Another handwriting script style font. Some suggestions for a better results: 1) You can put an additional bar (placed in the "<" and ">" glyphs) before typing a lowercase word. 2) And it's also convenient to add an extra space before writing a word with a capital letter to improve the separation between they. But you're the boss with it. Enjoy.

My lycanthropic and "Spaghetti Western" font. Hope you like it.

Obviously dedicated to the great Sergio Leone and his Spaghetti Western "Dollars Trilogy" filmed in Almería. The uppercase was shot. Contains some extra western dingbats, keep your head down.

Been working on this for a while. I though now it's time to publish it and see what you think...

Paris, Berlin, Moscow in the 1920s... Art Deco, Bauhaus, Konstruktivizm... Effervescent people! This font is for Sandrine, the woman with white hat in the picture, and for all the people who together built the world. See also ztefan and zergei.

Inspiriert von Louis Oppenheim

My first attempt at making a serif font.

Emil has a sympatic character, even if he has his little edges and corners. Nevertheless, Emil is not too eccentric.  It' s possible to work with him and maybe Emil will go one step further towards italics...?

Work-in-Progress …

Happy 13th BD, FontStruct! WIP (kerning).

Named for an early Pink Floyd song, Emily Play is a playful (sic!) display typeface which is rounded and seriffed.

G1 Radia. A scaled down version of an originally larger fontstruction. Lots of details with smooth micro bullnose serifs, high contrast stroke lines, and decorative ball terminals.

The ultra-low resolution of this grid may be difficult to grasp without cloning. Fontstruct’s logo has a nominal x-height of 3 bricks, by comparison.

The level of detail, control, and finesse possible in a given fonstruction depended mostly on resolution prior to the recent advent of stackable composites. Did you want it better? Make it bigger!

Brute force, now meet Elegance.

Instead of building individual glyphs hundreds of bricks tall, stackable composites allow us to design rich modular schemata hundreds of bricks deep. Using curved bricks at their largest scale, linear and curvilinear elements dynamically harmonize and oppose. As well, screen fonts can be effectively hinted (aside from notable lack of kerning controls) without sacrificing the integrity of joins and intersections. And the trapping possibilities, Oh the sweet sweet trapping possibilities...

Please, vote kindly and stay tuned for more :)This is a clone

Inspired by a font I saw in a children's book. The artist had drawn a map of the world on canvas and used a tiny serif font to label important points on the map. The letters had such a cute hand-made feel to them that I just had to recreate it in FS.

Uppercase letters are 6 grid squares (3 bricks) tall; lowercase are 4.5 (2.25 bricks). IIRC nudging had recently been introduced; this definitely would have been impossible without it.

A serif-comp entry reminiscent of molecular models with simple angles and subtle serifs. Please enjoy

Inspired by ribbons, snake's forked tongue and flowers...