This Sans Serif is in progress.

Inspired by the works of regular_one. Unlike most fonts I've released recently, many of the glyphs had to be modified or even redone from scratch.

- M, W, m, w, @, #, %, <, >, ~, and the circumflex above accented letters were all too wide and had to be condensed;

- I, f, i, j, l, r, and t were all too narrow and were expanded a bit, mostly through the careful application of serifs;

- K, M, W, X, Y, v, w, y, 7, /, and \ all had ugly mixes of angles that needed to be redesigned;

- N, *, (, and ) were completely redesigned, and many more touched up, to fit better with the rest of the font.

Most of the edits made were not possible before nudging. It's still not perfect, but it's much better than it was before, and I'm proud of how much it has "grown up". Of course, suggestions and critiques are encouraged. Thanks and enjoy!

In the footsteps of Paul Renner (Futura, 1927)...

My take on Eurostile... Different proportions and some different designs.

My final entry in the competition. Inspired by Mazey, zlabyrinths eYe/FS, and wavelength. Each glyph has its own maze, and each maze connects with the next. Tilde ~ and low line _ connect words, grave ` closes beginnings and ends, and the left and right arrows < > are for the start and end. There are also some alternates in Extended Latin A. Suggestions and critiques are welcome. Thanks!

UPDATES:
04/06/14 The whole font has been updated to be one brick taller, and thus properly fit onto a grid. Also, some characters have been redesigned. V2.0
05/13/14 All punctuation has been modified to continue a word maze. V2.1
07/05/14 1000 downloads! Hooray! As a 'thank you', I've completed more of More Latin. V2.2
08/22/14 I've made the accents part of the maze. I've also changed a few characters, and added Œ and œ. V2.3
08/04/15 Added Polish support with Ą, Ć, Ę, Ł, Ń, Ś, Ź, and Ż. Tweaked a few characters as well, and added a crossbar to the ð. V2.4

06/18/16 Added support for multiple languages with more Cyrillic chars and punctuation. Also tweaked a few chars.

Outline-Mix aus Bauhaus und Art Deco

Russian AG: (avant-garde) also known as Russian constructivism a period in the 1920s.

Version 1.5: Added Greek and made many refinements. Also came up with a new tilde design for all the glyphs that have one.

*

By request, a casual art deco design.

Strange font: every glyph has itself within... And it works!

A modern hairline sans style font.

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design grid: 3,5 × 4,5 units

brick size filter: 2 × 2

stroke weight: 1/8

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I tried to incorporate rounded letter parts and corners but this was very tricky to pull off with this thin stoke weight. The font works best at small size due to very small imperfctions.

I hope you like it nonetheless!

Berlin, Moscow, Paris in the 1920s... Bauhaus, Konstruktivizm, Art Deco... Effervescent people! This font is for Stefan, the cameraman in the picture, and for all the people who together built the world. Alternative M and N in the { and } glyphs. See also zergei and zandrine.

Sorry. It's the effect of the excess of Xmas cakes on these past days...   ; ) 

This font is a light version of db Artmix

When I saw the New Year's greeting from the great geneus1 I started to think about how a font would look with the height of the capital letters equal to the lowercase x. This is the result. I hope you like it as much as I do.

Schlanke Schöne is a tall condensed geometric sans serif typeface.

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The idea behind this font was to experiment with making interresting letterforms, with fewest possible resources. In other words, fewest possible default core bricks, no filters and mostly without expert mode. The only expert mode funtion I did use was "stack" bricks to make a small number of resized compositions and composite sloped angles. The total amount of different bricks used in the font is 20.

The font design is a simple, fairly straight forward looking sans, but due to this the end result also is pretty legible and clean. I was able to get most of the features done within the design parameters, such include optical correction, diacritics, stylistic alternates and swash capitals.

Very simple, but playful fun...

The stylistic alternates and swash capitals have been stored in the "Halfwidth and Fullwifth Forms" unicode block.

Hope you like it,

cheers

This is a really conservative design, reminiscent of the early days here at FS when all the features didn't exist. Yet they are well hidden here. In smaller font sizes, db Katalog looks really balanced… but scale it up and it soon doesn't look so round anymore. Maybe that's what makes it so. Perfectly imperfect.
In any case, I am open to any suggestions for improvement. 
Thank you.