Thin sister of zenando, more legible for body text (even at pixel size), but with numerous differences on a lot of glyphs (it's a new font, basically). You can find an additional "$" in the "§" glyph. There are also new ligatures "ff" and "tt" which are in the places of "fi" and "fl". Enjoy it, please.
This is a cloneCaps only font. You can use the glyphs placed at the lowercase to add a different second letter in pairs like EE, FF, LL, NN, OO, SS, TT, ZZ, etc. and to avoid graphic repetitions in a single word or phrase. Extra "c" at the "¢" glyph. (NB: To create this one I have greatly exaggerated the method used by my admired Beate -sorry, Maestra- in her font db Whisper, which successfully simulated hand-drawn letters.)
Font made for the logo of a particular project/video game of mine.
Some kerning pairs are imperfect... I can only bring them 10 bricks closer together, so a bit of space remains...
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Current Version: 1.9
See also:Dynablaze
Version 1.3: Added Polish.
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This font used to be a normal Decolike... until someone decided to chow down on it! They seemed to prefer the taste of spurs, as all of them have been bitten off, leaving only semicircular impressions.
"Nervousa" is an anagram for "Ravenous".
Initially made for NW & SW European members' languages this typeface has grown over time to include glyphs for most European languages. My friend Ray will be happy to see Welsh and my friend Johneen can write in Maori :)
Thanks to TCWhite I've found the 2E2E point to place my favourite punctuation/symbol correctly.
I've sent this to be rewiewed for Google Fonts. Having done so I'm stuck, I don't know how to proceed there: how can I get people to look at it, comment?!
This is a clone of MasterClass 1This font explores the configuration of bubble forms. The font was inspired by markmakings of ink bubbles which imprinted onto a surface, rather than bubbles floating in the air. I have involved lots of depth and tonality into the font, which, despite bubbles being quite a soft concept, gives it a very dark and heavy feel. The outcome also contains a very digital feel, due to the small scale I worked with.
Small-grid doodle which creates new combinatorial forms.
I considered this design rather rough and unappealing until I gave it negative spacing. This caused the forms to merge together in unpredictable and interesting ways. The lesson here is that sometimes the metrics, not the aesthetics, are what "make" or "save" a design.
See more:
https://fontstruct.com/fontstructions/show/1533648/dracula-4
https://fontstruct.com/fontstructions/show/1816053/spaaace
https://www.fontstruct.com/fontstructions/show/1659156/soul-ninja-1
https://www.fontstruct.com/fontstructions/show/1424617/biologic-1
https://www.fontstruct.com/fontstructions/show/360025/ziti
https://www.fontstruct.com/fontstructions/show/14322/canal_carpien
A new take on my font home/sweet/home, expanded with some fun holiday dingbats. Just in time to use in your Christmas Cards! Please respect the license - if you would like to use this font for commercial projects, please contact Alexander@Kominek.ca