Remember that time in the future, when there was a deadly global virus, then they tried to force everyone to take a mandatory untested vaccine, along with an implanted GPS chip that is cryptocurrency controlled and could track you worldwide, along with embedding additional restritions on civil liberties and personal freedom? Oh wait, thats now. Silly humans.
Future technology, like nanoimplants, will be magically rendered invisible with the use of nanotechnology utilizing atomic sized processors enabled through ferro electrics in conjunction with nanowires and carbon nanotubes operating from a ternary extradimensional mathematical framework. Or something like that.
Ironically, this font works best in macro sizes, not micro or nano.
This is a cloneThis is a military-style stencil font inspired by the original Stencil-Gothic face (by John West c. 1885), Ironmonger (by John Downer, 1991-93), and Pediker (by Kazimir Samoscanec, 2013). The latter one is a revival of a stencil face of unknown origin. Sorry for the dystopian future. I hope it will never happen.
See more:
https://fontstruct.com/fontstructions/show/1533648/dracula-4
https://fontstruct.com/fontstructions/show/1816053/spaaace
https://www.fontstruct.com/fontstructions/show/1659156/soul-ninja-1
https://www.fontstruct.com/fontstructions/show/1424617/biologic-1
https://www.fontstruct.com/fontstructions/show/360025/ziti
https://www.fontstruct.com/fontstructions/show/14322/canal_carpien
Remember that time in the future now where we would blame immigrants for taking our jobs, and nobody talked about how robots can now execute many repetitive industrial manufacturing tasks, do gymnastics, disarm bombs, while working 24/7 without breaks, health insurance or labor unions, and how cars/drones could drive themselves with artificial intelligence that improves daily? That was the good ol' day. Now robots can perform surgical procedures. That video of a robot carefully removing the skin off of a grape was awesome. 4 out of 5 medical robots prefer the G1 Prone font for their personal visual linguistic representation due to its surgical precision and linear execution. The future of TeleRobotic medicine, or any laborious human endeavor, will be in the hands of our cold, unfeeling robot overlords. =)
This is a cloneQuarantine 2020 allowed for this fontstruction to be born as it provided forced free time.
I'm sure it's true for everyone who designs fonts, there were lots of artistic decisions made in the creation process. Some letters went through a lot of iterations to arrive at their current state. Almost the entire uppercase were designed one way, scrapped and then redesigned this way.
The future is screen. Super high-resolution screen. Resolution so high that it is indistinguishible from printed text. 4K screens are available on mobile devices now. The future is resolution independent then.
~Type an uppercase letter and type the corresponding (or some other) lowercase letter to fill in the shape.
You can use the uppercase letters to form one word and type the lowercase fill letters to form the same or another word, or fill with a blanking glyph to complete the letter with no center letter. So, two types of letters are possible with this one font.
The letters had to be designed such that the uppercase could read as a letter without a center fill on it's own, or filled with blank glyph, or with a center letter. In doing so, the font turned auto-stencil and auto-monospaced. Also, since the unfilled uppercase read as the correct letter with the hole in it, this fs can be said to have three fonts in it.
The gaps are 1/8 brick; the thickness of the inner letter strokes is 2/8 brick. Therefore, this limitation meant that the glyphs with a stroke in the horizontal center can either be lined up with the left side blocks or the right side one. Therefore, 3/8 brick thickness I and T are provided on { and }.
Letter couples are as follows: Aa Bb Cc Dd Ee Ff Gg Hh Ii or I{ Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt or T} Uu Vv Ww Xx Yy Zz
Number couples are: !1 @2 #3 $4 %5 ^6 &7 *8 (9 )0
Blanks: ~, space
Center blank: `
Pipe: = (which will offset the monospacing)
Others; ? is at ?/ ! is at |\
Punctuations are where they are supposed to be: . , ; : ' " ’ ” ‘ “ -
Sample: Type the following in User Input to see the font as it is supposed to be: A`AaB`BbC`CcD`DdE`EeF`FfG`GgH`HhI`IiI{J`JjK`KkL`LlM`MmN`NnO`OoP`PpQ`QqR`RrS`SsT`TtT}U`UuV`VvW`WwX`XxY`YyZ`Zz!`!1@`@2#`#3$`$4%`%5^`^6&`&7*`*8(`(9)`)0?`?/|`|\)-)+~_<>=
6 bricks tall.
The sample is a font pun: TWO in ONE.
PS: Not sure how future it is.
Mjölnir slab serif novelty display font Copyright 2020 Doug Peters of Symbiotic Design, all rights reserved worldwide, including artistic and creative rights. Version 1.005
Mjölnir is the name of Thor's hammer (God of War), hence, I tried to make the letters resemble some sort of new fangled hammer.
This is a clone of TRE45ON_FSBased on the Covid-19 situation I know of in north western Europe: CONFINED illustrates the limits this virus imposes on people.
Nightpegasus' creative activities have been curbed for some time; with addition of this virus scare comes lack of interactions with my small support group and my creative output is even more reduced. As far as my FontStructed fonts are concerned this has imprisoned my enthousiasm and attacked my confidence in my abilities ...
Note that this font still has more glyphs to come. One of these days, possibly in April but more likely during the summer break.
I have worked on aspects of this design for a while and transferred the best glyphs to make **Confined**, expressing my thoughts and feelings in this font. But I can't see yet how to get the many missing glyphs to match this style.
Inspired by Zonatta by Elmoyenique.
this font was created for the logo of my discord server, "DOLPHIN." it was actually my first fontstruction, but has undergone some revisions and is now being released publically. it is heavily inspired by the font "FUTU" by emil bertell.
This font was created around the theme of 'elegant'. I chose to focus on the elegance of flowing fabric and drapery, so designed these letters inspired by classical depictions of fabric in paintings and marble sculptures.
Please note this is an uppercase font so will only work when typing in capitals.
This is a cloneConstructed on the bones of fs minimal.
I wanted to try some 'deformation' of the perspective used for italic glyphs. It was fun to try, the font looks amusing and the slants are irreverent enough. I know that a word processor could change Raysan into an italic style but a word processed Raysan would be too predictable and without creative spark.
Despite the purposeful changing of lines specially the curved sections which don't follow any "perspective rule" this font looks italic. It has a pleasant rythm in longer headlines etc, and gives eye catching 'splash' text when used with the parent font.
It took quite a while to finish, I constantly fought the wish to make composites and stacks to get the correct shape and directions into the curves.
This is a clone of RaysanInitially made for NW & SW European members' languages this typeface has grown over time to include glyphs for most European languages. My friend Ray will be happy to see Welsh and my friend Johneen can write in Maori :)
Thanks to TCWhite I've found the 2E2E point to place my favourite punctuation/symbol correctly.
I've sent this to be rewiewed for Google Fonts. Having done so I'm stuck, I don't know how to proceed there: how can I get people to look at it, comment?!
This is a clone of MasterClass 1