Spot the composites...

My take on the Mongolian 'Phags-pa script designed by the Tibetan monk Phagspa in 1269, based on the Tibetan script, to write Mongolian, Tibetan, Sanskrit and Chinese. This font is based on the Tibetan style which consists almost entirely of straight lines and right angles. It seemed like a prime candidate for a FontStruct treatment. I've added rounded corners and serifs to make it more visually interesting.

The script is written in vertical columns top-to-bottom and left-to-right and thus needs to be rotated 90° clockwise and the columns then reversed.

'Phags-pa was added to the Unicode standard in version 5.0 in 2006. This font however uses an ad-hoc mapping to Ascii characters which admittedly doesn't always make sense. I kind of gave up in the end and started assigning a bunch of letters to digits. Letters are connected into syllable block by a thin line (mapped to '-'), usually on the right-hand side. A straight line clashed wth the serifs so I made it into a small arch.

The script is an abugida: the vowel ‹a› is inherent in each syllable and thus not written.

Inspired by Radim Peško's 'Agipo' typeface. mx Kurino is a condensed sans serif typeface with a bold weight. Good to use as a header font, providing impact with simplicity.

A pixel font I made in all caps for a game I am making!

Some alternatives to the "long leg" are in these glyphs: < for K short, > for R short, [ for h long, ] for k long and ^ for A long.

I expanded on my previous font, relaxing the rules on placement of segments.  I was then able to add uppercase letters, and enhanced the lower case letters where it was needed.  Still a WIP - converting the accents.

Apparently, it is quite easy to forget what gets a fontstruction going. Something about ultra condensed bla bla bla. The rest is just a matter of having a creative activity to occupy the mind. And if in the process you can help out a friend, all the better.

Underground is based on the typeface used on The Velvet Underground's debut album "The Velvet Underground & Nico" from 1967. Currently only the A-Z, a-z, 0-9, and basic punctuation are available.

This is [was] a minimum [http://fontstruct.com/fontstructors/minimum/public] font, created December, last year. Unfortunately, minimum account has developed some problems that prevents normal usage such as editing descriptions, downloading fonts, commenting, etc. Nevermind. He was useless anyway. :-)

Also, I can't seem to figure out how to create links either. This must be my dumb year.

Inspired by a vector image seen on shutterstock. Some alternates in lower case.

 My first font including cyrillic basic character set. Help me with they (I'm a complete newbie with the cyrillic glyphs), please. Waiting for your comments improving these glyhs . 

I don't know if this has been done before.

It's just a simple & elegant solution utilizing 4 parallel lines.

See how neat the letter 'B' is formed by 6 rectangles.

I love the traditional French "Petit Beurre" biscuits made in Nantes on the French west coast where the Loire meets the Atlantic.

The biscuits are thin, crunchy, light, not too large, not very sweet, melt on the tongue, and biscuits very like the original can be made/baked quite easily.

The original biscuits have a limited range of letters, enough to write the name of the town, the factory and the type.

I spent some time looking at other type of the Victorian/Art Nouveau era until I had collected enough information to help me design the missing letters. I added the French diacritics (naturally ;) ) I think my additions look successful.

The square brackets [ and ] make a biscuit shape when used 'blank'.

Bon appetit, enjoy your "Biscuit de l'Ouest".

every glyph is made from an original rectangle.

Art deco