Messe Muenchen is my latest in a series of fonts named after German Trades Fairs. This one could be put to good use in a college logo or something similar.
for commercial use look here: https://chequered.ink/font-license/
One more pixel font.
See more:
https://fontstruct.com/fontstructions/show/426077/jungen_werther
https://www.myfonts.com/fonts/2d-typo/digital-stitch/
https://fontstruct.com/fontstructions/show/1214404/ugly-sweater
https://fontstruct.com/fontstructions/show/235495/peteroque_1
https://fontstruct.com/fontstructions/show/79317/country_1
https://fontstruct.com/fontstructions/show/576589/s ajou_ii
https://fontstruct.com/fontstructions/show/426077/jungen_werther
https://www.myfonts.com/fonts/gallofonts/cross-stitch/
https://www.volcano-type.de/fonts/categories/display/stich_me
My first fonstruction is based around the theme of malnutrition, but focuses on lesser acknowledged end of the spectrum, over-nutrition. I took inspiration from nature of skin and fat on overweight or obese bodies, putting emphasis on the folds and bulges you might typically see on the skin of a larger frame.
This font draft was created with the theme of massive, I wanted to create something that looked physically imposing and noticeable. To create the structure, I looked at buildings and cityscapes around the busiest parts of Bristol City and wanted to play with perspective as if the viewer was standing beneath a building and looking up at it, I ended up making a font that reflected the uniformity and scale of buildings.
This is a cloneUpdate of my other font with the rough edges cleaned up. Also has Lithuanian and Scandinavian alphabet characters (kind of). Recently brushed up a little more. Hope you enjoy using it as much as I enjoyed making it.
This is a clone of Fraktur mit Ligatur für LiteraturMade for FontStruct's Future Competition. This display typeface was designed with a little influence from stencil, this font has rounded corners intermixed with angular corners, and gaps in unusual places. It also uses the “two-storey” lowercase g, which was a challenge to fit cohesively within the restrictions I gave myself.
ASCII + Cyrillic.