a venture into neon art deco, inspired by tortoiseshell's "night lyfe" (hence the name~)

Will Fontstructor have these kind of handles? Only time will tell )

stencil.

Happy 10th Anniversary! A highly conceptual and modular work with integration of "X", a technique that is yet to be developed...

The thing about a square of the things that are about a square is that they don't tile as well as squares do. 

An experiment with propellers. It seems to me like something four would make. Suggestions are welcome. Thanks.

02/08/17: Thanks to the new Kerning feature, a separate "r" is no longer required. Also made the rings a little rounder and fixed the rings on U and u.

What better way to celebrate our bright future than pushing a whole creative medium forward? Introducing Brick Patching – a combinatoric approach to constructing hyper-tunable curved and angular modular forms.

Stay tuned to this space; *eventually I will describe this highly useful hack and fully document the technique.

Upgrade your gray matter cuz one day it may matter.

Inspired by ribbons, snake's forked tongue and flowers... 

Experimental work somehow inspired by Braga, and the result is pretty interesting with some potential I think. Diagonals need work. Thanks.

In the font preview window above, click Pixel and then Shift+Pixel 4 times to see the full effect of the font.

I remember from back when I was learning Japanese, that the stroke order in writing hiragana, katakana, and kanji was important. I didn't get very far in my Japanese studies, but even then some of the kanji were like 17 strokes each, and each with a specific order of marking the strokes. Thinking of what would be appropriate for a number competition, I recalled the number and order of strokes per glyph idea. Hence, this font. 

The idea brought with it an inherent textfont sensibility. Deciding on the slope of the diagonal strokes was tricky as they rendered those letter either too wide or too narrow. The correct choice was a slope with a flat top or bottom. That allowed the width of the letter whatever I wanted but the flat top took away from the natural marking of the stroke, as in: no one actually writes an A with a horizontal top stroke. Settled on the current slope and width. Still, the letters came together fairly quickly; the kerning not so much. Whether they were adjusted or not, around 10,000 kerning pairs were checked. More than 2500 kerning pairs are included here...and many more still remain. How good or consistent the kerning is is for other's to judge.

Some of the glyphs are quirky, I know. There are already hundreds of thousands of exceptional standard text fonts. No point redoing those. 

Due to the need to show the strokes individually, the font came out as stencil. That was an unintentional byproduct of the idea.

Some strokes are split in two to show distinction between the crossing strokes, but technically they would be continuous. 

The strokes are based on my own handwriting style; others may do it differently. For example, when being careful, I write the Z in three strokes, whereas I suspect others probably write it in one. 

This is not a color font even though it is auto-charcterized as one because at one point I experimented with making the stroke-order numbers gray. I thought about copy-pasting the glyphs in a new FS, but the follow-up thought of having to redo the kerning quickly put a stop to that madness.

For best view of the font, download & install and check out some long block of text in Word with kerning turned on. (This articles explains how to activate kerning in Word.)

what can i say...

just a stencil sans font

The idea is to represent counters with arrows. Letters with closed counters (e.g. D,P ) were first opened and only afterwards were represented by arrows.

A FutureComp entry. Emphasis on the balance between future/past with a theme of: "There is no future without a past". Counter-clockwise (inner arrow) direction is for the past while the clockwise (outside arrow) direction is for the future.

A stencil army face created as my first submission to Google Fonts. 

The new "pie" brick tested out. WIP.

Experimental of course. Thx.

Entry for the Reversecomp. It's based on the theme of counterclockwise (anticlockwise) direction that is represented by an arrow. Also, Esrever is Reverse written backwards.

Sports/retro theme font with the help of new bricks.

I once saw a Macula font's ad here in Fontsruct and wanted to try to make smth similar with Fontstructor, and so the draft has been laying around since February (see the image in comments). This work is based off that draft and is more or less consistent. The result is similar to Four's font Rock Paper Scissors (and maybe some other fonts). Thank you. 

Dornach is a town/village in Switzerland where I'm on a family visit right now. It's very quite here, with lovely people who always greet me, asian looking guy, with smile ). The "o" was created not long after LoveComp's announcement, but it's here, in Dornach, with some spare time in my hand, I could finally find consistent development for it. A LoveComp entry #2 that's still in progress, other letters and samples will hopefully come soon. Thanks & Enjoy!

Bevel/chisel effect using connecting bricks.

Glyphs B,K,R,S,X,Z,k,s,x,z,2,3,5,7,8 miss cuts because of nudging space limitations.