Thin sister of zenando, more legible for body text (even at pixel size), but with numerous differences on a lot of glyphs (it's a new font, basically). You can find an additional "$" in the "§" glyph. There are also new ligatures "ff" and "tt" which are in the places of "fi" and "fl". Enjoy it, please.

VEROORDEELD - A geometric slab serif

This is a small type family with two style variations, see links bellow!
 • Display    Bold contrasted display version    ◄- U are here!
 • Text        Light weight monostroke version

Use \ to fill in checkers between characters.

Alternate characters in E000 - E046.

Lux Aeterna: Eternal Light

You can find an additional "S" in the "§" glyph. There are also new ligatures "ff" and "tt" which are in the places of "fi" and "fl". Enjoy, please.

a monospaced geometric font for coding

Umbriel is a moon of Uranus. It is named after a character in Alexander Pope's poem "Rape of the Lock."

Opening Day of Doctor Strange in the Multiverse of Madness! Love the cinematic multiverses, including Everything, Everywhere, All At Once! This is a Multidimensional color font that expands through every reality. Enjoy!

A spur-of-the-moment project. An exploration of geometric silhouette conformation and fun Futura-based alternates (specifically, using the circles as strokes).

Glyph alternates can be accessed under the Cyrillic characters.

inspired by neue machina and lack

added fun alternates in the private use area

Some alternates in lower case.

Unicase font. You can find alternates to "A" & "E" at the lowercase "a" & "e" (and their accents, of course), an additional design for the "Q" at the "q" and a "c" typing the "¢" sign. This font is directly inspired on Nickel created by the cool typographer David Jonathan Ross from DJR Foundry. Why? I don't know if this will happen to any of you, but me, when I stop to look at a font that I like, I find myself evaluating how the author has solved the usual "design problems". There are times when I agree with the chosen solutions (the most), but there are others when I think I would do it differently. This is the case. I wanted to modify a bit the general appearance of some glyphs of the font, especially characters like C, E, F, G, M, Q, R, S, X, Z and more, or the numbers and some secondary others. The differences were extensives and are more or less subtle in each of the complete set... And here you are the final result, I hope you like it. I've learned a lot during this experience, and FontStruct has been shown to be a very valid tool to work at this level. Thanks for read my little explanation and enjoy with this work, please.

Partial greek support, Hopefully not for long

Unicase font with "A" & "E" glyphs alternates. Inspired on DIN Condensed Bold and others.

Very curly unicase font. The glyphs with swashes are on the uppercase and some alternates on the lowercase. Refreshing an old idea. Enjoy. 

WIP for indefinte time :) But at least I found a suitable name for this experiment, Sushi is sushi but Sushilka means dryer in Russian.

Based on a concept of color density, the inner color is darker than the outer. WIP that needs further revisiting e.g. kerning, character refining.

Intertwined (impossible) letter O as a starting point for a yet another experiment.

Welcome 2022! This experimental font is based on the concept of a hole in the ground.

Angas is a cool, bold and thick lettered display font. It will look stunning on any poster, flyer or print.

A font where every letter is cut out from a square.