.

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Notes:

Manufaktur is set in #002c8c, as a reference to blueprints. I had wanted to use Pantone's Prussian Blue (#003153) but it was too dark. 

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Some of the stenil lines (C, J, O, Q, U, 0, and 2) were made using white bricks. I had experimented ways to get the stencil lines without using white bricks, but it looked much cleaner with them. Being a color font, you should be able to change the color of the white bricks to mach your background. It's not ideal, but it's what looked the best.

im probably late to the party aren't i

Pipe style font that's been started a year ago along with KD Kubr. Finally got myslef into finishing main letters. Still in progress so you might see some errors here and there.

Thanks to Sed4tives for STF_FAUX BEZIER ROTUNDS

Caps only. Inspired by the cool font "Chwast Art Tone" -or simply "Artone"- (1968, by the legendary master of design Seymour Chwast), "Inkwell" (1992, Sam Wang) and "Dogsmoke" (2019, Humberto Gillan), and recalling the feelings of those unforgettable momments from the "Saturday Night Fever" times. Tony Manero lives! Thanks a lot to @Dmitiy Sychiov for designing these beautiful Cyrillic glyphs.

An old project put a day.

Thanks to Sed4tives for STF_FAUX BEZIER ROTUNDS

This is a number font for 7-segment LCDs. The alphabet is not complete.

A nonogram font. Some variation between uppercase/lowercase letters, alternative 2/7 on < >, and an extra Y on ^. I originally made this in a 5x5 grid, but there were too many glyphs with multiple solutions, so I had to remake the whole thing. (You can still see the original style in the small numbers)

Had quite a bit of fun with this blueprint inspired font for the competition, numbers have been incorporated to best measure glyph length, angles and so forth. Please enjoy~

this was more a concept than a style Idk

also this is like the only thing I could come up with that was remotely related to the competition. 

A - 4     C - ©     E - 3     G - &     I - 1     O - 0     R - ®     S - $     Y - ¥     Z - 2    a - @     b - 6     c - ¢     g - 9     s - 5     t - +

Mockup: Freepik

ANTI-QUE — Asian calligraphy inspired
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Anti-que features a romanized lettering concept that was designed to mimic the stylistic properties of Asian calligraphic characteristics.