My final entry in the competition. Inspired by Mazey, zlabyrinths eYe/FS, and wavelength. Each glyph has its own maze, and each maze connects with the next. Tilde ~ and low line _ connect words, grave ` closes beginnings and ends, and the left and right arrows < > are for the start and end. There are also some alternates in Extended Latin A. Suggestions and critiques are welcome. Thanks!

UPDATES:
04/06/14 The whole font has been updated to be one brick taller, and thus properly fit onto a grid. Also, some characters have been redesigned. V2.0
05/13/14 All punctuation has been modified to continue a word maze. V2.1
07/05/14 1000 downloads! Hooray! As a 'thank you', I've completed more of More Latin. V2.2
08/22/14 I've made the accents part of the maze. I've also changed a few characters, and added Œ and œ. V2.3
08/04/15 Added Polish support with Ą, Ć, Ę, Ł, Ń, Ś, Ź, and Ż. Tweaked a few characters as well, and added a crossbar to the ð. V2.4

06/18/16 Added support for multiple languages with more Cyrillic chars and punctuation. Also tweaked a few chars.

A display typeface (probably best viewed small, I'm aware!) based upon some physical type I made from dark food colouring etched into sugar syrup. This was to represent the brief theme I picked of 'unstable', hence why all the characters are completely induvidual in size and shape. I have also published a second version which displays what happens when the food colouring bled into the sugar syrup. 

  Eclectic font. You can even make a led T-shirt for a party. Cyrillic caps while remaining eclectic refers to its Soviet past. 

See more: Dalliance

https://fontstruct.com/fontstructions/show/987964/grand_hyperion

https://fontstruct.com/fontstructions/show/305748/fs_burtonesque

https://fontstruct.com/fontstructions/show/1123407/medieval_robots

https://www.fonts.com/font/linotype/devinne/ornamental-regular 

F77 Belgot uses 1.75*1.75 filters.

This font explores the configuration of bubble forms. The font was inspired by markmakings of ink bubbles which imprinted onto a surface, rather than bubbles floating in the air. I have involved lots of depth and tonality into the font, which, despite bubbles being quite a soft concept, gives it a very dark and heavy feel. The outcome also contains a very digital feel, due to the small scale I worked with. 

Cute, presentational, naive. Fun for short excursions, with a tendency to become a liability during extended travel.

An inline serif...

Happy 10th Anniversary! A highly conceptual and modular work with integration of "X", a technique that is yet to be developed...

An experiment with propellers. It seems to me like something four would make. Suggestions are welcome. Thanks.

02/08/17: Thanks to the new Kerning feature, a separate "r" is no longer required. Also made the rings a little rounder and fixed the rings on U and u.

This was another attempt at a clean geometric sans. It turned out a lot like fs vandyx, but... less "open", perhaps? Anyway, suggestions and critiques welcome. Thanks and enjoy!

I created this typeface around the theme of gregarious, focusing on gregarious plants. I started with drawing the letterforms in ink using a rolled up leaf. The results were twig-like marks which reminded me of the illustrations from 'A Monster Calls' so I developed the letters thinking how they could work alongside this or another story. The name 'This Wild Earth' is taken from the book and I think reflects the scratchy and bold feel of the typeface.

Stitch-y inline, bold outline, negative and a letter within a letter. Knitka (Нитка) means thread, rope. Thanks and enjoy.

Uppercase only. This font has 2 variations.(stripe and black are reversed)

‘Scrap Paper’ is a bold, display typeface inspired by the theme of compression. The letterforms were created from drawings of a distorted alphabet, formed by screwing up each letter printed onto a piece of paper, hence the name. The scrunched up type make for a ‘grunge’ feel, perfect for a large format, yet still visible when used at a smaller size.

I made sans because it's been a long time.