I tried to stay faithful, including character spacing, and only glyphs present are the ones I could find in the game files, with very few exceptions (Ñŵ) reserved for alternates.

Ñ is an alternate of uppercase N present in the font files with modified swashes and thus slightly narrower than the one used in the main menu. ŵ is an alternate lowercase W present in the font files that’s one pixel higher up that the one used in main menu.

← and → are two arrow characters found in the font files. I am unsure which specific glyphs they technically represent, so any hints on that are welcome.

See also TES Arena Blackletter Extended for my own attempt at extending the charset and improving certain characters and their spacing or width.

Inspired by INVASION BLOCK (by the great Upixel), but right slanted, with more glyphs added (206 in total) and some of the originals slightly retouched.

I made a new Minecraft Ten Point One font with lowercase!

P.S. All Cyrillic, Latin, probably Greek letters are still in progress. But I'll try to make Greek letters, I suppose.

this was more a concept than a style Idk

also this is like the only thing I could come up with that was remotely related to the competition. 

A - 4     C - ©     E - 3     G - &     I - 1     O - 0     R - ®     S - $     Y - ¥     Z - 2    a - @     b - 6     c - ¢     g - 9     s - 5     t - +

Gr4ftY presents:

Foundry DS

inspired by frodo7's most recent work, this is the result of me trying it for myself. Still, this is far from perfect, and any help would be greatly appreciated.

THIS MAY BE EXPANDED APON IN THE FUTURE.

actually blackletter (somehow)

inspired by the work of @elmoyenique and @sed4tives

btw "kaldus" is slanted in estonian

LITERA FACILIOR GOTI ― A 'Blackletter' script style with a twist
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Also known as Gothic script, Gothic Minuscule, or Textura, was a script used throughout Western Europe from approx. the 12th untill the 17th century.

This FontStruction was aimed at mimicing the aesthetic approach of a ― ‘Textura’ variant of the Gothic Minuscule script style, more accuratly refered to as ‘Littera Textualis’. This style is most characterized by its strong sturdy letterforms, with distinguishing sharp, straight and angular features as oposed to the other variations in this catagory.

In terms of authenticity to the original predecessing formal script family, my ‘Litera Facilior Goti’ didn't took a whole lot of care for authenticity. The idea was to take a more independent and experimental approach to shaping the letters and forms, so it wasn't necessarily inspired by any specific typeface in particular, it rather recycles certain characteristics of a ‘Textualis Quadrata’, but beyond those aspects of general guidelines it evolved on its own.

Some of the areas where the design tends to really stray away from the tradition is for example the serifs:

It's often that I have some trouble with the weight ratio distribution of serifs and such elements in simplified modular based geometric Blackletter fonts. In many of such designs they tend to have been left pretty static and equal in thickness throughout the full character set. Which I think is often either having some letters look clumsy or even weird, and generally speaking also often making them appear too thick.

So this was one of the things I had to try and adress, I experimented a little with the style and forms of the serifs. Eventually this resulted in multiple deviations in variety to mix and create a more dynamic distribution. similar to what was done in less formal scripts. Over time they became ever further simplified, letterforms that involved less reorientation of the pen, in pursuit of styles that were quicker to write.

But taken as a whole typeface I find that it is having this certain ‘random-ish’ characteristic that is simply working for the better of these particular style fonts.

I'm still working on improving its overall rhymes and reasons to a certain point that is acceptable, balanced and with enough consistency. But up to this stage I personally think that the concept worked out quite successfully so far. And that even despite the fact that its stripped down of most ornamental decorative calligraphic extravaganza, it still managed to capture a convincing portion of that ‘Medieval ’ looks and personal flavour.

But I think that in the end this became a pretty neat looking font and it would classify somewhere between a hybrid mix of simplified Blacklettering and a drunken man's ‘Textualis’.

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―  No filters used!

Cheers!

G1 Defkahn. A somewhat readable modular graffiti font colored over four layers. Independent bubble fills on upper and lowercase sets. Heavycomp entry #2. 

Caps only font. You can use the glyphs placed at the lowercase to add a different second letter in pairs like EE, FF, LL, NN, OO, SS, TT, ZZ, etc. and to avoid graphic repetitions in a single word or phrase. Extra "c" at the "¢" glyph. (NB: To create this one I have greatly exaggerated the method used by my admired Beate -sorry, Maestra- in her font db Whisper, which successfully simulated hand-drawn letters.)

A font i have been working on for a while, but with some characters removed, because it seemed like it was not going to be finished in a while. I just wanted to publish this first

This font was made to resemble the Mara glyphs seen in the queue of Indiana Jones and the Temple of the Forbidden Eye at Disneyland, CA.

It looks like a different language, but each glyph very loosely resembles a letter in the Roman alphabet, allowing the text in the queue to be "translated."