Published: 30th September, 2014
Last edited: 30th September, 2014
Created: 30th September, 2014
This was modelled after the type of an old German typewriter, with some liberties taken to provide for modern programming languages.
12-point size is pixel resolution (the only one this font is designed for). Also works well anti-aliased at 9-points.
Published: 9th June, 2014
Last edited: 9th June, 2014
Created: 9th June, 2014
When I first saw about the new Nudge tool I wasn't sure how much it was possible to do with it. OH BOY IT'S ALL-POWERFUL
Published: 14th August, 2013
Last edited: 14th August, 2013
Created: 31st July, 2013
Castillian is a traditional textur font with decorative caps, numerals and accents.This is a clone of FreakFraktur
Published: 28th July, 2013
Last edited: 31st July, 2013
Created: 28th July, 2013
A new attempt to develop a clear & simple gothic font. I'm still not happy with some characters (T and Z...aghh)but i'm sure I'll figure out something to get this right. Any help is appreciated!!
Published: 17th January, 2013
Last edited: 16th January, 2013
Created: 9th July, 2012
Alternatives more classics to some glyphs: other "e" is at the "<" glyph, and another "r" is placed at the ">" one too. Hope you like it.
Published: 9th November, 2011
Last edited: 5th December, 2011
Created: 8th November, 2011
This Fonstruction was created in my first year studying graphic design at UWE. The design brief was to create a typeface using the key word; 'ornate'. I have taken heavy influence from gothic fonts and architecture, looking in particular at religion and religious texts. For more information please visit my website at http://wasteofpaper.co.uk/wordpress
I welcome all comments and constructive criticism, thank you :)This is a clone
Published: 31st October, 2011
Last edited: 1st December, 2011
Created: 31st October, 2011
I am a first year student at the University of the West of England. Our first project this year was to design a typeface based around a word of our choosing. I opted for ‘Pompous’, as it stood out to me from the list. During the project I visited Bristol Cathedral several times, and spent time in and around Bridgwater, looking at anything that I found to be pompous, such as cast-iron work and Baroque architecture. My final design is influenced by Gothic typefaces and raised lead tombstones/plaques. The name ‘Delectatio Morosa’ is Latin for peevish delight, which I discovered whilst looking at different Latin phrases.
Published: 16th June, 2011
Last edited: 2nd March, 2012
Created: 7th May, 2011
|||||Português|||||Tipografia que simula escrita gótica, com uma caneta de corte largo. A altura das letras maiúsculas é sete vezes a largura da ponta da caneta. A altura das minúsculas é 5 vezes a largura da ponta da caneta. A inclinação da caneta é de 45 graus em todas as formas, à excepção das linhas verticais com fim ornamental, que têm a espessura da caneta. Esta é uma fonte para grande quantidade de texto, com alguma preocupação pela legibilidade e leiturabilidade, mesmo para quem não está familiarizado com letra gótica. Não é adequada a nomes ou títulos, completamente escritos em caixa alta.
|||||English|||||Script typeface wich simulates gothic script with a fountain pen. The Upper case letters are seven times high the pen nib. The Lower case letters are five times high the pen nib. The tilt of the pen is 45 degrees in all forms, except for vertical lines with decorative porpose, which have the thickness of the pen. This is a typeface for great quantity of text, with some concern for the legibility and readability, even for those unfamiliar with Gothic script. It should not work well with upper case names or titles.
Published: 26th April, 2011
Last edited: 26th April, 2011
Created: 25th April, 2011
Clone of xe Callig. A whole lot better than the original. I've made the lines bleed into each other.This is a clone of xe Callig
Published: 19th March, 2011
Last edited: 23rd March, 2011
Created: 14th March, 2011
My first Font. Please tell me if it's any good since I haven't done any serious Field-testing yet. There might be some problems with certain letters.
Published: 28th November, 2010
Last edited: 1st December, 2010
Created: 27th November, 2010
This is based on the Wolfenstein logo. It has lowercase letters only. The uppercase letters are used as ligatures / alts.
Published: 19th November, 2010
Last edited: 26th April, 2011
Created: 6th June, 2009
This is an old font of mine. Wow, it's more than a year old. Yeah I thought I'd share it with you. I'll make some extended latin and such now.
Published: 8th November, 2010
Last edited: 3rd January, 2011
Created: 8th November, 2010
This font was based on the word pompous. It was created for a typography brief set in my first year at UWE Bristol. From the word pompous I was inspired to look at black letter fonts and ornate styles of decoration. Any feedback would be appreciated! If you use this font within your work please post a link with your final outcome, as its always nice to see your creation in action!
Heres a link to my specemin poster
xThis is a clone
Published: 9th October, 2010
Last edited: 26th October, 2010
Created: 8th October, 2010
A sort of blackletter with no historical references.
0 is meant for layering of the drop-caps.
It needs extended latin characters and diacritics, but you can typeset Latin with it! :-)This is a clone
Published: 15th July, 2010
Last edited: 3rd October, 2012
Created: 14th July, 2010
One of my old designs brought up-to-date with FS 2.0
I have changed the name from 'RM Albion Too' to 'RM New Albion' because, whilst I liked the word play of the former, I thought it was a tad trite (and a bit Anglo-centric).
Published: 11th July, 2010
Last edited: 24th January, 2015
Created: 28th May, 2010
Yep another blackletter. This is my first font. I Love blackletter and its formal/modular structure seemed an obvious choice for fontstruct. I wanted something kinda simple and stripped back with caps that integrated well and didn't bring too much attention to themselves. That capital N brings attention to itself...
Published: 9th March, 2010
Last edited: 9th March, 2010
Created: 7th March, 2010
Inspired by the pointed arches, ribbed vaults, and the flying buttresses found in Gothic architecture and the calligraphic Gothic Hand, a young and undaunted designer set forth to minimize counter space and emphasize vertical height with only a few bricks. The result was a modular blackletter font with crossbars, serifs and finials embodying a sense of sideways movement. May the design gods have mercy on her soul.This is a clone