* ABANDONED PROJECT *
This one is being published as a curiosity. I plan to revisit it in a larger scale, so I can pack more detail (maybe even entire towns!) into each glyph. A few people wanted to see this version so here it is.
This font is made to have the features of castles. (Proper balance and support not included!)
Arrow Slits - Also called "murder holes", they allowed defenders to safely repel invaders with arrows or spears.
Batters - Angled sections at the bottom of the walls. Onto these, the defenders would throw stones and other objects so that they would bounce toward invaders.
Crenellations - Cutout segments at the top which provided cover for archers.
Moat - A large ditch which helped to restrict access to the castle.
Portcullis - A mechanically-raised, reinforced gate.
Recreation of a design from 2011. This was used for the logo and certain menu text in my most treasured and popular video game, "Seven Candles", so it was designed to write only a few words - Seven, Candles, Save, Lines, etc.
This will eventually be used in the remake as well, once I get around to that...
This is a logotype, so it only has a few letters in it. No more glyphs are planned.
149 custom bricks for your perusal! Only custom bricks are in the palette, so you can clone this and easily start drawing right away.
I'll definitely be adding more with time. I love this sort of experimentation!
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Ever since I saw jonrgrover's "Heavy Chain", I wondered what forms of Celtic knotwork and chainmail weave could be created on a small grid. This design contains all the ones I have found so far. Feel free to clone this or make suggestions!
All these designs are 1x1 or 2x2; I made larger swatches to show how they tessellate and can form even larger shapes.
If you clone this, I recommend opening another new FontStruction at the same time, then copy-pasting the knots you want from the cloned project over to the new one. This will help reduce the chance that your creation gets corrupted.
- WORK IN PROGRESS -
A font for making hexagonal grids and maps.
You can make a map which is infinitely wide and up to 6 rows tall. This will increase to 26 rows tall once I figure out why the spacing breaks down after 6. Once this problem is solved, I'll begin adding setpieces and more tile variations!
13SEP2018: I never did figure out a way to stop the spacing from breaking down. No matter where I place the 7th row or how I alter the spacing, it's always out of place...
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- INSTRUCTIONS -
Type starting with a or A, then b or B, up through fF, to build a column.
Once the map is as tall as you want it, repeat these letters to make the next column.
Use UPPER CASE to create land/floors and lower case to create water/walls.
"A" or "a" must be present in each sequence and each letter must be in its proper place and order for the map to generate properly. Making of irregular maps is possible, but it takes some cleverness to get them to look even. This problem seems to be insurmountable, sorry!
Use six spaces to create a void with the same width as a hex...
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- MAPS TO TRY -
(Copy one, scroll up to the preview & use View -> "User Input" -> Ctrl+V)
1. Plains: ABCDEFABCDEFABCDEFABCDEFABCDEFABCDEFABCDEF
2. River & Pond: ABCDEFabcdEFABCDefABCDEFABcdEFAbcDEFABCDEF
3. Small Maze: aBCdeFABCDEfabcDEfABcdEfaBCDEFabcDefABCdEf
4. Honeycomb: AbCdEfABCDEFAbCdEfABCDEFAbCdEfABCDEFAbCdEf
5. Space: abcdefabcdEfabcdefaBCDefaBCDefabCdefabcdef
6. Coastline: abcdefABcdefABCdefABCDefABCDEfABCDEFABCDEF
7. Stripes: abcdefABCDEFabcdefABCDEFabcdefABCDEFabcdef
8. Broken Terrain: ABA ACDFABCDEFABEABCDEF
9: Yin Yang: AbcdefAbcDefAbcdefABcDefABCDEfABcDEfABCDEf
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Using antialiasing broke the tile arrangements in my graphics software. You may be luckier, but I recommend having both antialiasing and kerning turned OFF.
Have fun!
A written court language used by Ashrians on Bysonce Island, Planet Ashr in my video game Endless Sea of Stars. This one is used for public court documents, and its brother language Calystiphos Hand is used for private documents and old government records.
These glyphs could be considered a form of shorthand unto themselves, since each court stenographer has its own way of writing these down and its own way of abbreviating or embellishing them. Through knowledge of these glyphs, and their accompanying interpretation, one can surmise all of the important proceedings and notes.
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Common methods for stenographers to alter these glyphs involve:
- Adding/removing quadrants
- Crossing out one or more elements in colored ink
- Drawing connecting lines between points within one or more quadrants
- Inscribing shorthand or marginalia within negative spaces
- Marking or coloring within the central circle
- Shading via different means (scribbling, crosshatching, or with colors)
- Rotating a quadrant upon its own axis
It's important to note that stenographers also often write (either in Royal Bysoncian, Sea Bysoncian or Voktlandish) in accompaniment with these symbols. The idea is for each stenographer to come up with a system of encoding that works for it. Eudastiphos Hand could thus be considered an amalgamate, interlingual cipher built from other Ashrian languages.
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In terms of communication systems which exist on Earth, this is most readily compared to Nsibidi.