More of an experiment than an attempt at an amazing typeface, but I thought it'd be a fun entry nonetheless. Don't let the creation date fool you: I started this design in early 2014. There were many issues that had to be remedied before publishing, most notably the lack of characters and major discrepancies between the shapes of serifs (some were entirely triangular, others entirely curved). It's still heavily a work in progress. Suggestions are encouraged, especially for the Q and punctuation. Thanks and enjoy!This is a clone
(This font is dedicated to my dear friend Miguel and his wife María. Miguel just died on 26/may/2012. ¡Nunca te olvidaremos, compañero!)
Work in progress (kerning and more glyphs to come).
This font draft was created with the theme of massive, I wanted to create something that looked physically imposing and noticeable. To create the structure, I looked at buildings and cityscapes around the busiest parts of Bristol City and wanted to play with perspective as if the viewer was standing beneath a building and looking up at it, I ended up making a font that reflected the uniformity and scale of buildings.This is a clone
My first entry for Serifcomp. Originally created in 2013, when I still had little knowledge about the finer details of type design. I've made major changes to the original design while trying not to lose its original feel (avoiding diagonal strokes, for example). I ended up making major changes to M, Q, T, W, f, k, m, q, r, t, and w, and minor changes to a bunch more; a ton of kerning was also required. It's not very polished yet, but it's a start...
Some alternates are available in Latin Extended A. As always, suggestions and critiques are welcome. Thanks and enjoy!
Capital letters have a white strikethrough. Lowercase letters are complete.
To get the PARALLAX logo (my made up company), type [%].
Also see the 2d version of my font, "PARADOXICAL-VORTEX-FLATTENED."
2017-11-30 - Put the strikethrough on the capital accented characters. Also fixed a spacing error with the [$] symbol.
2017-12-01 - Due to popular demand, I have added 150 new and accented characters.
2017-12-02 - Added 86 more characters, bringing the total amount of characters to 341. Also updated [¥] symbol and single accents.
Richter is a font inspired by the idea of instability. I initially looked at the idea of falling; the aftermath of an earthquake. However, the current design looks not at the aftermath of an earthquake, but at the aftermath of falling. The design is heavily inspired by breaking, smashing and the general consequences of an unstable object splitting apart.
Gloria is inspired by 1930's architecture. The theme for this idea is ‘destructive'. I looked at the exterior of buildings and the disappearance and destruction of 1930's architecture and the art deco era and style. The font is a combinination of curves and straight edges which expresses the style of architecture from that time. The detail on the letters will look better at a larger scale so it would be best for display. Anyone wanting to convey a period time or the art deco movement this is the font for you.
I created this typeface around the theme of gregarious, focusing on gregarious plants. I started with drawing the letterforms in ink using a rolled up leaf. The results were twig-like marks which reminded me of the illustrations from 'A Monster Calls' so I developed the letters thinking how they could work alongside this or another story. The name 'This Wild Earth' is taken from the book and I think reflects the scratchy and bold feel of the typeface.
Messe Muenchen is my latest in a series of fonts named after German Trades Fairs. This one could be put to good use in a college logo or something similar.
for commercial use look here: https://chequered.ink/font-license/
Eclectic font. You can even make a led T-shirt for a party. Cyrillic caps while remaining eclectic refers to its Soviet past.
See more: Dalliance
https://www.fonts.com/font/linotype/devinne/ornamental-regularThis is a clone of Kuliboni
simple cursive pixel font
capitals are for connecting after a letter with a stroke ending on the median
real capitals are at unicode spaces 0040-007E
Initially made for NW & SW European members' languages this typeface has grown over time to include glyphs for most European languages. My friend Ray will be happy to see Welsh and my friend Johneen can write in Maori :)
Thanks to TCWhite I've found the 2E2E point to place my favourite punctuation/symbol correctly.
I've sent this to be rewiewed for Google Fonts. Having done so I'm stuck, I don't know how to proceed there: how can I get people to look at it, comment?!This is a clone of MasterClass 1
Topo was originally inspired by the theme Filthy. The idea of compact lines came from looking at the shapes chewed into chewing gum pieces which are wrongly discarded on the floor. Using topographic maps I created the lines for each letter respectively hence the naming of the font.