This project is abandoned.
Description:
Perfectly monospaced 5x7 font (even watermarks!).
Note: Some characters are exceeding 5x7 size, though font boundaries are the same and the font itself is monospaced.
Note 2: Some characters are double or triple of the horizontal size of a letter, e.g. 11x7 (occupies exactly 2 characters), 17x7 (occupies exactly 3 characters) etc.
Includes:
* Basic Latin
* More Latin
* Extended Latin
* Even More Latin
* Basically all kinds of Latin
* Greek and Coptic
* Coptic
* Cyrillic
* Arabic
* Devangari
* Hebrew
* Katakana
* Thai
* Georgian
* Georgian Extended
* Armenian
* Bopomofo
* Hiragana
* NKo
* Tifinagh
* Cherokee
* Runic
* Tai Le
* Ol Chiki
* Brahmi
* Old South Arabian
* Old Turkic
* Lydian
* Shavian
* General Punctuation
* Superscripts and Subscripts
* Currency Symbols
* Letterlike Symbols
* Box Drawing
* Block Elements
* Arrows
* Geometric Shapes
* Phonetic Extensions
* Number Forms
* Mathematical Operators
* Miscellaneous Technical
* Miscellaneous Symbols
* Miscellaneous Symbols and Pictographs
* Mathematical Alphanumeric Symbols (Bold Serif)
* Control Pictures
* Enclosed Alphanumerics
* Dingbats
* Brailie Patterns
* Progress bar similar to Fira Code
And more!
Changelog:
1.4.0 (5969 chars) (working on)
Changed:
* Made Box Drawings bold
Added:
* Brahmi
* Old Turkic
* Old South Arabian
* Shavian
* Lydian
* Miscellaneous Symbols and Pictographs (not finished yet)
* Mathematical Alphanumeric Symbols (Bold Serif part)
1.3.0 (5244 chars)
Changed:
* Redone Hiragana
* Redone Katakana
Added:
* Miscellaneous Technical
* Miscellaneous Symbols
* Ol Chiki
* Georgian Extended
1.2.2 (4643 chars)
Changed:
* Fixed Hiragana
1.2.1 (4615 chars)
Added:
* Runic
* Tai Le
1.2.0 (4499 chars)
Added:
* Cherokee
Changed:
* Fixed some characters' width
1.1.0 (4379 chars)
Added:
* Coptic letters (different from Greek and Coptic)
* Tifinagh
1.0.1 (4197 chars)
Changed:
* Fixed Block Elements grid
1.0.0 (4197 chars)
First release of this font
Feel free to post issues, ideas and questions in the comments!
P.S. On Windows this font will be corrupted and would not install. This problem also occures in some other fonts with many characters in them.
You still can use this font as a file for some programs.
Plans for the near future:
▪ Mathematical Operators
▪ Letterlike Symbols + Mathematical Alphanumeric Symbols
When a future version of the Unicode comes out:
▪ Symbols For Legacy Computing Supplement, Mainly the Kaypro Octets and Large Print Pieces: Unicode 16.0
A pixel font that I have created. This is a monospace font, but the monospace flag is not set. This is to allow for zero-width letters… This means there are bound to be one or two spacing mistakes, (And no, setting the width to zero is not a spacing mistake). If you find any, please tell me in the comments…
My grandma passed away recently…
This font is not yet finished
A font perfect for a pixel-based game. Also includes box drawing and block symbols.
Aso see this font by Patrick H. Lauke and this font from Goatmeal, which has some similar letters this font. I made this font in the final days of Everybody Edits, although the letters in the (probably lost now) world have some details that are different from this font.
This font has been expanded to cover CP437, along with (some) legacy symbols.
I still wish we can create a custom .notdef character so we don't have to have the default one on downloaded fonts without having to use FontForge or Glyphs to change it.
A Monospaced font that is 9 bricks wide made by Se7enty-Se7en.
This font works best at intervals of 13.5
Added arabic and more japanese.
Can I have the tab spacıng adjusted to 2 characters?
Do NOT use any double vowels in Tamil!!
Maxenisei
(1.3)
A font copied by my "oldstyle console" font, but more balanced letter width, and a LOT of new characters-
minimalistic, on the point, yet distinctive and unique.
List of Unicode Blocks/status:
Basic Latin: Complete!
Latin-1 Supplement: Complete!
Latin Extended-A: Complete!
Latin Extended-B: in progress...
IPA Extensions: coming soon...
Spacing Modifier Letters: in progress...
Combining Diacritical Marks: in progress...
Greek and Coptic: All standard greek letters are implemented, more in progress...
Basic Cyrillic: Complete!
More Latin, Cyrillic, Greek, and other scripts planned aswell.
This is a clone of Oldstyle ConsoleBUISJES — Geometric outlined sans-serif design
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[ INTRODUCTION ]
While at first I was just updating one of my custom brick tool sets with some additional new pre-build custom composite bricks which seemlessly fit and allign with the dimensions of FontStruct's default connection brick set, the font more or less materialized as this happy accident while I was fooling around and constructed several basic letterforms and shapes for testing these composite brick solutions I was making.
Before realizing it I had about half-a-alphabet's worth of random letter doodles. From there on out I simply decided to copy the letters that came from this test run and drop them into a new FontStruct project and just resumed building the remainder of what would later become this rather modernist clean looking geometric outline sans.
Now, keep in mind that working with the constraints of these (largely 'Composite'-like) and somewhat oddball physically natured 'Connection'-bricks is very limited, and can be quite tricky. They simply doesn't allow the same level of design freedom FS's 'Core'-bricks do (E.g. the centre allignement, their thickness and that 30-bricks-only limited palette size for each of the three variations). To acquire some of that more distinctive and specific tailor made geometry usually requires clever brick arrangements that consist from a mixture of both multi-stacked-composites and brick overlaps to patch gaps and smoothen curve contours.
This process can sometimes become very 'trial / error' -based and unpredictable when complexity increases. Distracting at times, as it gets in the way of primary objectives. To constantly having to invent different new solutions that work simply doesn't help creative workflow. Therefor I decided to dive a little deeper into expanding my pre-fabricated'ready-to-use' composite brick palette.
[ ANALYTICS ]
So far I'm very pleased with the final result, especially with how easy this new set of custom brick composites turn out to create new letters. The bricks feel very intuitive to work with, and unlock quick access to greater sophistication and shaping of more complex geometry. Opening up several new possibilities that are impossible to construct solely from the default 'Connection' -brick palette. So having them at my disposal in a pre-fab fashion is certainly gonna help streamline the workflow.
[ THE FONT ]
As far as for the font's aesthetica, there isn't all that much spectacular going on really. The basic geometry provides a rigid solid looking lettering that produces this fairly legible text. The modern yet clean characteristics making it the perfect match for a broad range application.
• Multi-Lingual (105 languages supported)
• Some glyph alternate forms
• Kerning (1922 stored pairs)
The font name refers to its tubular characteristics and comes from the Dutch word Buizen, which literally translate to Tubes in English.
I hope you like it,
Cheers
This is a cloneUses 2x2 filters for more control over bricks. Also has cleverly designed tone contours so I don't have to figure out what slope of bricks I need…
Contains all glyphs from WGL-4 plus some extra glyphs…
I'll eventually port this to OpenType with the bearings [more or less] balanced out (What I'll do is move specific glyphs 64 em units to the right), kerning, and GSUB tables…
STF_DAMAGE INC. - Tech inspired condensed geometric sans.
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It’s a modern rigid square-based geometric sans that was designed to work especially well in body style text. It was carefuly crafted to be a spacious but continuous fill.
The squarish geometry provides a slight mechanical looking, yet clean and very open basic design.
Each glyph was further constructed with more than enough negative space (white space), making sure any text will look brightly lit and feels well ventilated at all times. This is especially welcoming when having to read large chunks of body text.
The uppercase character set was constructed somewhat of a fraction disproportionally taller compared to the more naturaly proportioned lowercase character set. This to make any line of text that is set in 'all-caps' to bring the impression of being condensed.
This effect is then exaggerated even more by slightly pulling back on the extent of any ascenders and descenders on the lowercase characters.
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I am pretty pleased with the result, it's overall look is fairly consistent and legible. The condensed effect allows squeezing a good decent amount of horizontal text per one single line of type.
The only thing kind of dissapointing to me was it's smallest possible point size in digital display use. It doesn't do well bellow 20px (14.5pt)in digital format.
20px is the absolute smallest size for everything to look crisp and alligned with the pixel raster, going bellow this point and the font starts to become blurry and distorted.
I wonder what any of u type wizards think so far...
Cheers
STF_EIN BERLINER - Condensed geometric sans-serif typeface.
Inspired by the lettering seen on a variety of different Dutch and German street signs.
The simple and clean geometric letterforms provide this typeface with a strong legibility in both display & body style text.
(grid size 3,5 × 7 at 2x2 brick size filter)
Enjoy
STF_DERBY - Condensed Geometric Neo-Grotesk sans.
The idea was to make a typeface design that would suit small point size body style typography.
■ Multilingual support (94 languages)
■ Partial kerning WIP (8694 Pairs and counting)
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The fontstruction is a Faux Bezier style approach, to allow the most freedom in shaping the different letterforms and curves.
Font sample is best viewed at 2x pixel size or above for a sharp result.
I hope you like it!
DIDUDE (Regular) ― Contemporary Neo-classical "Didone" style serif
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The idea revolved around the basic concept for 'Didone'-style typefaces.
A genre characterized by modern unornamented standard letterforms, which was very popular for general-purpose printing during the 19th century. DIDUDE is by no means an attempt to embarge on a quest trying to deliver a conceptual overhaul of this genre. Its main goal was to achieve greater simplicity, without sacrificing that traditional neo-classical personality. Instead of leaning towards the typically more 'Humanist'-influenced style with distinct stroke modulations and proportional forms, geometry and symmetry were introduced to design this more simplified take on the traditional historical style. It has been crafted with a structural logic of its own.
"Less human, more geometry.."A fusion of geometry and neo-classical elements that blends the past with the present.
━━━━━━━━━━━━━━━━━━━━━━━━━━
Main distinctive features for DIDUDE (Regular) are:
Unbracketed serifs, vertical orientation of weight axes with a strong contrast between thick and thin strokes, slightly squarish-shaped round characters and its emphasized business-like nature. So the majority of important characteristics that distinguish the neo-classical style have been incorporated.
Certain features that were implemented into DIDUDE's design are somewhat setting it apart from most other, more traditional typefaces in this genre, and most notable is the more relaxed contrast ratio that was choosen for this particular project.
Further personalizing touches were made to stroke endings and curve geometry, providing slight 'calligraphy'-inspired decorative variation with occasional spurs, breaks, curved finials and plain monolinear terminals.
Topping it all off with an ever so gentle height deviation that sparks a subtle rhythm to any line of text. Last but not least, most of the optical clunkiness was addressed and either corrected or compensated.
There is a large character set that includes a little bit of everything:
Basic latin character set, latin-1 supplement set, stylistic ligatures and glyph alternatives, punctuation marks, lining and non-lining text figures, roman numerals, (Partial) Greek and Cyrillic, also numerous non-lingual technical, mathematical and decorative stuff was included.
Only partially kerning for now and this remains a WIP.
Nonetheless, I hope y'all like it so far..
━━━━━━━━━━━━━━━━━━━━━━━━━━
Here is a link to the other font style in this typeface family:
STF DIDUDE (Condensed)
Cheers
This is a clone of STF_DIDUDE_(Condensed)DIDUDE (Condensed) ― Contemporary Neo-classical "Didone" style serif
════════════════════════════════════
The idea revolved around the basic concept for 'Didone'-style typefaces.
A genre characterized by modern unornamented standard letterforms, which was very popular for general-purpose printing during the 19th century. DIDUDE is by no means an attempt to embarge on a quest trying to deliver a conceptual overhaul of this genre. Its main goal was to achieve greater simplicity, without sacrificing that traditional neo-classical personality. Instead of leaning towards the typically more 'Humanist'-influenced style with distinct stroke modulations and proportional forms, geometry and symmetry were introduced to design this more simplified take on the traditional historical style. It has been crafted with a structural logic of its own.
"Less human, more geometry.."A fusion of geometry and neo-classical elements that blends the past with the present.
━━━━━━━━━━━━━━━━━━━━━━━━━━
Main distinctive features for DIDUDE (Condensed) are:
Tall and narrow letterforms with short unbracketed serifs, vertical orientation of weight axes with a strong contrast between thick and thin strokes, slightly squarish-shaped round characters and its emphasized business-like nature. So the majority of important characteristics that distinguish the neo-classical style have been incorporated.
Certain features that were implemented into DIDUDE's design are somewhat setting it apart from most other, more traditional typefaces in this genre, and most notable is the more relaxed contrast ratio that was choosen for this particular project.
Further personalizing touches were made to stroke endings and curve geometry, providing slight 'calligraphy'-inspired decorative variation with occasional spurs, breaks, curved finials and plain monolinear terminals.
Topping it all off with an ever so gentle height deviation that sparks a subtle rhythm to any line of text. Last but not least, most of the optical clunkiness was addressed and either corrected or compensated.
There is a large character set that includes a little bit of everything:
Basic latin character set, latin-1 supplement set, stylistic ligatures and glyph alternatives, punctuation marks, lining and non-lining text figures, roman numerals, (Partial) Greek and Cyrillic, also numerous non-lingual technical, mathematical and decorative stuff was included.
Only partially kerning for now and this remains a WIP.
Nonetheless, I hope y'all like it so far..
━━━━━━━━━━━━━━━━━━━━━━━━━━
Here is a link to the other font style in this typeface family:
STF DIDUDE (Regular)
Cheers