Gallery | FontStruct

63 338413 Published: 26th January, 2013
Last edited: 1st February, 2013
Created: 26th January, 2013
A font from the 1849 gold rush.

Tall

Creative Commons

1545 1398260112 Published: 25th November, 2009
Last edited: 23rd April, 2015
Created: 17th October, 2009
A monospaced pixel font with over 8000 glyphs! 7 pixels wide, 12 pixels tall. Some characters may be wider than 7 pixels to make them connect with other characters.

Creative Commons

41 1713 Published: 21st June, 2008
Last edited: 16th June, 2009
Created: 21st June, 2008
This is half-baked, but hey. I'm (reluctantly) going to have to forego some of those pesky diagonals because they're looking just a shade on the wrong side of weird. Particularly in the caps.

Creative Commons

0 910912 Published: 12th December, 2023
Last edited: 12th December, 2023
Created: 6th December, 2023

Abruzzo: a mountainous region in Italy. DS: dotted serif

184 187641 Published: 24th December, 2011
Last edited: 4th January, 2012
Created: 22nd December, 2011
Typeface based on the work of Victorian Designer and Architect E. W. Godwin (1833-1886) born in Stokes Croft, Bristol. He was influential in the Aesthetic movement that created "the look" of Victorian Britain. He began his career working in the strongly polychromatic "Ruskinian Gothic" style of mid-Victorian Britain, inspired by The Stones of Venice, then moved on to provide designs in the "Anglo-Japanese taste" of the Aesthetic Movement and Whistler's circle in the 1870s. A friend of Oscar Wilde, James Whistler and William Burges he was also the father of revered actress Dame Ellen Terrys illegitimate child. Godwin's influence can be detected in the Arts and Crafts Movement. To judge from his sketchbooks at the Victoria and Albert Museum, one might have expected an eclectic historicist, but Godwin, by no means a tame reproducer of antiquarian Gothic designs, was among the first to extend the European design repertory to include the arts of Japan, which had been opened to the Western world in 1853. His work is undergoing a revival since he was jokingly adopted as the patron saint of Stokes Croft by community action group the Peoples Republic of Stokes Croft. The group aim to to put some of his finest architectural achievements in the city back to good use as many of them despite being buildings of some historical significance lie empty and unused. His design work is being reincorporated into the urban landscape through the community organisation's programme of public art and his style has recently been adopted by a number of Street Artists including Dones and Felix Braun so his work is undergoing some kind of a revival.The glyphs are all based on the patterns from his sketchbooks.

Underline

Creative Commons

234 629723 Published: 22nd December, 2017
Last edited: 31st December, 2024
Created: 15th December, 2017

Chcel som vytvoriť klasický font s rožšírením viacerých znakov tak, aby sa zachoval jeho vzhľad spojený so serifmi a preťahmi, ktoré obsahuje

FontStruct License

151 515913 Published: 5th October, 2015
Last edited: 5th October, 2015
Created: 1st October, 2015
This is a clone

Serif

Creative Commons

118 257735 Published: 20th December, 2012
Last edited: 10th July, 2014
Created: 20th December, 2012
A Fontstruct for the End Times.

Rounded

FontStruct License

76 196217 Published: 1st November, 2009
Last edited: 18th December, 2009
Created: 14th August, 2009
This is an experiment to blend blackletter and modern serif elements. Work in progress.

Creative Commons

197 1118459 Published: 2nd January, 2010
Last edited: 26th February, 2010
Created: 31st December, 2009

While recreating/revising one of my very first fontstructions – April 2008’s Asgard (second to last one) – I realized it was going to take something more drastic still than switching to 2x2 filter settings to realize my dream of a harmonized U&lc set.

The original’s lowercase had several compelling and unique features (at the time), the uppercase worked well enough in all caps display settings...but they very rarely sat comfortably together. The answer couldn’t have been more simple: since the caps (which surprisingly came first...or does this just reveal my noobishness at the time?) are rather narrow, the lowercase itself needed to follow a more logically elongated model.

Here the flexibility of 2x2 filters kicks into high gear as the original design’s lc is tweaked by half a brick extra height to bring about a more righteously rockin’ family.

(Asgard 1.x plateaued at 829 characters, so – as always – more to come...)

Creative Commons

114 126413 Published: 26th November, 2017
Last edited: 26th November, 2017
Created: 26th November, 2017

Serif on the inside, sans on the outside, sort of two in one.

Bals is Slab backwards.

Inline

FontStruct License

109 56617 Published: 10th October, 2013
Last edited: 11th October, 2013
Created: 9th October, 2013
Something celtic-ish.

FontStruct License

136 76626 Published: 18th November, 2016
Last edited: 7th March, 2021
Created: 17th November, 2016

FontStruct License

407 109557 Published: 1st December, 2017
Last edited: 11th February, 2023
Created: 26th November, 2017

A serif-comp entry reminiscent of molecular models with simple angles and subtle serifs. Please enjoy

Creative Commons

231 2120024 Published: 16th March, 2015
Last edited: 14th April, 2015
Created: 11th March, 2015

I wanted to create a light serif typeface that is clear and readable and at the same time sort of elegant. Don't know whether I did all this, really...

Serif

Creative Commons

119 1024822 Published: 15th November, 2009
Last edited: 30th December, 2009
Created: 11th November, 2009

Serif

Creative Commons

44 4982 Published: 9th November, 2009
Last edited: 9th November, 2009
Created: 9th November, 2009

Dot Matrix

Creative Commons

303 21138714 Published: 17th January, 2017
Last edited: 1st July, 2024
Created: 16th January, 2017

Creative Commons

81 125624 Published: 7th December, 2009
Last edited: 8th December, 2009
Created: 6th December, 2009

Creative Commons

59 1517815 Published: 31st October, 2009
Last edited: 8th January, 2012
Created: 23rd October, 2009
A slab serif face with minimal design and pixel font roots.

Creative Commons

260 259952 Published: 20th June, 2024
Last edited: 21st June, 2024
Created: 26th April, 2022

This was a font made for the wedding of my brother and their fiance, many happy wishes for them and quite honored to have been able to design this for the occasion. Please enjoy~

Art Deco

Creative Commons

92 557515 Published: 9th July, 2011
Last edited: 23rd July, 2012
Created: 7th July, 2011
A serif font with sharp edges, suggesting it might be cut in stone; hence the name Bloccus. What do you think of the asymmetric c? And what do you think of the 'feet' on v and w? --- On a completely different note, I'm going to Japan for a fortnight on monday, so I'll upload a couple of fonts now, and read the comments when I get back.

Serif

Creative Commons

121 2404 Published: 11th April, 2008
Last edited: 30th May, 2008
Created: 11th April, 2008

Serif

Creative Commons

48 3297 Published: 20th November, 2009
Last edited: 20th November, 2009
Created: 19th November, 2009
Very loosely inspired by Bodoni. This font is not complete -- it only has capital letters and very basic punctuation.

Creative Commons

7 3423624 Published: 22nd March, 2025
Last edited: 17th October, 2025
Created: 25th October, 2024

See more:

https://fontstruct.com/fontstructions/show/989729/fraktur_refined

Chrysalide Old Face | FontStruct

https://fontstruct.com/fontstructions/show/2629304/echo-pixel-garalde-cyrillic

Garamond Italic SP | FontStruct

fs Fermat | FontStruct

RuneScape Large | FontStruct

This is a clone of Book Old

78 177815 Published: 14th September, 2009
Last edited: 18th September, 2009
Created: 13th September, 2009
I was bored, so I started working on a pixelated Didone. WIP and maybe I’ll do a smooth version.

Serif

Creative Commons

61 2532 Published: 29th June, 2008
Last edited: 22nd June, 2009
Created: 29th June, 2008
When the half-angle blocks were first introduced I thought I would be the last one to produce an old style or transistional sans-serif typeface. Looking through the gallery, I still don't see any attempts. Creating a serif font with blocks is very much a square peg for a round hole, but I enjoyed the challenge. I tried to emphasis all the minor details, like angled stress, or the bottom terminal of the lowercase b. I spent a lot of time on this months ago, but after a while, just lost the drive to complete all the characters. Maybe you're up to the task.

Serif

Creative Commons

216 615734 Published: 30th December, 2014
Last edited: 30th December, 2014
Created: 28th December, 2014
A new font in the style of Major.This is a clone

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87 1017115 Published: 8th December, 2009
Last edited: 22nd May, 2010
Created: 7th December, 2009
I called it 'Brilliance' because it reminds me of those expensive diamond initials.

Dotted

Creative Commons

71 58217 Published: 23rd July, 2009
Last edited: 26th July, 2009
Created: 8th July, 2009
For those who need to fill a long width with few characters, like the spine of a book or CD jacket.

Wide

Creative Commons

18 1617218 Published: 11th April, 2012
Last edited: 13th April, 2012
Created: 11th April, 2012

263 4032533 Published: 26th January, 2017
Last edited: 25th July, 2018
Created: 11th January, 2017

A light serif typeface incl. some discretionary ligatures.

Serif

Light (220)

Open Font License

Browse and find FontStructions

5Goldminer

7:12 Serif

abricado

Abruzzo DS

Aesthete

An Tiiques

Anglaur

Apocalipsis

Aragorn

Asgard Annarr

AT Bals

AT Nayman

AT Thinnetry

atomic

Augustine

Ball terminator

Bar dot

bb Monochromaticism

Beagle

Belfalas

bianco

Bloccus

bodoniconstrictor

Bodotty

Book Old New

Boredoni

Bradshaw Bold

Brigadier

Brilliance

Broaden

Buttercream Typewriter

Cadens Light