My final entry in the competition. Inspired by Mazey, zlabyrinths eYe/FS, and wavelength. Each glyph has its own maze, and each maze connects with the next. Tilde ~ and low line _ connect words, grave ` closes beginnings and ends, and the left and right arrows < > are for the start and end. There are also some alternates in Extended Latin A. Suggestions and critiques are welcome. Thanks!

UPDATES:
04/06/14 The whole font has been updated to be one brick taller, and thus properly fit onto a grid. Also, some characters have been redesigned. V2.0
05/13/14 All punctuation has been modified to continue a word maze. V2.1
07/05/14 1000 downloads! Hooray! As a 'thank you', I've completed more of More Latin. V2.2
08/22/14 I've made the accents part of the maze. I've also changed a few characters, and added Œ and œ. V2.3
08/04/15 Added Polish support with Ą, Ć, Ę, Ł, Ń, Ś, Ź, and Ż. Tweaked a few characters as well, and added a crossbar to the ð. V2.4

06/18/16 Added support for multiple languages with more Cyrillic chars and punctuation. Also tweaked a few chars.

A quickie made to thank for these wonderful new features. Thank you, FS staff!

Ten years ago, a StumbleUpon Fontstruct on April 8, 2008 has been one of the highlights of my life. Few things have provided so much joy and fewer things have kept my interest for so long. Type design has always been a fascination for me and the simplicity of the UI/UX of fontstruct has allowed me to explore all that I can imagine without getting in the way while letting me do as I please for the most part. In times of creativity, fontstruct was there to let it flow, and in times of personal lows, fontstruct was there to allow me to ignore that which was beyond my control. Furthermore, the overall civility and helpful nature of the fontstruct community is still one of the best on the internet. I have been using the fontstruct website almost daily for 10 years now and rarely do I not see something new that is amazing and awe inspiring. The creativity of the designers past and present is incredible.

I wish to thank FontShop for sponsoring fontstruct for so long allowing it to grow. Most importantly, I wish to thank Mr. Meek for creating and constantly enhancing this incredible gift of creativity and a calming haven for over-active minds.

Thank you.

Dornach is a town/village in Switzerland where I'm on a family visit right now. It's very quite here, with lovely people who always greet me, asian looking guy, with smile ). The "o" was created not long after LoveComp's announcement, but it's here, in Dornach, with some spare time in my hand, I could finally find consistent development for it. A LoveComp entry #2 that's still in progress, other letters and samples will hopefully come soon. Thanks & Enjoy!

Make the letters any width desired.

Type the uppercase letter for the left half of the letter, type an extender (or not), then type the same lowercase letter for the right half of the letter. The more extenders are inserted between the left and the right halves, the wider the letter becomes.

I and T are the exceptions where the extenders are typed before and after the left and right halves and not inbetween.

The other exceptions are M and W which have been split into 3 and extenders are added between the left, middle and right thirds.

? is split between ? and /

Extenders are located at    @ # $ % ^ & * ( ) and _

How to extend:

A@@a, B##b, C$$c, D$$d, E##e, F%%f, G$$g, H^^h, &&Ii&&, J**j or J**$$j, K^^k, L**l, M(({((m, N((n, O$$o, P@@p, Q$$q, R%%r, S##s, (((Tt))), U**u, V**v, W**}**w, X^^x, Y^^y, Z__z, ?@@/

Apparently, it is quite easy to forget what gets a fontstruction going. Something about ultra condensed bla bla bla. The rest is just a matter of having a creative activity to occupy the mind. And if in the process you can help out a friend, all the better.

Happy 10th Anniversary! A highly conceptual and modular work with integration of "X", a technique that is yet to be developed...

I once saw a Macula font's ad here in Fontsruct and wanted to try to make smth similar with Fontstructor, and so the draft has been laying around since February (see the image in comments). This work is based off that draft and is more or less consistent. The result is similar to Four's font Rock Paper Scissors (and maybe some other fonts). Thank you. 

Out of 111 bricks used, only ten are from existing bricks; all the rest are custom bricks. There would have been a lot more bricks if most weren't rotated or flipped.

3 bricks tall.

This font started offline. It wasn't even supposed to be a font. I was just showing some students the value of a grid, even as tiny as 5×5 and the thousands of possibilities it generates. It led to making an 'a'. Of course, once that exercise was over, I had to continue making other letters. It's a compulsion. Sorry. The offline idea was slightly different. Compromises had to be made due to the limitation in place by the bricks available.

An inline serif...

The letterspacing on this fontstruction would have looked terrible if not for the kerning support. Thankx.

Experimental of course. Thx.

made from a single coiled line

The idea is to represent counters with arrows. Letters with closed counters (e.g. D,P ) were first opened and only afterwards were represented by arrows.

This might look familiar but it's different ). Unplanned 3rd entry. Dedicated to a Dutch city Enschede where I'm spending last hours of yet another family visit. 

Something is lurking in the shadows..

from the category of 'also ran'

Only interesting in theory; the practical application leaves a lot to be desired. Incomplete as well. Only sharing now because vacations are over. Back to work from tomorrow moring. Won't really have time to work on this in any meaningful way anymore. Unless inspiration strikes out of somewhere and I am able to stay awake past my bedtime.

Every glyph has a counter rotated glyph or has self rotational symmetry—all except the c, which remains a loner loser.

paired rotational glyphs: ae bq dp ft hy jr mw nu G9 JR NV 25

self rotational symmetric glyphs: g i k l o s x z Q S Z ! & , ' 

Full disclosure: This fs was started before there was such a thing as Reverse competition. 

Side story on the making: This fontstruction is deceptively simple. It was quite a challenge to execute. Just because the strokes seem flowing doesn't mean they are all placed in the logical grid block. The rounded-off ends forced the bricks to be placed in any of the 8 adjoining blocks and nudged into place. Consequently, due to the nature of nudge only moving as much as half a block in any direction, some compromises had to be made in the shapes.

A display typeface (probably best viewed small, I'm aware!) based upon some physical type I made from dark food colouring etched into sugar syrup. This was to represent the brief theme I picked of 'unstable', hence why all the characters are completely induvidual in size and shape. I have also published a second version which displays what happens when the food colouring bled into the sugar syrup. 

Inspired by ribbons, snake's forked tongue and flowers... 

GOTHIXEL. A blackletter-style monospace font for small pixel sizes.

Gothixel's default tracking is not suitable for all-caps text. The capitals are slightly wider than lower case, so there is no gap between capitals. For all-caps, either increase the tracking of this font or use Gothixel Proportional, which is not monospace and which has appropriate space between all letters. However, Gothixel Proportional is further behind in development and doesn't have as many character sets yet.

Gothixel proudly supports Greek (including polytonic Greek!), Cyrillic, and, coming soon, Vietnamese and Hebrew character sets.

Please tell me about any mistakes or omissions you find and I will see about fixing/adding them. This font family was originally named "Blackletter RPG".