Something that I made. Part of the Roto Family.
Currently supports:
English, Jamaican, Irish, Dutch, German, Norwegian, Swedish, Icelandic, Finnish, Polish, Czech, Slovak, Sami (Northern), Hungarian, Spanish, Portuguese, French, Esperanto
Update Log
Current version:v3.0
v0.1: Basic characters.
v0.2: Added basic punctuation.
v0.3: Added more punctuation.
v0.4: Changed letters S, s, Q.
v0.5: Added ^ and ` .
v1.0: Smoother curves, changed letters S, s, Q, R, r, K, k.
v1.1: Added Á, À, Â, Å, Ä, Æ.
v1.2: Added Ç, È, É, Ê, Ë, Ì, Í, Î, Ï, Ð.
v1.3: Added Ñ, Ò, Ó, Ô, Õ, Ö, ×, Ø.
v1.4: Added Ù, Ú, Û, Ü, Ý, Ÿ, Þ, ß.
v1.5: Added à, á, â, ã, ä, å, æ.
v1.6: Added ç, è, é, ê, ë, ì, í, î, ï.
v1.7: Added ð, ñ, ò, ó, ô, õ, ö, ÷, ø.
v1.8: Added ù, ú, û, ü, ý, þ, ÿ.
v2.0: Added Ā, ā, Ă, ă, Ą, ą.
v2.1: Added Ć, ć, Ĉ, ĉ, Ċ, ċ, Č, č.
v2.2: Added Ď, ď, Đ, đ, Ē, ē, Ĕ, ĕ, Ė, ė.
v2.3: Added Ę, ę, Ě, ě, Ĝ, ĝ, Ğ, ğ, Ġ, ġ, Ģ, ģ.
v2.4: Added Ĥ, ĥ, Ħ, ħ, Ĩ, ĩ, Ī, ī, Ĭ, ĭ.
v2.5: Added Į, į, İ, ı, IJ, ij.
v2.6: Added Ĵ, ĵ, Ķ, ķ, ĸ, Ĺ, Ļ, ļ.
v2.7: Added Ņ, ņ, Ň, ʼn, Ŋ, ŋ, Ō, ō, Ŏ, ŏ.
v2.8: Added Ő, ő, Œ, œ, Ŕ, ŕ, Ŗ, ŗ, Ř, ř.
v2.9: Added Ś, ś, Ŝ, ŝ, Ş, ş, Š, š, Ţ, ţ, Ť, ť, Ŧ, ŧ.
v2.10: Completed Latin Extended-A.
v3.0: Started Latin Extended-B.
the study of crop (or cropt) circles :) some of these appear in ornaments. when i did that one, i felt many of the designs reminded me of crop circles. so i added a few more :) i've done a couple of other crop circle fonts. but it kind of seems natural to make crop circles out of circles (dots), doesn't it? i have also tried to show the progression of similar designs by trying to keep/group them together, but there are some strays here and there :)
Many alternates as I couldn’t choose between some letters variants, and because certain initial lowercases look better without that top-left swash.
~ Alternates ~
< - Alt. G 1
> - Alt. J
_ - Alt. A
@ - Alt. S
# - Alt. E
$ - Alt. F
% - Alt. G 2
* - Alt. d
) - Schoolbook a
] - initial schoolbook a
[ - initial a
" - initial s
/ - initial e
\ - initial o
Inspired by a Blackletter font in which I saw Art Deco qualities. The name comes from Norse/Viking mythology. It's great for headlines/titles and works nicely as majuscles for slab sans serif fonts.
No DL for this particular design but the initial font design will be tidied (has Latin & MoreLatin only) and made available before the end of next week.
Version 1.3: Added Polish.
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Another asymmetrical sans-serif made for use in rulebooks for the Freeform Limitless Adventure Kit (FLAK) pen-and-paper game system. This one is classed as a hybrid and works well at all point sizes!
It began as a Constant Height design, but now I don't classify it as such since most of the letters with diacritics are taller than those without. A few letters (eszett, thorn, eta, etc.) are allowed to descend slightly, as well.
This font has also found some use on signage at a friend's bistro!
STF ELEGANZA (Tall) ― Contemporary geometric humanist sans
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A font style, that while simplified by old tradition, saw new light by modern sophistication.
It comes in a solid medium weight that is very suitable for body style text with good readability, but it does perfect clean headlines or ads as well.
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The goal was to make a clean but somewhat more contemporary and playful take on a 'Grotesque' sans-style.
In an attempt to break away from the traditional trend of Grotesque type designs which evolved more around pure geometric shapes and aim for perfect circular, triangular or square shaped letterforms, that in return give many of them a somewhat harsch and featureless mechanical appearance, I choose to try and achieve the opposite, aiming for a softer, friendlier and more humanized feeling instead.
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Dimensions: (in grid units)
X-Height: 2 .625
Cap-Height: 3 .125
Em: 3 .5
Brick Size filter: 2 : 2
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This is the 'Tall'-style in the 'ELEGANZA'typeface family. This version somewhat strays away from the other two variation instances. Whereas the other versions had a simplified look, this version aims for the oposite and has a much more rich and diverse typographic design. Countless subtle extra little details have been incorporated into the design. The tall and condensed style provides a luxurity look. The main purpose for this version was to provide another level of visual depth and flair into your layout.
Some of the main differences made in this 'Tall'-style are the more complex geometry, other X-Height to Cap-Height ratio, extra characters and the introduction of optical compensations.
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The other style variations can be found here:
ELEGANZA (Tight)
ELEGANZA (Therapy)
I hope you like it...
This is a clone of STF_ELEGANZA (Tight)Initially made for NW & SW European members' languages this typeface has grown over time to include glyphs for most European languages. My friend Ray will be happy to see Welsh and my friend Johneen can write in Maori :)
Thanks to TCWhite I've found the 2E2E point to place my favourite punctuation/symbol correctly.
I've sent this to be rewiewed for Google Fonts. Having done so I'm stuck, I don't know how to proceed there: how can I get people to look at it, comment?!
This is a clone of MasterClass 1Experimental 24-segment display or massive monochrome Mondrian matrix. Pixel compatible!
The thinking behind this one was that with incongruously sized segments arranged in the proper way, I would create a design which was effectively 5x5, but which accomodated more glyphs than 5x5 usually does. Negative space is incorporated into the structure of many glyphs, though not enough to classify this as an IVO design.
"Qualtron" is the name of an imaginary entity that a friend believed in - a being meant to represent the result of "a mathematical equation that can rule the universe". I didn't inquire further about it... :D
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Design Rules:
1. Segments can have interior length/width of 2 or 5.
2. The central 2x2 square must always remain open.
3. Square bricks and 90-degree angles only.
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Original size: 20.75pt (use multiples of this value for pixel perfection)