A font designed to look like neon light letters.

MOVIEMAX  — Groovy bold & roundish 70s display sans
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Moviemax is a bold display sans-serif that has a groovy 70s offbeat look. Essentially an all-caps lettering concept with simple looking letters. The basic geometry and inversed contrast with its soft rounded finish create an immediate endearing effect.
The default characterset comes as all-caps (unicase) only, with no glyph alternative forms. It has been completed with additional symbols and punctuation marks.

To make thing a little more interresting I have also included a full (A-Z) alphabet set of small-caps letter modifications with drastically altered proportions. Complete removal of the inversed stressed contrast to make a more simplified and cleaner looking minimalist letter style. Their size was also reduced to 50% of the cap-height (scale ratio ≈ 1:2), providing an optional alternative for the missing lowercase forms in the font.

To finished off this extra set of small capital letters, another additional full (A-Z) alphabet set of large capital letters was included. These letters have also been scaled down a bit to better fit with the small capital letter set (scale ratio ≈ 6:8 or 75% of cap-height).
The 2 sets include a slight more unique and stylized level of sophisticated characteristics to the font, and when used combined together in a mixed-case text format creates nice text capitalization.

These alternative forms are located in the Halfwidth and Fullwidth Forms unicode block.

A set of basic punctuation marks that align with the small capital letters had also been included and could be found in the Halfwidth and Fullwidth Forms & Private Use Area 2 unicode blocks.

I hope y'all like it

Cheers

The font on the Irish Series B Banknotes.

DOBINI BALWAUM (Inline) — Didone-style 18th century modern serif
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Dobini Balwaum is a Didone, or modern, serif typefaces inspired by the works of Bodoni, Didot and Walbaum.

This font had been in the making for quite a long time as I ren into several design difficulties along the way. Most challenging parameter was the inline width. By default the width for the inline was set at 0.125 (or 1/8th) grid units.

Maintaining a constant width for the inline proved to be next to impossible. Therefor it evolves around a 'close' approximation of 0.125 units instead. Stroke weight for the letterform contours also proved to be somewhat of a constraining factor for the overall design concept. As it limits the ability to build complex geometry.

Due to the complexity in brick arrangements the font remains having some minor imperfections that I wasn't able to polish out so far yet, and some may never will..

For now only Basic Latin letters, it remains a WIP

I hope you like it so far,

Cheers

Its purpose built negative font with small overhangs to mask eventual gaps between blocks. Blocks are almost unified (separators and letters I,M,W and some greek and cyrillic are exceptions).

There is also lighter version of this font

MARTIAN AMBASSADOR — Future retro / Sci-Fi style
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A future retrostyle that reflects the social construct at the dawn of the Computer Age through the zeitgeist of that 70s and 80s aesthetic fashion, which was strongly influenced by things such as: space, computers, sci-fi and cyberpunk.

Part of the Stu font family, Stu Mid keeps all lowercases tucked within the x-height space. The character glyphs can be used interchangeably between the various Stu styles to achieve a more "bouncy" typesetting effect.

Stu pays homage to oldstyle numerals, where type designers vary the heights of numbers to resemble a line of running lowercase text. It seeks to address the question: "What if every lowercase alphabet also had varying heights?" The result is a font family with full-fledged ascenders ('Hi'), strictly x-heights ('Mid'), and only descenders ('Lo').

You can view the documentation of the Stu font family design here.

Free for personal use only

Initially inspired by SB Standard font (2013, Craig Staiton) with many modifications and recreated glyphs... And made to saving half the ink when you print your text with it, which is very important in today's times, you know :))

A neon-signs-inspired chromatic fontstruction for the Color Competition.

Manufaktur

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The cyanotype was developed in 1842 by Sir John Herschel. This process, commonly used for blueprints, involved placing an object onto a surface and covering it in a solution of Iron (III) salts. Once the solution is exposed to ultraviolet light, the Iron (III) salts are converted into Iron (II) salts. After exposure, the suface is washed and the water reacts with the Iron (II) salts to form a Prussian Blue pigment that blueprints are known for.

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Manufaktur is a monospaced typeface and while it has upper and lower case letters, it is really unicase. Manufaktur is intentionally stripped of most characters, coming with only the most essential. The idea being that Manufaktur has the bare minimum, but is still functional as a typface. It was designed with the intentions to be used in a machine shop more than on a page.

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Notes:

Manufaktur is set in #002c8c, as a reference to blueprints. I had wanted to use Pantone's Prussian Blue (#003153) but it was too dark. 

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Some of the stenil lines (C, J, O, Q, U, 0, and 2) were made using white bricks. I had experimented ways to get the stencil lines without using white bricks, but it looked much cleaner with them. Being a color font, you should be able to change the color of the white bricks to mach your background. It's not ideal, but it's what looked the best.

Work in progress. It seems this idea wont ripe fast enough to reach the competition. Still it was fun to play with these color options.

This is the third font in the db Artmix series.

LInspired by this pretty font by fugitiveglue. I've added a bright point on each little ball. Better see at big size.

a simple cursive pixel font, except the pixels are actually sparkles, and some punctuation are also sparkles !!!

work in progress 

ColorComp entry, inspired by the Memphis art style. I started this originally a few years ago with several color variations (using the three main colors), but I couldn't decide which ones to go with, so this sat unfinished for a while. In the end I decided to go with this.

Work-in-Progress …

a little outside of the art deco era, inspired by astigmatic's "sacramento" and tortoiseshell's "sonoma," while keeping with the californian theme~

A wide stripe font with a couple art deco elements. Please enjoy~

Started with the concept of having only one rounded corner at the top. Named after the Bugatti Veyron.

Unicase font with a handful of alternates on the lowercase zone.

LEOPOLD PRO (Serif-Regular) — Modern geometric condensed slab-serif
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This font is the second style instance for the newly launched "Leopold Pro" typeface family, and is kicking off this new family of fonts.

The first one came as a minimalist, geometric sans serif style, this second font adds a serif style variation to the family. Both the "sans-regular" and "serif-regular" styles have identical visual properties for size and weight to allow seamless combination of the two, and as the name already suggests, represent the "Regular" style for the family.

Motivation for this was to craft a slab-serif style for the original geometric letterforms that has strong antique mechanistic qualities to add somewhat of a typewriter characteristic.

The relaxed optical proportion, short unbracketed serifs and open spacing results in clean and pleasant to look at text. Largely thanks to these properties it is still relatively legible in terms of a slab-serif style.

The other style can be found here:
LEOPOLD PRO (Sans-Regular)

Two additional extra "Light" and "Bold" weight classess are also currently in development, both remain works in progress for now, but are expected to be included in the future.

I hope y'all like it so far,

Cheers

ColorComp entry

this idea came out of nowhere, but i followed it and got this!

Opening Day of Marvel's "Madame Web" movie!
Keeping it simple with a shaded 3D extrude and red spider-sense lines.
I wonder if the Spiderwomen have the Peter Tingle? 

Ever seen a Z like that?

This font is a not too curious case. It comes after trying to prove to myself (with a high percentage of satisfaction, but not quite yet) that FS can allow me to create pro-looking fonts. I am thinking, for example, of zerena, zchreibengroß, zimmera, zenando, zenantoo, zanze, zinckel and others like that. Every time I finish a font that has taken me a long time to complete, I feel the need to look back and do something more relaxed and simple. Thus, without any pretense but feeling fun and friendly, zikiya was born. Hope you like it.

FORMALISMS - Modernist inline display type

Rigid square-based inlined modernist display style with incised (fake-) 3D effect, mimicing a quirky and non-logical take on twisted geometric form and sometimes folded appearance.

Some characters, but mainly symbols still need slight improvements, some are still missing as well.

The bi-linear stroke was incised at certain specific positions and had one or more (cross-)intersecting line segment included that connect the two colinear strokes. This is creating 2 additional extra geometric hyper-planes, and allows the option of including the illusion of looking at three-dimensional geometric objects.

But the way this is implemented into the design in fact obeys no relationship to any actual fundamental propeties and isn't necessarily a correct three-dimensional form, nor fully or faithfuly folded.

The glyphs also have somewhat of a monogram logo style quality

Hope you like it

Cheers