10016106329238
Published: 6th April, 2008
Last edited: 18th August, 2010
Created: 6th April, 2008
I wasn't satisfied with either of the current logo expansions, so i made my own. With Cyrillic characters.
IF YOU LIKE THIS FONT, PLEASE GIVE IT A GOOD RATING!
587934268875
Published: 27th February, 2014
Last edited: 13th February, 2015
Created: 23rd February, 2014
Something as simple and boring as a monospaced, octagonal, sans serif font. But it has great unicode support!
49435632728
Published: 5th November, 2010
Last edited: 6th November, 2010
Created: 4th November, 2010
This is my first FontStruction while currently studying graphic design at Bristol UWE.
Lots of experimentation solely using paints; quick hand movements and flicks to produce a messy, unrefined effect. Working in less than 1 second for each letter (with real paints), used as reference. Inspired by East Asian calligraphy.
329951100230
Published: 27th May, 2008
Last edited: 23rd June, 2009
Created: 27th May, 2008
Now kidnappers can save time and type their notes rather than cut letters from newspapers!
32144227397
Published: 31st December, 2012
Last edited: 2nd January, 2013
Created: 20th February, 2009
This one was a long time in the works. If you liked Knutz and Boltz you'll really dig this one. Probably no numbers or extra characters to come I'm afraid. The caps were a ton of work alone. Enjoy.
281819636
Published: 9th May, 2008
Last edited: 13th February, 2009
Created: 9th May, 2008
Clone of Structurosa. Cloned by ChandooThis is a clone of Structurosa
26962231435
Published: 9th November, 2010
Last edited: 9th November, 2010
Created: 5th November, 2010
This typeface has been created based on the theme 'Vibration'. I tried out a wide range of experimentation when it came to producing hand rendered work, as I felt I needed to work out what would best capture the general sense of the word.
I tried using inks on elastic bands, attaching pens to a playstation controller and drawing, photographing food colouring over a speaker; all sorts. Finally, I decided I needed something which really reflected the word clearly. I looked at the white noise and the trails that you get on the television, and applied this feel to a sans serif font I had made based on Georgia (minus the Serifs)
One of the most time comsuming things I've ever done, hope its been worth it.
Any comments welcome.This is a clone
2012115661
Published: 13th March, 2009
Last edited: 22nd June, 2009
Created: 27th February, 2009
I made this FontStruction for artists who beginning pixel-art. This font is a template for pixel-art. The matrix of the letter: 3×5×1. Optimal font size: 64 ptThis is a clone
158682209
Published: 2nd April, 2008
Last edited: 4th September, 2011
Created: 2nd April, 2008
Updated in October 2009 with better spacing and making use of new bricks, as well as support for Turkish.
1557184284
Published: 24th April, 2008
Last edited: 24th June, 2009
Created: 24th April, 2008
Mario Dingbats. Big mario is the A, little mario is the a. the numbers are other classic nintendo characters : megaman, link, zelda, excitebike, samus, pacman, Dog from Duck hunt, Donkey Kong. Raccoon Mario is the ampersand. Recently added Mario Kart, Yoshi Power ups and Toad.
155037670
Published: 6th April, 2008
Last edited: 17th August, 2010
Created: 6th April, 2008
More decorative alternates for FontStructura.
IF YOU LIKE THIS FONT, PLEASE GIVE IT A GOOD RATING!This is a clone of Structurosa
Q: What's with the name? A: At some point over the holidays, the movie Thunderball was on and I got to thinking about jet packs, Aston Martins, archenemies, Blofeld, SPECTRE and whether Miami is really worth 100 Million in diamonds or if it might have been better just to keep the diamonds instead of trying to save Miami. I mean, at the time of the movie, Miami hadn't even discovered cocaine yet and really wasn't on the map. If I were Blofeld, I would have picked an entirely different city to hold a bomb threat over. It was the sixties after all, take out San Francisco. Incidentally, at one point in the movie Bond finds himself in the Bahamas in the middle of a junkanoo, which is a kind of street fair where folks wear insanely colorful costumes (mostly of feathers) and dance around. Junkanoo! Now that would make a great name for a font. Much better than Thunderball. Is it too late to change the name?
Q: Your recent output - including this clodhopper - seems to be stuck on the 1.8 brick size filter, is your filter toggle stuck or something? A: Your Mom's filter toggle is stuck, buddy! And my next font will be called Clodhopper, and it will be yet another font built at 1.8 and it's going to be big and thick so you'll really feel it when I beat on your skull with it.
Q: Whoa! Touchy. Ok, how about that uppercase 'T', it's awfully funny looking, you gonna change it? A: Oh Boy. You just don't know when to quit, do you? The 'T' began as a spacing compromise but over the last few days it has grown on me - overtaken me really - like some saccharine soaked pop song that I hate but secretly love. So back off on the 'T', it's not going anywhere.
Q: Any last thoughts? A: Blofeld, Junkanoo, Clodhopper - all rad names for fonts that have yet to be born. Q.E.D.
14231511116
Published: 6th April, 2008
Last edited: 25th September, 2009
Created: 6th April, 2008
I was having too much fun, so I made this all-important script version instead of sleeping.
IF YOU LIKE THIS FONT, PLEASE GIVE IT A GOOD RATING!This is a clone of Structurosa
1387186513
Published: 2nd April, 2008
Last edited: 22nd June, 2009
Created: 2nd April, 2008
Based on Wim Crouwel's New Alphabet. My own site is http://pixelspread.com
135266417
Published: 28th February, 2008
Last edited: 22nd June, 2009
Created: 28th February, 2008
This is another one of my modular alphabets from my college days (c. 1975). This one uses a larger grid space than the Boxy 1 and introduces a curved element that can be used on the NE or SW corners. Otherwise it follows similar rules.
1312146257
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
12492046145
Published: 9th January, 2014
Last edited: 9th January, 2014
Created: 11th April, 2013
I have always loved Grafitti and although impossible to capture the spontaneity of spraying the underpass or my neighbour's wall, here is a possible alternative!
11901233329
Published: 23rd February, 2009
Last edited: 16th June, 2009
Created: 6th August, 2008
A faithful recreation of the DOS / IBM PC System Font. Monospaced with very short descenders and thick font weight for better readability on low fidelity CRT displays. Makes me want to optimize AUTOEXEC.BATs all over again.
Including original "More Latin" characters and custom made "Extended Latin A" characters for good international compatibility.
11611288260101
Published: 25th November, 2009
Last edited: 23rd April, 2015
Created: 17th October, 2009
A monospaced pixel font with over 8000 glyphs! 7 pixels wide, 12 pixels tall. Some characters may be wider than 7 pixels to make them connect with other characters.