Initially made for NW & SW European members' languages this typeface has grown over time to include glyphs for most European languages. My friend Ray will be happy to see Welsh and my friend Johneen can write in Maori :)
Thanks to TCWhite I've found the 2E2E point to place my favourite punctuation/symbol correctly.
I've sent this to be rewiewed for Google Fonts. Having done so I'm stuck, I don't know how to proceed there: how can I get people to look at it, comment?!This is a clone of MasterClass 1
Experimental 24-segment display or massive monochrome Mondrian matrix. Pixel compatible!
The thinking behind this one was that with incongruously sized segments arranged in the proper way, I would create a design which was effectively 5x5, but which accomodated more glyphs than 5x5 usually does. Negative space is incorporated into the structure of many glyphs, though not enough to classify this as an IVO design.
"Qualtron" is the name of an imaginary entity that a friend believed in - a being meant to represent the result of "a mathematical equation that can rule the universe". I didn't inquire further about it... :D
1. Segments can have interior length/width of 2 or 5.
2. The central 2x2 square must always remain open.
3. Square bricks and 90-degree angles only.
Original size: 20.75pt (use multiples of this value for pixel perfection)
Version 1.2: Added Greek and Coptic. I don't have the right language support installed to see ALL the glyphs, so a few are still missing...
Another asymmetrical sans-serif made for use in rulebooks for the Freeform Limitless Adventure Kit (FLAK) pen-and-paper game system. This one is classed as a hybrid and works well at all point sizes!
It began as a Constant Height design, but now I don't classify it as such since most of the letters with diacritics are taller than those without. A few letters (eszett, thorn, eta, etc.) are allowed to descend slightly, as well.
This font has also found some use on signage at a friend's bistro!
I expanded on my previous font, relaxing the rules on placement of segments. I was then able to add uppercase letters, and enhanced the lower case letters where it was needed. Still a WIP - converting the accents.This is a clone of Calculated Monospace
A stout, slab serif, large countered, heavy sided, pixel font.
A futuristic, angular Blackletter. The lower case is inspired partially by an English Textualis design. Tannenberg Fett sort of inspired the uppercase. Full Latin, More Latin, and Extended Latin A sets. Alternate 'a's can be found in Extended Latin B. Performs quite well at small sizes, but recommended for display use.
This was another attempt at a clean geometric sans. It turned out a lot like fs vandyx, but... less "open", perhaps? Anyway, suggestions and critiques welcome. Thanks and enjoy!
CAPITAL LETTERS HAVE A WHITE STRIKETHROUGH. LOWERCASE LETTERS ARE COMPLETE.
TO GET THE PARALLAX LOGO (MY WEBSITE), TYPE “%.”
ALSO SEE THE TWO-DIMENSIONAL VERSION OF THIS FONT, “PARADOXICAL-VORTEX-FLATTENED.”
• 2017:11:30 — PUT THE STRIKETHROUGH ON THE CAPITAL ACCENTED CHARACTERS. ALSO FIXED A SPACING ERROR WITH THE “$” SYMBOL.
• 2017:12:01 — DUE TO POPULAR DEMAND, I HAVE ADDED A HUNDRED AND FIFTY NEW AND ACCENTED CHARACTERS.
• 2017:12:02 — ADDED EIGHTY-SIX MORE CHARACTERS, BRINGING THE TOTAL AMOUNT OF CHARACTERS TO THREE HUNDRED AND FORTY-ONE. ALSO UPDATED THE “¥” SYMBOL AND THE SINGLE ACCENTS.