This is my homage to the late Dutch master. I tried to capture the impossible geometry, sense of space, and even the colours of his works. You can see and download the new v2 here:
.This is a clone
Paris, Berlin, Moscow in the 1920s... Art Deco, Bauhaus, Konstruktivizm... Effervescent people! This font is for Sandrine, the woman with white hat in the picture, and for all the people who together built the world. See also ztefan and zergei.
My first colour font. My zistersoul, but now with awesome 2 layers and it's original own colours!This is a clone of zistersoul eYe/FS
Let not the death of our elders be the demise of our ways of life. Let not the passage of time be measured in the passing of languages beyond all living memory.
Based on the Lakota orthography © 1982 Leroy C. Curley.
Extended character and symbol set by William LeveretteThis is a clone
ELEVATED (REWORK) - A large 3D outline display typeface design with shadow effect.
It's inspired by the lettering from a sketch by great Dutch graphical designer "Jurriaan Schrofer".
This is the long overdue shadow style variant which was requested by Goatmeal and elmoyenique. It has the diagonal shading lines included (as was also presented in the original sketch by Jurriaan Schrofer)
Due to the inexperience that I had in my early days of FontStructing and the lack of proper knowledge about raster scaling, I faced some serious issues regarding the correct size distribution. This had me unable to include the diagonal lines properly into that pre-existing font with them having equal seporation and white space througout the entire design.
So instead of making a clone of my previously published version "STF_ELEVATED" and include the shadow font variant into that family as a seporate FontStruction (like I did with most other style variations back then), I decided to rebuild the full font. Putting it all together into this single re-worked font version.
This re-work has some important differences compared to the previous version. The first one, another size to grid ratio which optimizes the size distribution for digital display as well as drastically reduces the overall glyph size (more accurate version forthcoming). Some extra characters were added to the set, making it a slightly more functional basic font.
The shadow effect is the default style for this font, this also includes all numerals, punctuation marks and other symbols that make up the full font, these occupy the uppercase. The bare outline style A-Z glyphs occupy the lowercase.
So the idea behind this one is that as you type you're creating a city scene. The spaces are empty intersections. The slash marks are slightly askew telephone poles. The quotation marks are flocks of birds. Etc. From a distance it can be a bit illegible. It's primarily meant for large letters or close up scrutiny.
First year UWE student. This typeface revolves around my chosen theme 'squishy' and incorporates organic and cloud-like properties; with 70's inspired assets.This is a clone
Version 1.5: Added Greek and made many refinements. Also came up with a new tilde design for all the glyphs that have one.
By request, a casual art deco design.
Including cyrillic (to native cyrillic users about my glyphs: help & comments are welcomed, please). Some kerning is in process. See also zendera smallcaps eYe/FS.