My lycanthropic and "Spaghetti Western" font. Hope you like it.

When I saw the New Year's greeting from the great geneus1 I started to think about how a font would look with the height of the capital letters equal to the lowercase x. This is the result. I hope you like it as much as I do.

Xploring thin sides.

Obviously dedicated to the great Sergio Leone and his Spaghetti Western "Dollars Trilogy" filmed in Almería. The uppercase was shot. Contains some extra western dingbats, keep your head down.

Big Brother is watching you. Or maybe space aliens?

Inspired by the works of regular_one. Unlike most fonts I've released recently, many of the glyphs had to be modified or even redone from scratch.

- M, W, m, w, @, #, %, <, >, ~, and the circumflex above accented letters were all too wide and had to be condensed;

- I, f, i, j, l, r, and t were all too narrow and were expanded a bit, mostly through the careful application of serifs;

- K, M, W, X, Y, v, w, y, 7, /, and \ all had ugly mixes of angles that needed to be redesigned;

- N, *, (, and ) were completely redesigned, and many more touched up, to fit better with the rest of the font.

Most of the edits made were not possible before nudging. It's still not perfect, but it's much better than it was before, and I'm proud of how much it has "grown up". Of course, suggestions and critiques are encouraged. Thanks and enjoy!

CLICK ON THE “PIXEL” BUTTON TO MAKE IT LOOK, LIKE, A BAJILLION TIMES BETTER.

INTENDED LANGUAGE SUPPORT

• ENGLISH

• MĀORI

• SLOVENIAN

• RUSSIAN

THINGS THAT FONTSTRUCT NEEDS

• A DITHERING TOOL

• AN ELLIPSE TOOL

• RECTANGULAR-  AND ELLIPTICAL-OUTLINE TOOLS.

• A BUCKET FILL TOOL

• RULERS

• A SKEWABLE GRID

• A MASS KERNING FEATURE (OR EVEN AUTOMATIC KERNING, THAT’D BE NICE)

• SUPPORT FOR MULTIPLE FAMILIES WITHIN ONE FILE

• A TERMINAL FOR PROGRAMMING ALGORITHMS TO AUTOMATE REPETITIVE, PREDICTABLE ASPECTS, AND A WAY TO REFERENCE THE GRID SQUARES AS AN ARRAY OF SOME KIND

DON’T THINK THAT I’M SHOUTING ABOUT THIS. I JUST DON’T LIKE LOWER-CASE LETTERS!

Don't worry, this is not a font, this is a picture game. Please, type any uppercase character in the user input window from A to T, then the same character but in the lowercase and then press the space before repeat the operation with other character that you want: Aa (space) Bb (space) Cc (space)... And... Surprise! Here you are my crazy pixel friends. After this, you can mix the characters and play a little bit more creating some funny "monsters": Bd (space) Hp (space) Pt... There are 400 variations to try. Enjoy them!

Including cyrillic (to native cyrillic users about my glyphs: help & comments are welcomed, please). Some kerning is in process. See also zendera smallcaps eYe/FS.

To my dearest David Bowie, in memoriam.

The font can work by itself or curious effects can be achieved. The 3D aspect becomes real by adding one or two gray bands to our text as the samples show. Some alternatives (A, a, E, Y) are at the end of the Basic Latin set.

Pixel-rounded version of zhowfrakt. Another point of view, more "organic".

Made with the pieces of a broken heart.

   Press the spacebar (space glyph) before write your line of text for a good initial view, please. Thanks. 

Inspired by Frodo7's Voxelstorm. Some of these shapes look impossible, but they are actually possible, if you imagine that the corner of each cube is touching the centre of the face of another cube.

Brush script, art deco, classic engraving, three genera of gothic (sans serif, blackletter, and ancient alphabet!), runic, hieroglyphic, and yet still some futuristic tendencies all informed me. But do they blend?

The handwritten quality of a broad-nibbed pen or skillfully wielded marker provides the binding agent. An emulsion of all these influences, it is at once all and none. Even the strict modularity begins to melt into the background. Yet so distinctly fontstruct...This is a clone

It's a real pleasure to work now in FontStruct! And here we are a lot of new challenges too. PS for the beginners: Just only let the basic square and try the other bricks... It's amazing, believe me!

So the idea behind this one is that as you type you're creating a city scene.  The spaces are empty intersections.  The slash marks are slightly askew telephone poles.  The quotation marks are flocks of birds.  Etc.  From a distance it can be a bit illegible.  It's primarily meant for large letters or close up scrutiny.