Work-in-Progress …

Umbriel is a moon of Uranus. It is named after a character in Alexander Pope's poem "Rape of the Lock."

A serif-comp entry reminiscent of molecular models with simple angles and subtle serifs. Please enjoy

You can find an additional "S" in the "§" glyph. There are also new ligatures "ff" and "tt" which are in the places of "fi" and "fl". Enjoy, please.

G1 Radia. A scaled down version of an originally larger fontstruction. Lots of details with smooth micro bullnose serifs, high contrast stroke lines, and decorative ball terminals.

My lycanthropic and "Spaghetti Western" font. Hope you like it.

Inspired by a font I saw in a children's book. The artist had drawn a map of the world on canvas and used a tiny serif font to label important points on the map. The letters had such a cute hand-made feel to them that I just had to recreate it in FS.

Uppercase letters are 6 grid squares (3 bricks) tall; lowercase are 4.5 (2.25 bricks). IIRC nudging had recently been introduced; this definitely would have been impossible without it.

I decided to be laynecom for a day, and this is the result. Didn't have time for numbers and punctuation though, unfortunately...

Some alternates available in Extended Latin A. Suggestions and critiques encouraged, as always. Thanks and enjoy!

A light serif typeface incl. some discretionary ligatures.

Inspired by ribbons, snake's forked tongue and flowers... 

Thin sister of zenando, more legible for body text (even at pixel size), but with numerous differences on a lot of glyphs (it's a new font, basically). You can find an additional "$" in the "§" glyph. There are also new ligatures "ff" and "tt" which are in the places of "fi" and "fl". Enjoy it, please.

G1 Valora. Extreme serif titling caps. Maxing out 48 brick height for Serifcomp. Not enough room for lowercase. Not enough time for more characters.

The ultra-low resolution of this grid may be difficult to grasp without cloning. Fontstruct’s logo has a nominal x-height of 3 bricks, by comparison.

The level of detail, control, and finesse possible in a given fonstruction depended mostly on resolution prior to the recent advent of stackable composites. Did you want it better? Make it bigger!

Brute force, now meet Elegance.

Instead of building individual glyphs hundreds of bricks tall, stackable composites allow us to design rich modular schemata hundreds of bricks deep. Using curved bricks at their largest scale, linear and curvilinear elements dynamically harmonize and oppose. As well, screen fonts can be effectively hinted (aside from notable lack of kerning controls) without sacrificing the integrity of joins and intersections. And the trapping possibilities, Oh the sweet sweet trapping possibilities...

Please, vote kindly and stay tuned for more :)This is a clone