Decorative or Cyrcus font? Just a simple font with Cyrillic. Track changes (short slider) for connecting letters. Bala is the first part of the word balalaika and Balagan, an early Russian cyrcus or an open-air theater (https://ru.wikipedia.org/wiki/%D0%91%D0%B0%D0%BB%D0%B0%D0% B3% D0% B0% D0% BD)
See more: zylone 0,6 EYE / FS
This font explores the configuration of bubble forms. The font was inspired by markmakings of ink bubbles which imprinted onto a surface, rather than bubbles floating in the air. I have involved lots of depth and tonality into the font, which, despite bubbles being quite a soft concept, gives it a very dark and heavy feel. The outcome also contains a very digital feel, due to the small scale I worked with.
My first fonstruction is based around the theme of malnutrition, but focuses on lesser acknowledged end of the spectrum, over-nutrition. I took inspiration from nature of skin and fat on overweight or obese bodies, putting emphasis on the folds and bulges you might typically see on the skin of a larger frame.
Geometric Art Nouveau lettering inspired by as well as trying to mimic Uncial & medieval Insular script letters!
A serif font made of dots. Suggestions are welcome.
07/06/13-07/07/13 I went over the font and tidied it up. Adjusted spacing on letters like V and q, added or erased dots to letters such as a and f, made the tittles and such bigger, and refined letters like O and g. V1.2.0
10/01/13 More refining, more refining... Each time I come back, I see things that need improving. V1.3.0
12/19/13 My biggest update yet (literally). I've increased the circles' size from two to four units, making overshoots and much more possible. Every character has been reworked to fit the new size, and the font is now generally more condensed. V2.0
05/14/14 Tweaked many shapes with the nudge tool, and adjusted the 4 to have serifs and a lower crossbar. V2.1
05/17/14 Big edit today. A large portion of the lowercase, as well as some of the uppercase, has been narrowed to match the rest of the font.
05/21/14 M, N and accents updated a bit more.
09/27/18 Fixed the acute on ý (it was previously a grave).
SUTORAIPU ORIGAMI - A display typeface that was inspired by origami.
Enjoy!This is a clone of STF_SUTORAIPU ORIGAMI (MULTILINE)
A tribute to Belgian modernist artist "Jozef Peeters" (Antwerp, 1895 - 1960).
He is probably best known for contributions to legendary Belgian avant garde magazines "Het Overzicht" and "DeDriekhoek".
The alphabet I made is based on the letters seen on the folder art for his 1921 linocut portofolio.
(I made use of a couple of lower case letters to make slight variations similar as seen on the original artwork but most lower case are simply copied from the upper case letters.)
A piece of constructivism inspired by Dutch artistic movement "De Stijl".This is a clone of STF_FABRICON_(OUTLINE)
This font and tm Nibble started off as one. Both were different from what they have now become. The idea was to create a very heavy, minimal curves and angles to give a sense of the glyph.
It started with a plain N and a solid O. Making the E match either the N or the O resulted in deviation from the style just enough that it warranted a spin-off into a font of it's own.
Some letters—such as G and H—proved quite difficult to match in the style of either. A slight angle shift resulted in a glyph that did not go with other glyphs. I kept trying different possibilities...and at some point decided to save the discarded option into another fs, which now contains more than 200 characters.
The teardrop counter in tm Byte forced a complete redraw of all glyphs at about 2× the size.
I am already working on two additional fonts that came out of this exercise...and it might yield more.
Eclectic font. You can even make a led T-shirt for a party. Cyrillic caps while remaining eclectic refers to its Soviet past.
See more: Dalliance
https://www.fonts.com/font/linotype/devinne/ornamental-regularThis is a clone of Kuliboni
Apparently, it is quite easy to forget what gets a fontstruction going. Something about ultra condensed bla bla bla. The rest is just a matter of having a creative activity to occupy the mind. And if in the process you can help out a friend, all the better.
This font started offline. It wasn't even supposed to be a font. I was just showing some students the value of a grid, even as tiny as 5×5 and the thousands of possibilities it generates. It led to making an 'a'. Of course, once that exercise was over, I had to continue making other letters. It's a compulsion. Sorry. The offline idea was slightly different. Compromises had to be made due to the limitation in place by the bricks available.