This is my homage to the late Dutch master. I tried to capture the impossible geometry, sense of space, and even the colours of his works. You can see and download the new v2 here:

Hommage a Escher v2

and

Hommage a Escher v2 extLat

.

Happy 10th Anniversary! A highly conceptual and modular work with integration of "X", a technique that is yet to be developed...

I once saw a Macula font's ad here in Fontsruct and wanted to try to make smth similar with Fontstructor, and so the draft has been laying around since February (see the image in comments). This work is based off that draft and is more or less consistent. The result is similar to Four's font Rock Paper Scissors (and maybe some other fonts). Thank you. 

Out of 111 bricks used, only ten are from existing bricks; all the rest are custom bricks. There would have been a lot more bricks if most weren't rotated or flipped.

3 bricks tall.

Start and finish typing words with a bracket... Lots of alternates in lower case.

( short starter panel

) short end panel

[ long starter panel

] long end panel

% connecting blank panel

This font started offline. It wasn't even supposed to be a font. I was just showing some students the value of a grid, even as tiny as 5×5 and the thousands of possibilities it generates. It led to making an 'a'. Of course, once that exercise was over, I had to continue making other letters. It's a compulsion. Sorry. The offline idea was slightly different. Compromises had to be made due to the limitation in place by the bricks available.

This font was inspired by the works of Christophe Szpajdel (Lord of the Logos, 2010, Die Gestalten Verlag), as well as by the film trilogy and the following game titles (e.g. Middle-earth: Shadows of Mordor, Warner Bros. Interactive Entertainment, 2014) based on Tolkien's epic masterpiece, The Lord of the Rings. Given the game theme, and the 48 bricks vertical limit, I thought more or less around pixel art, or pixel fonts. This is my endeavour to make a spiky blackletter in Szpajdel's black metal style that evokes the terror of Mordor at pixel level. This font has been extensively tested for best kerning, yet some issues might have remained unresolved.

An inline serif...

The letterspacing on this fontstruction would have looked terrible if not for the kerning support. Thankx.

Serifcomp entry.

Introducing Caprine 1.3! Now supports Cyrillic!

 Caprine is based on roller graffiti you can see in virtually any urban area. The straight and rigid lines and angles, along with the thick drop shadows make the face a real crowd pleaser.

Pempo reads as Retro from Russian (or any other language that uses Cyrillic script). Get the full font from MyFonts.

G1 Radia. A scaled down version of an originally larger fontstruction. Lots of details with smooth micro bullnose serifs, high contrast stroke lines, and decorative ball terminals.

Inspired by Reversed-Contrast Typefaces.

Experimental of course. Thx.