Caps only font. You can use the glyphs placed at the lowercase to add a different second letter in pairs like EE, FF, LL, NN, OO, SS, TT, ZZ, etc. and to avoid graphic repetitions in a single word or phrase. Extra "c" at the "¢" glyph. (NB: To create this one I have greatly exaggerated the method used by my admired Beate -sorry, Maestra- in her font db Whisper, which successfully simulated hand-drawn letters.)

This font was created around the theme of decay. I took inspiration from shapes and forms within the pieces of a badger's spine and manipulated them to construct the alphabet. Here is my blog :) > http://hollydennis.tumblr.com/ website> www.hollydennisdesign.com

This is my homage to the late Dutch master. I tried to capture the impossible geometry, sense of space, and even the colours of his works. You can see and download the new v2 here:

Hommage a Escher v2

and

Hommage a Escher v2 extLat

.

My final entry in the competition. Inspired by Mazey, zlabyrinths eYe/FS, and wavelength. Each glyph has its own maze, and each maze connects with the next. Tilde ~ and low line _ connect words, grave ` closes beginnings and ends, and the left and right arrows < > are for the start and end. There are also some alternates in Extended Latin A. Suggestions and critiques are welcome. Thanks!

UPDATES:
04/06/14 The whole font has been updated to be one brick taller, and thus properly fit onto a grid. Also, some characters have been redesigned. V2.0
05/13/14 All punctuation has been modified to continue a word maze. V2.1
07/05/14 1000 downloads! Hooray! As a 'thank you', I've completed more of More Latin. V2.2
08/22/14 I've made the accents part of the maze. I've also changed a few characters, and added Œ and œ. V2.3
08/04/15 Added Polish support with Ą, Ć, Ę, Ł, Ń, Ś, Ź, and Ż. Tweaked a few characters as well, and added a crossbar to the ð. V2.4

06/18/16 Added support for multiple languages with more Cyrillic chars and punctuation. Also tweaked a few chars.

VEROORDEELD - A geometric slab serif

This is a small type family with two style variations, see links bellow!
 • Display    Bold contrasted display version    ◄- U are here!
 • Text        Light weight monostroke version

Ligatures "ff" and "tt" are at the "fi" and "fl" glyphs.

Work-in-Progress …

Umbriel is a moon of Uranus. It is named after a character in Alexander Pope's poem "Rape of the Lock."

slab serif font. :)

STF_EIN BERLINER - Condensed geometric sans-serif typeface.

Inspired by the lettering seen on a variety of different Dutch and German street signs.

The simple and clean geometric letterforms provide this typeface with a strong legibility in both display & body style text.

(grid size 3,5 × 7 at 2x2 brick size filter)

Enjoy

Support for 34 languages:
Afrikaans, Albanian, Belarusian, Bosnian, Bulgarian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Greek, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Macedonian, Maltese, Norwegian, Polish, Portugese, Romanian, Russian, Serbian, Slovak, Slovenian, Spanish, Swedish, Turkish, Zulu.

STF_DIDUDE -A condensed neoclassical "Didone" serif style.

The idea revolved around the basic concept for didone style typefaces.
A genre characterized by a modern unornamented standard letterform that was very popular for general-purpose printing during the nineteenth century.

==============================================================
Main design parameters for DIDUDE are:
Typical narrow unbracketed serifs, vertical orientation of weight axes with strong contrast between thick and thin lines. So the majority of important features that really distinguish this genre I have tried to implement.

I didn't embarge on a quest to delivering a conceptual overhaul of this genre. Instead, the idea was to simply keep it faithful to existing tradtion. But, I did make 'some' personal design decisions that (i think) set this font apart from most more traditional fonts in this genre. Most obvious are its condensed style and the more relaxed contrast ratio I've choosen for this particular design.
I've also tried to include some extra personal touch to the stroke endings, which feature slight typographic decorative variations, such as occasional spurs, breaks, curved finials as well as plain terminals, there is even some ever so gentle height deviation and overshoot going on.

In addition to this there is a large character set that includes a little bit of everything:
Basic latin character set, latin-1 supplement set, stylistic ligatures and alternatives, punctuation marks, lining and non-lining figures, roman numerals, greek uppercase, mathematical, symbols and decorative shapes.

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Only partial kerning is applied for now and it remains a WIP, more characters follow.

Nonetheless,

I hope y'all like it so far..

Cheers

To my dearest David Bowie, in memoriam.

Font for composing large-and-small letters together. Try pasting this on the user input preview: "ZaRaTus7Ra PicTuRe -in -pic7uRe"

04.04.20. Lockdown 2020. 
Lockdown doesn't mean you cant level up.
It doesn't have to feel like you're behind bars.
It could be used as a time for personal transformation.
Affecting your outer world by expressing your inner world.
Fonstructing can be a meditative experience.
It all depends on your perspective.
You can fontstruct as a way of creating cool fonts,
or you can see it as creative expression that forms letters,
that spawn words, that serve as the visualization of thought
that manifests deeper meaning. Or not.
Peace, Health, and Wellness to all!

Fontstuff:

Uppercase = worn down brick walls
Lowercase = plain walls
| = 4 bars
- = 1 bar
( & ) = Bent pipes open/close
{ & } = Scaled pipes open/close

A serif-comp entry reminiscent of molecular models with simple angles and subtle serifs. Please enjoy

The counters in breach overlap the outlines of their glyphs and extend beyond them. x-height: 3 bricks

I really liked my last slab serif font, and so I decided to make another one. This time, we've put the file on it and rounded the corners.

====[ EDUCATIVE INTRO ]====

At a time when making books was a very time-consuming and labor-intensive process, an increasingly literate 12th-century Europe required more and more books. To keep up with the increasing demand for the spread of literature was a ongoing struggle. Writing materials such as inks, dyes and parchment were very expensive. And it wasn't until the 15th century, when parchment was largely replaced by paper, along with the arrival of the printing press, for it to gradually became cheaper, faster and less labor-intensive.

So it made perfect sense to find other ways to help with this process.
Simplifying a script and cutting back on the decorative calligraphy was the most effective way of doing this.

This led to the development of simplified variations to pre-existing bookhand scripts. One of such forms is littera textualis, categorizing within the Textualis/Textura or simply Gothic bookhand scripts group.

Littera textualis is the simplest and least calligraphic form of textualis. It was developed with just two main goals in mind, to save time and costs. The simplified letterforms could be written much quicker than the more calligraphic and luxurious variations. It offered a more cost effective and faster version to the script. It was often used for less important literary works and academic papers.

It functioned as the standard bookhand script in the Netherlands during the 14th & 15th centuries.

====[ ABOUT THIS FONT ]====

TEXTUALIS BATAVICUM - A calligraphic inspired Blackletter/Gothic bookhand script. Essentially a Textualis/Textura inspired work.
The design mainly follows the concept for a traditional form of littera textualis bookhand script as was described in the intro written above.

It remains a work in progress and I will add update info for this font in the comment section bellow.

Some character still need slight adjustments, but so far I am very pleased with the result. As you can probably notice, the uppercase characters have slight more weight than the lowercase has.

More characters follow soon.

I hope y'all like it