501394
Published: 16th July, 2008
Last edited: 22nd June, 2009
Created: 15th July, 2008
Letters built from letters!
Warning: Do not stare at the font too much or you may get a headache :)
Enjoy!
And don't forget to rate/comments.
Thanks...This is a clone of Traffic Light
1721989
Published: 22nd June, 2008
Last edited: 16th June, 2009
Created: 22nd June, 2008
It's a little bit country. This one makes me hungry for some reason. All caps w/ some alts in lowercase.
651302
Published: 27th July, 2008
Last edited: 16th April, 2009
Created: 23rd July, 2008
blood, sweat & tears - sweaty and teary - the original bloodless version. started as raindrops then i thought it looked more like tears or sweat. then i filled in a drop and thought...blood!
178131911
Published: 31st July, 2008
Last edited: 22nd June, 2009
Created: 27th July, 2008
Like Masphalt, the original inspiration for this one comes from Stefan Kjartansson's Black Slabbath. I think I played enough with it to make it my own. Like the two-story lowercase g and lowercase a. Squishing that middle stroke really gave this one a personality. I kept all the counters rectangular, try not to hide the hard edges. This is my first time going through the diacritics to give me a holler if you see something wrong.This is a clone
21015320
Published: 19th April, 2008
Last edited: 19th June, 2009
Created: 19th April, 2008
This started as one of my first fonstructions, but I never got around to finishing it. The capital letters proved too vexing. But the lower case came out well enough.This is a clone
831796
Published: 11th June, 2008
Last edited: 8th August, 2008
Created: 11th June, 2008
based on some basic cross stich patterns - lower case is no big deal!
23311296
Published: 23rd June, 2008
Last edited: 15th June, 2009
Created: 23rd June, 2008
Slabbedask Fat with titling figures.This is a clone of Slabbedask Fat
7511955
Published: 1st July, 2008
Last edited: 18th April, 2009
Created: 1st July, 2008
The final version of indigena, with more work and charactersThis is a clone of indigena
271263
Published: 7th August, 2008
Last edited: 22nd June, 2009
Created: 16th July, 2008
My 5yr old hates math. But she loves coded messages. Answers are simple code: A=1,B=2,etc. This way she has to do math before being able to decode message. I got tired of coding her messages by hand. I haven't done lower case yet.
721127710
Published: 15th August, 2008
Last edited: 29th June, 2009
Created: 13th August, 2008
I created this font by trying to replicate the font Monty Python used to write the title. Now with some punctuation. currently working on Greek and cyrillic.
471392
Published: 25th August, 2008
Last edited: 16th June, 2009
Created: 24th August, 2008
I didn't realize how hard it would be to get all the letters off a digital clock until I picked a pattern of cells and stuck with it.
291466
Published: 25th August, 2008
Last edited: 12th March, 2009
Created: 22nd August, 2008
a temperature font. see comments for key or experiment and figure it out :)
891386
Published: 2nd September, 2008
Last edited: 22nd June, 2009
Created: 2nd September, 2008
Tangience. A fractionally scaled fontstruction utilizing a molecular coagulation of fused tangent circles. Best viewed magnified under an electron microscope.This is a clone
14412612
Published: 11th September, 2008
Last edited: 3rd November, 2008
Created: 11th September, 2008
Clone of Eclat Weave Rounded White.This is a clone of Eclat Weave Rounded White
17712614
Published: 11th September, 2008
Last edited: 3rd November, 2008
Created: 11th September, 2008
Clone of Eclat Weave.This is a clone of Eclat Weave
661573
Published: 15th September, 2008
Last edited: 8th March, 2009
Created: 15th September, 2008
Do you think that pixel fonts are new?
1920's...the Bauhaus...these were really modern times....
15719814
Published: 16th September, 2008
Last edited: 3rd November, 2008
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.