I decided to make a design which incorporated the thinnest/lightest weight lines possible in FontStruct. This is the result; I'll add more if people like it.

These 1/32 lines cannot be accurately nudged, so a unique line has to be built for each vertical position where I want a line. These lines also cannot be centered on a place where two curves meet (such as the middle of B or R). This introduces some unintentional asymmetry to the design, but I like it, so I'll keep it.

There is also the problem that forming a diagonal line of the same line weight is nearly impossible. While angled 1/32 lines can be formed, their angles are all close to 0. No method exists for making a line which slants at 45 degrees while also being 1/32 weight. So, I had to make some thicker lines in certain areas. I don't think they detract from the design, but if you scrutinize this enough, you'll notice them.

Isometric 3D outline style typeface.

The glyph have a exact copy slighly elevated and to the right of its original which I then connected with eachother to create the box-like three-dimensional idea.

Because of some serious design difficulties it remains far from complete, but I am kind of done with it for now due to this. For now only support for uppercase, no numerals and very limited punctuations. I think I fully kerned it, or at least everything that is important. On last thing I need to mention, the smallest open spaces doesn't allow this font to work in very small size. These will look filled at smaller point size.

I'm not sure if I will ever try another attempt to finish it at a later stage. (who will tell..) ;)

But I think what I've got so far is too cool for not publishing it. So for now it would do just fine as a logotype or for a decorative usage but not much else.

Enjoy!

Inspired by a type identification request over at Typography.guru.

During developement, the tool has taken over, also helped by the scarcity of letters available in the original, making the design more sans than serif, and with strong MICR vibes in some places.

The name means "shoe shop" (also shoe repair or shoe making) in Italian.

At the moment the language coverage is limited to Western Europe.

A futurustic typeface inspired by the classic NASA worm logotype.

Uppercase only, no lowercase planned!

Enjoy nonetheless

A pixel font which combines four experimental techniques at once:

1. Structurally disconnecting the stems from the open parts of letters.

2. Allowing glyphs to extend beyond the reaches of width and starting position.

3. Designing glyphs specifically to connect and form new shapes, rather than simply allowing shapes to emerge from existing characteristics.

4. Designing glyphs so that the overall font is free of a need for kerning.

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Alternates are now on UPPER CASE. I'll continue to update this as I get more ideas!

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Original size: 6.75pt (use multiples of this value for pixel perfection)

Modern modular geometric minuscule script style sans-serif typeface.

A slightly leafy engraving-style Decolike.

"thank god theres a copy and paste function"

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i thought an isometrical font would be nice so i made one

wow i like 3d fonts huh

Geometric semi-serif gothic grotesk design

Bauhaus inspired geometric design.

I know there is tons of out there already, still I had to do one myself!

It's far from perfect, but it was made on a very tiny grid space, so a whole lot of space to occupy with bricks wasn't a luxury this one!  (I'll demonstrate a example below)

Still I think it looks pretty rad so far!

The regular version for STF_UNI

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UNI - is a all caps semi-serif 3-D outline display typeface that was aimed at college sports teams.
The font features 2 styles, regular & shadowed (cloned to a seporate fontstruction).

Shadowed version is found here: 

https://fontstruct.com/fontstructions/show/1605019/stf-uni-shadow

Enjoy!

I saw a old poster on the internet and this is a remake of the font it used.

By request, a condensed and quirky outline font!

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Original size: 7.5pt (use multiples of this size for pixel perfection)

Version 1.3: Added Polish.

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This font used to be a normal Decolike... until someone decided to chow down on it! They seemed to prefer the taste of spurs, as all of them have been bitten off, leaving only semicircular impressions.

"Nervousa" is an anagram for "Ravenous".

A variant of Marrada with more angles.

Usually with designs I try to make every part look like it "belongs" with the others as opposed to trying to make each part look its best. With Marrada, I struck a balance between the two. Q1@*&{} are probably the best examples of this sort of balance...

This was a simple idea started from S and T. Most of the glyphs have two verticle strokes that are 4-bricke-wide and a 1-brick-wide area in the middle of the character. except I, L, S and T (actually a lot more). They are a bit different. Especially S, T and L. The whole characters are only 8 bricks wide. As I mentioned above, It's because the whole font started from these characters.

Straka the name came from last name of a person. The S and T reminds me of this person's last name. I like this last name although I don't even know him.

About the Latin extension, I have made only the glyphs that require no new design, just diacritics and already made letters. So I can pretend like hard-working on fonts but copy paste in reality. :P

Also, I made Arabic glyphs. Only isolated forms. Which I suppose won't be a comfortable experience to Arabic users. It's like every letter has crazy swashes but every letters are lightyears away from each other.(or is it?)

Credit me bcuz it took days and I gave it all to you for free. Unthankful hairless ape. :p

has it gone 2 far? hope it didn't hurt you.

BEST WISHES TO ALL OF THE FONTSTRUCT COMMUNITY,

HAVE A PROSPEROUS 2019!!

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A simple geometric tile mosaïc design, and has only a very limited character set.

A sort of deco inspired science fiction-esque font, please enjoy

Version 1.3: Added Polish.

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Another asymmetrical sans-serif made for use in rulebooks for the Freeform Limitless Adventure Kit (FLAK) pen-and-paper game system. This one is classed as a hybrid and works well at all point sizes!

It began as a Constant Height design, but now I don't classify it as such since most of the letters with diacritics are taller than those without. A few letters (eszett, thorn, eta, etc.) are allowed to descend slightly, as well.

This font has also found some use on signage at a friend's bistro!

stencil.