My entry for ReverseComp.

Based on the 1970 font Pioneer designed by Tom Carnase.

The reversed version of AT Imagiro for the Reversecomp (2nd entry).

This should be printed on paper and cut according to symmetry axis to achieve the result as in the samples.

Based on a font that I made years back, this “Reverse” contest has been a good excuse to revisit that project and fine tune the letters heavily. Here the challange has been using a single brick, in the case the arrow pointing back, and making the shapes bold and (ok, you have to squeez your eyes a little) legible. 

from the category of 'also ran'

Only interesting in theory; the practical application leaves a lot to be desired. Incomplete as well. Only sharing now because vacations are over. Back to work from tomorrow moring. Won't really have time to work on this in any meaningful way anymore. Unless inspiration strikes out of somewhere and I am able to stay awake past my bedtime.

Every glyph has a counter rotated glyph or has self rotational symmetry—all except the c, which remains a loner loser.

paired rotational glyphs: ae bq dp ft hy jr mw nu G9 JR NV 25

self rotational symmetric glyphs: g i k l o s x z Q S Z ! & , ' 

Full disclosure: This fs was started before there was such a thing as Reverse competition. 

Side story on the making: This fontstruction is deceptively simple. It was quite a challenge to execute. Just because the strokes seem flowing doesn't mean they are all placed in the logical grid block. The rounded-off ends forced the bricks to be placed in any of the 8 adjoining blocks and nudged into place. Consequently, due to the nature of nudge only moving as much as half a block in any direction, some compromises had to be made in the shapes.

Reverse in the  visual context can mean many things. I decided to create letters and mirrored them, attaching them to a spine.The letters looked like filigree jewellery  pendants.

I know that the I , T and W don't follow the design rule; I tried to align them on a spine but the result was unsatisfactory.

reflect the shapes in the lines of symmetry to create the reverse shapes and complete the glyphs. lowercase contatins reflected versions

My Reversecomp entry.

Start and finish typing words with a bracket... Lots of alternates in lower case.

( short starter panel

) short end panel

[ long starter panel

] long end panel

% connecting blank panel

Out of 111 bricks used, only ten are from existing bricks; all the rest are custom bricks. There would have been a lot more bricks if most weren't rotated or flipped.

3 bricks tall.

Inspired by Reversed-Contrast Typefaces.

Entry for the Reversecomp. It's based on the theme of counterclockwise (anticlockwise) direction that is represented by an arrow. Also, Esrever is Reverse written backwards.

Inspired by wedge-styled cars.

This typeface was concevied two years ago and later shelved. Thought that it was still worth finishing so here it is. It's another take on the square dot matrix style that I did with the MinSha typeface back in 2010.

Bevel/chisel effect using connecting bricks.

Glyphs B,K,R,S,X,Z,k,s,x,z,2,3,5,7,8 miss cuts because of nudging space limitations.

Sports/retro theme font with the help of new bricks.

It's Summertime! You know what that means: no school and more time to work on stuff I love to do, like this! Just found out about this new feature and decided to make a quick font out of it!

My Concept 
"Space"  is a Black Square  

Just taking the new bricks out for a stroll...

Themysciran. Home of Amazonian Princess Diana, aka Wonder Woman. Of course it’s the opening day of the movie about her origin story. Gal Gadot makes the worthiest successor to the TV version with Lynda Carter since 1979. This font is based off of the Wonder Woman logo from DC Comics.