{"id":4578,"date":"2022-03-15T05:49:45","date_gmt":"2022-03-15T12:49:45","guid":{"rendered":"https:\/\/fontstruct.com\/news\/?p=4578"},"modified":"2022-03-15T05:56:52","modified_gmt":"2022-03-15T12:56:52","slug":"gridfolk-interview-with-jiri-novak","status":"publish","type":"post","link":"https:\/\/fontstruct.com\/news\/2022\/03\/15\/gridfolk-interview-with-jiri-novak\/","title":{"rendered":"Gridfolk: Interview with Jiri Novak"},"content":{"rendered":"<style><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span>.fs-blog blockquote {margin-top: 10px;margin-bottom: 10px;}.fs-blog blockquote > *:first-child:before {content: '\u201c';font-weight: bold;display: inline;padding-right: 5px;}.fs-blog blockquote > *:last-child:after {content: '\u201d';font-weight: bold;display: inline;padding-left: 5px;}.wp-caption {width: 100% !important;}<\/style>\n<p><!--\n\n\n\n<style><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span>.fs-blog blockquote {margin-top: 10px;margin-bottom: 10px;}.fs-blog blockquote > *:first-child:before {content: '\u201c';font-weight: bold;display: inline;padding-right: 5px;}.fs-blog blockquote > *:last-child:after {content: '\u201d';font-weight: bold;display: inline;padding-left: 5px;}.wp-caption {width: 100% !important;}<\/style>\n\n--><\/p>\n<div id=\"attachment_4606\" style=\"width: 979px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/fontstruct.com\/news\/wp-content\/uploads\/2022\/03\/jirinvk-avatar.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4606\" class=\"wp-image-4606 size-full\" src=\"https:\/\/fontstruct.com\/news\/wp-content\/uploads\/2022\/03\/jirinvk-avatar.png\" alt=\"Jirinvk Avatar\" width=\"969\" height=\"494\" \/><\/a><p id=\"caption-attachment-4606\" class=\"wp-caption-text\">Jiri after a shot of pure homegrown blackcurrant juice, alongside <a href=\"https:\/\/fontstruct.com\/fontstructions\/show\/2047872\/bulbambulan3630\">bulbambulAN3630<\/a> and <a href=\"https:\/\/fontstruct.com\/fontstructions\/show\/1958413\/floriitutabn50\">floriitutaBN50<\/a><\/p><\/div>\n<p>Dear FontStructors,<\/p>\n<p>Picking up the baton from <a href=\"https:\/\/fontstruct.com\/news\/author\/atasyed\/\" target=\"_blank\" rel=\"noopener noreferrer\">Ata<\/a>, who is taking a well-earned rest after <a href=\"https:\/\/fontstruct.com\/news\/author\/atasyed\/\" target=\"_blank\" rel=\"noopener noreferrer\">an epic and insightful series of interviews<\/a>, I thought I would try and find out more about one of FontStruct\u2019s most enigmatic characters: Jiri Novak AKA <a href=\"https:\/\/fontstruct.com\/fontstructors\/392385\/jirinvk\">jirinvk<\/a> \u2013 the creator of <a href=\"https:\/\/fontstruct.com\/gallery\/tag\/33392\/floriituta\">multiple<\/a> <a href=\"https:\/\/fontstruct.com\/gallery\/tag\/29038\/Muratopor\">extensive<\/a> <a href=\"https:\/\/fontstruct.com\/gallery\/tag\/42874\/Bulbambul\">series<\/a> of <a href=\"https:\/\/fontstruct.com\/gallery\/tag\/43376\/epetyty\">highly idiosyncratic<\/a> <a href=\"https:\/\/fontstruct.com\/gallery\/tag\/35764\/Jaubol\">FontStructions<\/a>.<\/p>\n<p>Avowedly modular, graphically powerful, decorative and always playing at the fringes of the legible, Jiri\u2019s designs are worked and re-worked through systematic variations determined by some elusive, cryptic logic. Is it possible to divine the nature of this logic? Can we discover its origins? Who is this Jiri Novak? We sent letters East, to Bohemia, in an effort to find out \u2026<\/p>\n<p><em>The following interview was conducted via email.<\/em><\/p>\n<p>Where do you come from?<\/p>\n<div>\n<blockquote><p>I was born in 1973 in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Litomy%C5%A1l\" target=\"_blank\" rel=\"noopener noreferrer\">Litomysl<\/a> (Eastern Bohemia). Litomysl is a UNESCO heritage site due to the presence of a renaissance castle. The castle is extensively decorated with <a href=\"https:\/\/en.wikipedia.org\/wiki\/Sgraffito\" target=\"_blank\" rel=\"noopener noreferrer\">sgraffito<\/a> \u2014 mostly in the form of envelope-like \u201cletters\u201d consisting of a uniform frame and unique central areas. There are approximately 8000 such sgraffito-letters covering the fa\u00e7ade. Perhaps being exposed to this at an early age contributed to my mania for iterations with slight variations.<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<\/div>\n<div>\n<div id=\"attachment_4609\" style=\"width: 979px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/fontstruct.com\/news\/wp-content\/uploads\/2022\/03\/liitomysl-castle.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4609\" class=\"wp-image-4609 size-full\" src=\"https:\/\/fontstruct.com\/news\/wp-content\/uploads\/2022\/03\/liitomysl-castle.png\" alt=\"Litomysl Castle Sgraffitos\" width=\"969\" height=\"494\" \/><\/a><p id=\"caption-attachment-4609\" class=\"wp-caption-text\">Sgraffitos from Litomy\u0161l Castle fa\u00e7ade<\/p><\/div>\n<\/div>\n<div>Where are you now?<\/div>\n<div>\n<blockquote>\n<div>I live in Prague now, but I inherited a small house where my grandparents used to live, in a village near my hometown, and so I regularly go there in my spare time.<\/div>\n<div>In the countryside I have no internet. I can enjoy being disconnected and doing some gardening. I expect to spend my retirement there one day. So, basically I am split between (online, busy) Prague and (offline, lazy) East Bohemian countryside (I like contradictions).<\/div>\n<\/blockquote>\n<div>\n<div id=\"attachment_4618\" style=\"width: 979px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/fontstruct.com\/news\/wp-content\/uploads\/2022\/03\/jirinvk-hazelnuts.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4618\" class=\"wp-image-4618 size-full\" src=\"https:\/\/fontstruct.com\/news\/wp-content\/uploads\/2022\/03\/jirinvk-hazelnuts.png\" alt=\"jirinvk hazelnuts\" width=\"969\" height=\"552\" \/><\/a><p id=\"caption-attachment-4618\" class=\"wp-caption-text\">Samples from Jiri\u2019s hazelnut harvest, with <a href=\"https:\/\/fontstruct.com\/fontstructions\/show\/1456531\/mocholataaa55-5\">mocholataAJ55<\/a><\/p><\/div>\n<\/div>\n<\/div>\n<div><\/div>\n<div>Your designs have architectural qualities. Where do they come from?<\/div>\n<div><\/div>\n<div>\n<blockquote>\n<div>I studied architecture at the Technical University in Prague. I left after 3 years, without graduating.<\/div>\n<div>There I was tutored by <a href=\"http:\/\/architectuul.com\/architect\/alena-sramkova\" target=\"_blank\" rel=\"noopener noreferrer\">Alena \u0160r\u00e1mkov\u00e1<\/a> who died on the 10th March 2022 (<a href=\"http:\/\/scfzforum.org\/phpBB3\/viewtopic.php?p=37604#p37604\" target=\"_blank\" rel=\"noopener noreferrer\">link to forum discussion and documentaries<\/a>). She was the person who had the greatest impact on me in those years).<\/div>\n<div><\/div>\n<div>I am still very interested in architecture but I have zero interest in making a living as an architect (and thus I don\u2019t regret not graduating). Finding FontStruct and designing alphabets was a kind of substitute for abandoning designing houses.<\/div>\n<\/blockquote>\n<\/div>\n<div><\/div>\n<div><\/div>\n<div>\n<div id=\"attachment_4621\" style=\"width: 979px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/fontstruct.com\/news\/wp-content\/uploads\/2022\/03\/czech-technical-university.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4621\" class=\"wp-image-4621 size-full\" src=\"https:\/\/fontstruct.com\/news\/wp-content\/uploads\/2022\/03\/czech-technical-university.png\" alt=\"jirinvk Czech Technical University\" width=\"969\" height=\"496\" \/><\/a><p id=\"caption-attachment-4621\" class=\"wp-caption-text\"><a href=\"https:\/\/fontstruct.com\/fontstructions\/show\/1618369\/mandatetrinkaad68\">mandatetrinkaAD68<\/a><\/p><\/div>\n<\/div>\n<div><\/div>\n<div>What do you do for a living?<\/div>\n<blockquote>\n<div>After I terminated the phase of my education I had no permanent job for nearly a decade.<\/div>\n<div>I embraced the life of an aimless drifter and was preoccupied with useless activities (e.g. making ornaments, which I am recreating on FontStruct at the moment).<\/div>\n<div>After this irresponsible phase I settled in a menial job in the polygraphic industry (I was operating a folding machine \u2014 A machine that folds sheets of paper).<\/div>\n<div>I did this for quite a long time.<\/div>\n<div>At the moment I make my living by selling paints (Selling &#8220;colors&#8221; \u2014 i am quite a chromophiliac, so in a way i enjoy this dull commercial activity).<\/div>\n<\/blockquote>\n<div>\n<div id=\"attachment_4623\" style=\"width: 979px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/fontstruct.com\/news\/wp-content\/uploads\/2022\/03\/epetytyAAA28i.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4623\" class=\"wp-image-4623 size-full\" src=\"https:\/\/fontstruct.com\/news\/wp-content\/uploads\/2022\/03\/epetytyAAA28i.png\" alt=\"jirinvk epetytyAAA28i\" width=\"969\" height=\"575\" \/><\/a><p id=\"caption-attachment-4623\" class=\"wp-caption-text\"><a href=\"https:\/\/fontstruct.com\/fontstructions\/show\/1957468\/epetytyaaa28i\">epetytyAAA28i<\/a><\/p><\/div>\n<\/div>\n<div><\/div>\n<div>Chromophilia? You work with colour perhaps more than any other <a href=\"https:\/\/fontstruct.com\/faq\/88\/fs-patrons\/all-about-fs-patrons\">FS Patron<\/a> \u2026<\/div>\n<div>\n<div>\n<blockquote><p>If exposed to a complex combination of colors (be it a piece of colorist art, a colorful ornament, or colorful natural phenomena), it (usually) has a strong impact on me. For example, when I attended an exhibition of <a href=\"https:\/\/www.pacegallery.com\/artists\/raqib-shaw\/\" target=\"_blank\" rel=\"noopener noreferrer\">Raquib Shaw<\/a> and saw his big format paintings, abundant with colors (nearly kitschy excess of color) I was completely out of my mind, was probably never closer to Stendhal Syndrom then, was almost mildly &#8220;tripping&#8221;.<br \/>\nMost of the people respond positively to colors (nothing unusual) \u2014 I can be (at times) jinxed\/mesmerized.<\/p>\n<p>Btw, while doing colorful ornaments on FontStruct I don&#8217;t really strive for a mesmerizing combination of colors.<br \/>\nIn those ornaments, i use colors rather arbitrarily (color No.1, color No. 2., color No. 3, color No.4) \u2014 i.e. an ornament consisting of 4 colors, or of 3 colors, or of 5 colors, etc, etc.<br \/>\nI am doing just a template and expect that everyone will re-colorize those ornaments according to his\/her likings.<\/p><\/blockquote>\n<\/div>\n<\/div>\n<div><\/div>\n<div><\/div>\n<div>Do you enjoy your work?<\/div>\n<div><\/div>\n<blockquote>\n<div>I try to strictly separate my passions and my occupation. I prefer to do as an occupation something that is not mentally engaging (Something I can do on autopilot \u2014 with not much mental endeavor) and spare my mental\/creative powers for hobbies (I have plenty of hobbies).<\/div>\n<div>I have zero interest in designing something for a client. I have zero interest in aiming at a larger target group and thus making the fruits of my creative efforts sellable \u2014 Thus I am absolutely avoiding &#8220;creative jobs&#8221; within the framework of capitalism.<\/div>\n<\/blockquote>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div>Please tell us about your hobbies and interests, how they feed into your font design and FontStruct.<\/div>\n<div><\/div>\n<blockquote>\n<div>Besides making fonts on FontStruct, I am a passionate cinephile. I edit a film database \u201c<a href=\"https:\/\/www.kinometer.com\/u\/jiri_nvk\" target=\"_blank\" rel=\"noopener noreferrer\">Kinometer<\/a>\u201d (conceived and started by my cinephile friend) and I\u2019m a regular on the <a href=\"http:\/\/scfzforum.org\/phpBB3\/\" target=\"_blank\" rel=\"noopener noreferrer\">SCFZ<\/a> cinephile forum. Occasionally I do English subtitles for Czech films. I guess watching a lot of experimental films has an impact on the way I create fonts (multiple-exposure techniques, the insertion of blank frames in structuralist films, etc.)<\/div>\n<div><\/div>\n<div>I am also a fervent visitor of art exhibitions (I am fond of <a href=\"https:\/\/en.wikipedia.org\/wiki\/Outsider_art\" target=\"_blank\" rel=\"noopener noreferrer\">art brut<\/a>) and the collages of <a href=\"https:\/\/en.wikipedia.org\/wiki\/Ji%C5%99%C3%AD_Kol%C3%A1%C5%99\" target=\"_blank\" rel=\"noopener noreferrer\">Ji\u0159\u00ed Kol\u00e1\u0159<\/a> have had a substantial influence on some of my fonts (and the way I am cutting them into stripes, tearing them up, reassembling them, etc.) Kol\u00e1\u0159 invented or helped to develop multiple new collage techniques \u2013 of confrontage, froissage, rollage, chiasmage etc.<\/div>\n<\/blockquote>\n<div>\n<div id=\"attachment_4625\" style=\"width: 979px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/fontstruct.com\/news\/wp-content\/uploads\/2022\/03\/jirinvk-jiri-kolar.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4625\" class=\"wp-image-4625 size-full\" src=\"https:\/\/fontstruct.com\/news\/wp-content\/uploads\/2022\/03\/jirinvk-jiri-kolar.png\" alt=\"jiri kolar\" width=\"969\" height=\"697\" \/><\/a><p id=\"caption-attachment-4625\" class=\"wp-caption-text\">Ji\u0159\u00ed Kol\u00e1\u0159, Lady in love (1967), rollage-cubomania (<a href=\"https:\/\/de.wikipedia.org\/wiki\/Ji%C5%99%C3%AD_Kol%C3%A1%C5%99\">wikipedia<\/a>) with <a href=\"https:\/\/fontstruct.com\/fontstructions\/show\/1417652\/jaubolaa24-5-1\">jaubolAW42<\/a><\/p><\/div>\n<\/div>\n<blockquote>\n<div>I am interested in literature. I actually even compiled <a href=\"https:\/\/sites.google.com\/site\/drgalenova\" target=\"_blank\" rel=\"noopener noreferrer\">a book<\/a> (it is in Czech but I <a href=\"https:\/\/sites.google.com\/site\/drgalenova\/home\/contents\" target=\"_blank\" rel=\"noopener noreferrer\">translated the contents<\/a> into English). In cinema terms, it is a &#8220;found footage&#8221; (I found the scribbles of a certain lady \u2014 viz the noteworthy handwriting \u2014 arranged everything into chapters, writing some fragments myself to make the whole story smooth). I also have a great interest in <a href=\"http:\/\/thenewpostliterate.blogspot.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">asemic writing<\/a>. I would love to make more fonts on the margin between readable and asemic. I wish my fonts to be readable but not with ease.<\/div>\n<\/blockquote>\n<div>\n<blockquote>\n<div id=\"m_-1106582288822368451m_-148667403487974999m_957821140759111842m_-5634803092333741206DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2\">Crucial books related to my aesthetic views (and thus even making fonts) are <a href=\"https:\/\/www.goodreads.com\/book\/show\/1050482.The_Philosophical_Foundations_of_Early_German_Romanticism\" target=\"_blank\" rel=\"noopener noreferrer\">The Philosophical Foundations Of Early German Romanticism<\/a> (by Manfred Frank) and <a href=\"https:\/\/www.goodreads.com\/book\/show\/51287.Incompleteness\" target=\"_blank\" rel=\"noopener noreferrer\">Incompleteness: The Proof and Paradox of Kurt Godel<\/a> (by Rebecca Goldstein) &#8230; or anything about Kurt Godel.<\/div>\n<div><\/div>\n<div>\u2013 I guess all of this is me in nutshell :))<\/div>\n<\/blockquote>\n<\/div>\n<div><\/div>\n<div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">Tell us about your gardening practice.<\/div>\n<div dir=\"auto\"><\/div>\n<\/div>\n<div dir=\"auto\">\n<blockquote>\n<div>I try to approach gardening (and also my other activities) with a great deal of irony, I would even say \u201c<a href=\"https:\/\/www.cambridge.org\/core\/books\/cambridge-history-of-literary-criticism\/romantic-irony\/3EC7439B4DDDD80080ECAEF9B1FD3183\" target=\"_blank\" rel=\"noopener noreferrer\">romantic irony<\/a>\u201d (which is a part of &#8220;romantic aesthetics&#8221; which appeal to me).<br \/>\nI have written about <a href=\"http:\/\/scfzforum.org\/phpBB3\/viewtopic.php?p=33787#p33787\" target=\"_blank\" rel=\"noopener noreferrer\">blackcurrant<\/a> and <a href=\"http:\/\/scfzforum.org\/phpBB3\/viewtopic.php?p=31773#p31773\" target=\"_blank\" rel=\"noopener noreferrer\">hazelnut<\/a> harvests in my garden on the cinephile forum I mentioned before \u2013 these accounts are allusions to \u201c<a href=\"https:\/\/en.wikipedia.org\/wiki\/Shinsuke_Ogawa\" target=\"_blank\" rel=\"noopener noreferrer\">Ogawa Productions<\/a>\u201d such as the <a href=\"https:\/\/www.youtube.com\/watch?v=29xD_EsKFIg\" target=\"_blank\" rel=\"noopener noreferrer\">Red Persimmons<\/a> documentary.<\/div>\n<\/blockquote>\n<div>\n<div id=\"attachment_4671\" style=\"width: 979px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/fontstruct.com\/news\/wp-content\/uploads\/2022\/03\/blackcurrants.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4671\" class=\"wp-image-4671 size-full\" src=\"https:\/\/fontstruct.com\/news\/wp-content\/uploads\/2022\/03\/blackcurrants.png\" alt=\"Black Currant Juice\" width=\"969\" height=\"754\" \/><\/a><p id=\"caption-attachment-4671\" class=\"wp-caption-text\">Jiri\u2019s frothing blackcurrant juice and <a href=\"https:\/\/fontstruct.com\/fontstructions\/show\/1915024\/duotwinaj2416\">duotwinAJ2416<\/a><\/p><\/div>\n<\/div>\n<\/div>\n<div>\n<div><\/div>\n<\/div>\n<div>Are you involved in broader creative discourse outwith FontStruct?<\/div>\n<blockquote>\n<div>I am not really a social animal. I would even say I have certain misanthropic leanings.<\/div>\n<\/blockquote>\n<div>\n<blockquote>\n<div>However, despite my mild misanthropy, there are of course some people whom I do take pleasure to communicate with.<\/div>\n<div>In such a cases, I tend to chat a lot about films (among my dear ones, cinephiles prevail.)<\/div>\n<div>I am also not completely out of architectural discourse (my nephew is an architect).<\/div>\n<div>But I don&#8217;t know any type-designer in real-life, and know only one person who is working as a graphic designer (he occasionally uses some of my fonts in his projects).<\/div>\n<div>My attitude to graphic design is highly ambivalent (almost dismissive) because I perceive it as closely related to marketing (which I despise).<\/div>\n<div>My fonts are thus not rooted in the discourse (or needs) of the graphic designers&#8217; community.<\/div>\n<div>I make font families as if making herbarium, or as if filling frames of a film strip (and I am unconcerned whether any graphic designer will find my fonts useful).<\/div>\n<div>This relates to another outcome of my mild misanthropy: I am strongly self-motivated.<\/div>\n<div>Of course it\u2019s pleasing when somebody likes what i do, but I don&#8217;t need positive feedback as a stimulus for further work.<\/div>\n<\/blockquote>\n<\/div>\n<div>\n<p>Generally speaking, is your mind at peace or hyperactive?<\/p>\n<blockquote>\n<div>Whenever I am supposed to choose \u201ceither A, or B\u201d I feel that both A and B are valid\/relevant.<\/div>\n<div>My mind is very often very busy, but I am also able to switch off (turn on, tune in, drop out) and be at peace.<\/div>\n<div>I am a man of contradictions (I cherish contradictions).<\/div>\n<div>I also have to say that due to my mind being very often very busy I am hardly ever bored.<\/div>\n<div>Even when I am within a situation that could be easily described as boring, being busy in my mind, I don\u2019t feel bored.<\/div>\n<div>On the other hand, in an overly stimulating situation, I can easily get irritated \u2014 because those excessive external stimuli might interfere with my bursting inner thoughts.<\/div>\n<div>Thus I tend to avoid situations that might be generally perceived as exciting, and I tend to delight in situations that might be generally perceived as boring (from an external point of view).<\/div>\n<\/blockquote>\n<div><\/div>\n<div>Thank you Jiri!<\/div>\n<div><\/div>\n<\/div>\n<div><\/div>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Dear FontStructors, Picking up the baton from Ata, who is taking a well-earned rest after an epic and insightful series of interviews, I thought I would try and find out more about one of FontStruct\u2019s most enigmatic characters: Jiri Novak AKA jirinvk \u2013 the creator of multiple extensive series of highly idiosyncratic FontStructions. Avowedly modular, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-4578","post","type-post","status-publish","format-standard","hentry","category-focus-on-fontstructors"],"_links":{"self":[{"href":"https:\/\/fontstruct.com\/news\/wp-json\/wp\/v2\/posts\/4578","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fontstruct.com\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fontstruct.com\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fontstruct.com\/news\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/fontstruct.com\/news\/wp-json\/wp\/v2\/comments?post=4578"}],"version-history":[{"count":89,"href":"https:\/\/fontstruct.com\/news\/wp-json\/wp\/v2\/posts\/4578\/revisions"}],"predecessor-version":[{"id":4675,"href":"https:\/\/fontstruct.com\/news\/wp-json\/wp\/v2\/posts\/4578\/revisions\/4675"}],"wp:attachment":[{"href":"https:\/\/fontstruct.com\/news\/wp-json\/wp\/v2\/media?parent=4578"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fontstruct.com\/news\/wp-json\/wp\/v2\/categories?post=4578"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fontstruct.com\/news\/wp-json\/wp\/v2\/tags?post=4578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}