9311538
Published: 23rd July, 2009
Last edited: 23rd July, 2009
Created: 23rd July, 2009
My take on the dot fontstruct craze. Based on my own handwriting. Upper case is chrome, lowercase is solid.
701011010
Published: 8th August, 2009
Last edited: 2nd October, 2009
Created: 3rd August, 2009
Don´t trust the preview, take a look at the Example! Dedicated to the marvellous DJ Shadow. This is another contemporary Display-Font I created using the Brick-Size-Filters (adjusted at 1.75). It´s not a 3D-Font, or a puzzle or a construction plan, but I think it´s a very consistent typeface:-) Hope you like it, please write a comment if you have any suggestions. More letters to come.
61381717
Published: 9th August, 2009
Last edited: 6th November, 2009
Created: 9th August, 2009
Small is beautiful. I thought I could add a new spin to Stewf's little gem. I also expanded the character set a bit. It was fun.This is a clone
496696
Published: 11th August, 2009
Last edited: 11th August, 2009
Created: 11th August, 2009
resubmission of the original fontstruction. added capitals and tweaked the overall readability.This is a clone
6716917
Published: 13th August, 2009
Last edited: 13th September, 2009
Created: 8th August, 2009
Freestyle is not a usual font, as you see. The concept was inspired by the "How very Tokyo"-poster by Spin (I posted it in the comments). I liked the idea of cutting every letter into pieces so it looks artistic but is still readable.
Freestyle consists of three parts: the whole letter at the top and in the middle/at the bottom there are parts of it, cut vertically.
Upper- and Lowercase are different. Under construction, more glyphs to come. This can be used e.g. for posters or magazine layouts. What do you think about this experiment?
< = alt.I
> = alt.I
* = alt.space
# = alt.space
105613410
Published: 17th August, 2009
Last edited: 2nd October, 2009
Created: 14th August, 2009
"Samoa" is another bold typeface experiment where I used the filters (1.6). Looks striking to me although I´m not sure about Z, 4 and 7...How do you like it? Write a comment!
127914711
Published: 19th August, 2009
Last edited: 4th September, 2009
Created: 17th August, 2009
If Bold is not enough...try Ultrabold! Part two of the Samoa-Typefamily. Hope you like it, take a look at the example. Write a comment if you have any suggestions!This is a clone of Samoa
271374771
Published: 1st September, 2009
Last edited: 3rd September, 2009
Created: 30th August, 2009
Very loosely based on the work of Piet Mondrian.
The alternative S (igorrossi's) is on the l/c sThis is a clone
152187631
Published: 7th September, 2009
Last edited: 9th April, 2014
Created: 5th September, 2009
It wuz dat intaglio wat made me do it ... honest guv! :-)
681313225
Published: 10th September, 2009
Last edited: 14th September, 2009
Created: 6th September, 2009
Serpentine is another easygoing Outline-type which can be used for headlines. Take a look at the example, hope you like it. I´m open for any suggestions.
*=alt.B, #=alt.R, %=alt.e
66109411
Published: 20th September, 2009
Last edited: 22nd September, 2009
Created: 1st September, 2009
The new black & white interactive type! You can write using only the Upper case, or only with the Lower case, or write every single letter/word different. Match provides many interesting possibilities. Just take a look at the example and download it. Hope you like it, write a comment!
8x4 bricks, no filters used.
3473545059
Published: 25th September, 2009
Last edited: 16th April, 2013
Created: 8th September, 2009
tryin’ hard, I got screwy.
greek and cyrillic shaping up;
more characters to come...
[update April, 2013:: The basic latin set has morphed into a new gothic sans design thanks to a host of solutions enabled by the new propeller bricks.]
11635314
Published: 28th September, 2009
Last edited: 21st September, 2010
Created: 27th September, 2009
Take a walk on the wild side. Now with punctuation.
602984
Published: 28th September, 2009
Last edited: 19th January, 2009
Created: 15th January, 2009
Based on the modular letters used on the electronic departures board at LAX's international terminal.This is a clone of Bradley Intl.
75109217
Published: 2nd October, 2009
Last edited: 3rd October, 2009
Created: 2nd October, 2009
Clone of Afrobeat Regular. Same lc as Afrobeat Regular, but with small caps and small numbers. You have many different possibilities to combine the letters, take a close look at the example. Looks smoother and more balanced to me. What do you think? More glyphs to come.
*=alt.l, #=alt.t, %=alt.fThis is a clone of Afrobeat Regular
74136114
Published: 3rd October, 2009
Last edited: 4th October, 2009
Created: 1st October, 2009
My name is Geostruct Grotesque and I'm a typeface. I love grotesque and gothic type fonts, particularly with vertical exaggeration; so I set out with this in mind and here's the result. Love Trade Gothic & Univers Condensed.
http://type60.com/2009/10/geostruct-grotesque-a-typeface/This is a clone
1274146257
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
14156815
Published: 7th November, 2009
Last edited: 3rd December, 2009
Created: 20th October, 2009
A uni project on found type, inspired by the theme order.
58722910
Published: 8th November, 2009
Last edited: 14th April, 2010
Created: 8th November, 2009
I've made the lower case smaller, and it is no longer monospaced.This is a clone of Unfix
201931
Published: 9th November, 2009
Last edited: 3rd December, 2009
Created: 10th October, 2009
I've tried to make a font that is very wide, with big bowls, but still remains quite readable.
421912
Published: 13th November, 2009
Last edited: 13th November, 2009
Created: 9th November, 2009
Monohype is a screen, non serif font. I got my inspiration from AndyChung.ca and NEUBAUWELT font.
To see the real size, please click on the pixel button. The smalest one, is the right one!
Take a look and told me, what you thing about it. thx